If we are to understand Marx's thought, argues French philosopher Michel Henry, we must cast aside Marxism. In his original and richly detailed study of Marx's philosophy, Henry emphasizes the importance of approaching Marx's writings directly, rather than through the intermediary of subsequent interpretations, which often have been politically motivated. In contrast to the usual depiction of Marxian thought as an economically oriented analysis of social reality, Henry contends that in Marx's theory philosophy is primary. Therefore, Marx's writings must properly (...) be viewed--and judged--within the context of the modern philosophical tradition. Marx's basic concern, Henry demonstrates, is with the nature of the human being, the real conditions of human individuality. Central to Henry's reading of Marx, and elaborated here with unprecedented thoroughness, is the theory of praxis, a conception of the individual not as a thinking being, in the Cartesian tradition, but as a laboring being, a producer and consumer situated in a concrete social world. This novel and provocative contribution to the current debate about the nature and meaning of Marx's thought is essential for students of philosophy, Marxism, and political theory. Kathleen McLaughlin's excellent translation of Henry's abridgement of his two-volume work preserves the power and freshness of the French original. (shrink)

In volume 1 of this three-volume work, Paul Ricoeur examined the relations between time and narrative in historical writing. Now, in volume 2, he examines these relations in fiction and theories of literature. Ricoeur treats the question of just how far the Aristotelian concept of "plot" in narrative fiction can be expanded and whether there is a point at which narrative fiction as a literary form not only blurs at the edges but ceases to exist at all. Though some semiotic (...) theorists have proposed all fiction can be reduced to an atemporal structure, Ricoeur argues that fiction depends on the reader's understanding of narrative traditions, which do evolve but necessarily include a temporal dimension. He looks at how time is actually expressed in narrative fiction, particularly through use of tenses, point of view, and voice. He applies this approach to three books that are, in a sense, tales about time: Virgina Woolf's _Mrs. Dalloway;_ Thomas Mann's _Magic Mountain;_ and Marcel Proust's _Remembrance of Things Past_. "Ricoeur writes the best kind of philosophy—critical, economical, and clear."—Eugen Weber, _New York Times Book Review _ "A major work of literary theory and criticism under the aegis of philosophical hermenutics. I believe that... it will come to have an impact greater than that of Gadamer's Truth and Method—a work it both supplements and transcends in its contribution to our understanding of the meaning of texts and their relationship to the world."—Robert Detweiler, _Religion and Literature_ "One cannot fail to be impressed by Ricoeur's encyclopedic knowledge of the subject under consideration.... To students of rhetoric, the importance of Time and Narrative... is all too evident to require extensive elaboration."—Dilip Parameshwar Gaonkar, _Quarterly Journal of Speech_. (shrink)

_Time and Narrative_ builds on Paul Ricoeur's earlier analysis, in _The Rule of Metaphor_, of semantic innovation at the level of the sentence. Ricoeur here examines the creation of meaning at the textual level, with narrative rather than metaphor as the ruling concern. Ricoeur finds a "healthy circle" between time and narrative: time is humanized to the extent that it portrays temporal experience. Ricoeur proposes a theoretical model of this circle using Augustine's theory of time and Aristotle's theory of plot (...) and, further, develops an original thesis of the mimetic function of narrative. He concludes with a comprehensive survey and critique of modern discussions of historical knowledge, understanding, and writing from Aron and Mandelbaum in the late 1930s to the work of the Annales school and that of Anglophone philosophers of history of the 1960s and 1970s. "This work, in my view, puts the whole problem of narrative, not to mention philosophy of history, on a new and higher plane of discussion."—Hayden White, _History and Theory _ "Superb.... A fine point of entrance into the work of one of the eminent thinkers of the present intellectual age."—Joseph R. Gusfield, _Contemporary Sociology _. (shrink)