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  1.  43
    Affect and non-uniform characteristics of predictive processing in musical behaviour.Rebecca S. Schaefer, Katie Overy & Peter Nelson - 2013 - Behavioral and Brain Sciences 36 (3):226-227.
    The important roles of prediction and prior experience are well established in music research and fit well with Clark's concept of unified perception, cognition, and action arising from hierarchical, bidirectional predictive processing. However, in order to fully account for human musical intelligence, Clark needs to further consider the powerful and variable role of affect in relation to prediction error.
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  2.  7
    Music, consciousness, and the brain: music as shared experience of an embodied present.Andy McGuiness & Katie Overy - 2011 - In David Clarke & Eric F. Clarke (eds.), Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford University Press. pp. 245.
  3.  44
    Music, consciousness, and the brain: music as shared experience of an embodied present.Andy McGuiness & Katie Overy - 2011 - In David Clarke & Eric F. Clarke (eds.), Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford University Press. pp. 245.
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  4.  13
    Moving to Music: Effects of Heard and Imagined Musical Cues on Movement-Related Brain Activity.Rebecca S. Schaefer, Alexa M. Morcom, Neil Roberts & Katie Overy - 2014 - Frontiers in Human Neuroscience 8.