Results for 'Ken-Ichi Hara'

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  1.  38
    LTP plays a distinct role in various brain structures.Ken-Ichi Hara & Tatsuo Kitajima - 1997 - Behavioral and Brain Sciences 20 (4):620-620.
    LTP is thought to be an experimental model for studying the cellular mechanism of learning and memory. Shors & Matzel review some contradictory data concerning the linkage between LTP and memory and suggest that LTP does not underlie learning and memory. LTP is a cellular and synaptic process and cannot be a memory mechanism. In fact, it is a cellular information storage mechanism.
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  2. Seimei no imi.Masao Takenaka & Kenʾichi Gōhara (eds.) - 1900 - Kyōto-shi: Shibunkaku Shuppan.
     
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  3.  10
    21-seiki no hō fukushi iryō: sono kadai to tenbō: Yamagami Kenʾichi Hakushi koki kinen ronbunshū.Kenʾichi Yamagami (ed.) - 2002 - Tōkyō: Chūō Keizaisha.
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  4. "Okinawa kaku mitsuyaku" o seotte: Wakaizumi Kei no shōgai.Kenʼichi Gotō - 2010 - Tōkyō: Iwanami Shoten.
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  5. Sōtairon.Ken'ichi Gotō - 1972
     
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  6.  3
    Nīche to sono kage: geijutsu to hihan no aida.Ken'ichi Mishima - 1990 - Tōkyō: Miraisha.
    近代の哲学的思潮の中でニーチェへの再評価は目覚ましい。本書はドイツ現代思想の第一人者による本格的ニーチェ論であり、その影響力を今日に問い直す。.
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  7.  6
    Shiryō ni miru songenshi mondai.Ken'ichi Nakayama & Akira Ishihara (eds.) - 1993 - Tōkyō: Nihon Hyōronsha.
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  8.  8
    Nihon dōtoku kyōiku no rekishi: kindai kara gendai made.Ken'ichi Eshima - 2016 - Kyōto-shi: Mineruva Shobō.
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  9.  14
    "Mōshi" no kakumei shisō to Nihon: tennō-ke ni wa naze sei ga nai no ka.Ken'ichi Matsumoto - 2014 - Iwaki-shi: Shōheikō Shuppankai.
    日本国家の成り立ち、天皇制のかたちに「孟子」はどのように関わっているのか。古代より現代に至る政治思想史を“革命”の視点から読み解く驚異の書!
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  10. Jikan, kūkan, busshitsu.Kenʼichi Ono - 1967
     
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  11.  10
    On the Origin of Indeterminancy.Ken-Ichi Ono - 1975 - In J. T. Fraser & Nathaniel M. Lawrence (eds.), The Study of Time Ii. Springer Verlag. pp. 249--257.
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  12.  13
    Masukomi wa nani o tsutaenai ka: media shakai no kashikoi ikikata.Kenʼichi Shimomura - 2010 - Tōkyō: Iwanami Shoten.
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  13. A Viewpoint of Painting? On a Problematic Theory of Computational Psychology.Ken'ichi Iwaki - 2007 - Filozofski Vestnik 28 (2):217 - +.
    The general understanding of pictorial representation as constructed through the viewpoint of the artist outside the picture space is mediated through our present-day familiarity with geometric perspective and photography. This presumes the existence of an external viewpoint. This understanding of painting has become common sense. In this way a 'historical product' has been taken as an 'a-historical essence' of our understanding. Even now, many theories on painting seem to remain caught in such a essentialist thinking. In this paper I discuss (...)
     
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  14.  8
    CLIP: concept learning from inference patterns.Ken'ichi Yoshida & Hiroshi Motoda - 1995 - Artificial Intelligence 75 (1):63-92.
  15.  9
    Detection of surface orientation and motion from texture by a stereological technique.Ken-Ichi Kanatani - 1984 - Artificial Intelligence 23 (2):213-237.
  16.  6
    L'« Esprit » en japonais ancien.Ken-Ichi Sasaki - 2010 - Diogène 3:3-25.
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  17.  34
    L'« Esprit » en japonais ancien.Ken-Ichi Sasaki - 2009 - Diogène 227 (3):3-.
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  18. Nīche.Ken'ichi Mishima - 1987 - Tōkyō: Iwanami Shoten.
     
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  19.  8
    Rekishi ishiki no dansō: risei hihan to hihanteki risei no aida.Ken'ichi Mishima - 2014 - Tōkyō-to Chiyoda-ku: Iwanami Shoten.
    歴史的人文学の来歴を剔抉し、その現場を問う。西欧人文学における歴史意識の諸側面を反省的に捉え、現代の知を挑発する著者の主要な思想史的論考を集成。.
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  20.  8
    Landscape as atmosphere. An aspect of japanese sensibility.Ken-Ichi Sasaki - 2006 - Rivista di Estetica 33 (33):85-94.
    0 From Sansui to Keshiki My subject here is the nature of landscape. The word “landscape” is to be understood in what follows in the aesthetic sense: I wish to clarify what we experience in landscape as a typical scene of natural beauty. For most people, the nature of this experience may be so transparent that its analysis is superfluous. I don’t, however, find the matter so straightforward. The fact that “a landscape” can also signify a landscape painting would seem (...)
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  21.  36
    SBSOM: Self-Organizing Map For Visualizing Structure In The Time Series Of Hot Topics.Ken-Ichi Fukui, Kazumi Saito, Masahiro Kimura & Masayuki Numao - forthcoming - Joint Workshop of Vietnamese Society of Ai, Sigkbs-Jsai, Ics-Ipsj, and Ieice-Sigai on Active Mining.
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  22. Chūsei buke no sahō.Kenʾichi Futaki - 1999 - Tōkyō: Yoshikawa kōbunkan.
  23.  10
    Living the Ageing.Ken-Ichi Sasaki - 2023 - Espes 12 (2):24-32.
    Ageing is basically a natural or physical phenomenon. For a human being, it belongs to the body. When this fact is noticed, a drama of oldness and life/death begins: ageing is a problem of experience. There are losses and gains in this experience. Indeed, a particular respect was paid to a rhapsodist/bard and a hermit because of their memory power and deep wisdom respectively. Since we recognize in these cases accumulation and maturation, the core subject in the experience of ageing (...)
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  24.  9
    Shape from texture: General principle.Ken-Ichi Kanatani & Tsai-Chia Chou - 1989 - Artificial Intelligence 38 (1):1-48.
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  25.  7
    Kojēvu no hōtetsugaku: fuhen tōshitsu kokka ni okeru seigi.Ken'ichi Katada - 2019 - Tōkyō-to Shinjuku-ku: Seibundō.
    公平の正義の道筋を明らかにする試み!普遍等質国家における人間のあり方および人間世界の統治のあり方を提示する!
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  26.  39
    Reformulation of “How Is Society Possible?”.Ken’Ichi Kawano - 2012 - Schutzian Research 4:65-77.
    “How is society possible?” posed by Georg Simmel has been one of the fundamental problems in sociology. Although various attempts have been made to solve it, I conceive that “society” in the problem remains to be articulated. Simmel provides us with two concepts of society—“society as interaction” and “society as unity”—to be distinguished. Some research traditions in sociology have been concerned with the former, others have dealt with the latter. On the other hand, Simmel maintains continuity between them. In this (...)
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  27.  25
    Should/Can Philosophy be Ethnic? Varieties of Internationalism in Philosophy.Ken-Ichi Sasaki - 1997 - Metaphilosophy 28 (4):351-358.
    This paper describes the situation of philosophy in Japan with respect to the question of internationalism. For more than a hundred years, Japan took Western culture as its model and European philosophy as the authentic philosophy. This tendency was paradoxically strengthened by the post‐war humanism. It gave us Japanese philosophers a clear discipline to work in but cut us off from our own native culture, history, and philosophical traditions. In wishing to recover this loss, I argue that it is necessary (...)
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  28.  7
    Aesthetics of Urban Design.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):63-72.
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  29.  6
    The Sense of Earthiness: Everyday Aesthetics.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):138-147.
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  30.  10
    Art and Aesthetics: From Modern to Contemporary.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):148-157.
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  31.  11
    Aesthetic Life in Anti-Urban Culture of Japan.Ken-Ichi Sasaki - 1997 - Dialogue and Universalism 7 (3):67-72.
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  32.  61
    A Silent Rhetoric: The Mechanism of Propaganda as Persuasion.Ken-Ichi Sasaki - 2008 - Contemporary Aesthetics 6.
  33.  19
    Aesthetics Tomorrow: Re-Contextualizations?Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):118-126.
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  34.  9
    Body and the Arts: The Need for Somaesthetics.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):7-20.
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  35.  11
    Body, Brain, and Beauty: The Place of Aesthetics in the World of the Mind.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):41-51.
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  36. Bigaku jiten =.Ken'ichi Sasaki - 1995 - Tōkyō: Tōkyō Daigaku Shuppankai.
     
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  37.  17
    Contemporary Meaning of European Landscape.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):73-83.
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  38.  14
    Éditorial.Ken-Ichi Sasaki & France Grenaudier-Klijn - 2011 - Diogène 233 (1):3.
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  39.  18
    Detective Novel as a Modernism.Ken-Ichi Sasaki - 2019 - Sztuka I Filozofia (Art and Philosophy) 55 (2).
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  40.  55
    Eros, Beauty, and Ugliness.Ken-Ichi Sasaki - 2008 - Nordic Journal of Aesthetics 19 (35).
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  41.  6
    エスニックの次元: 『日本哲学』創始のために.Ken'ichi Sasaki - 1998 - Tōkyō: Keisō Shobō.
    「西欧」と「近代」を相対化し、今、エスニックの次元から『日本哲学』を創始すること=「われわれの問題に発して思索する」スタイルを提唱。.
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  42.  3
    Esunikku no jigen: sōshi no tame ni.Ken'ichi Sasaki - 1998 - Tōkyō: Keisō Shobō.
    「西欧」と「近代」を相対化し、今、エスニックの次元から『日本哲学』を創始すること=「われわれの問題に発して思索する」スタイルを提唱。.
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  43.  12
    Głębsza retoryka - mechanizm propagandy jako perswazji (tł. M. Bokiniec).Ken-Ichi Saski - 2003 - Estetyka I Krytyka 4 (4):115-134.
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  44.  12
    La beauté embellissante.Ken-Ichi Sasaki - 2015 - Nouvelle Revue d'Esthétique 14 (2):101-113.
    Il s’agit ici de mettre en évidence une propriété de la beauté, à la fois subtile et évidente, mais largement ignorée de l’esthétique occidentale : la capacité du beau à embellir ce qui l’entoure. L’analyse s’appuie sur le commentaire d’un waka d’Akiko Yosano et étudie les proximités et les différences de cette beauté embellissante et de concepts philosophiques européens qui s’en rapprochent : l’éclat selon Platon, l’aura selon W. Benjamin, et le cérémonial, selon H. Kuhn.
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  45.  21
    Le feeling, ou la faculté de sentir.Ken-Ichi Sasaki & Brigitte Rollet - 2011 - Diogène 233 (1):30.
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  46.  43
    “Mind” in ancient Japanese: The primitive perception of its existence.Ken-Ichi Sasaki - 2010 - Diogenes 57 (3):3-19.
  47.  4
    Philosophy and Art: Changing Landscapes for Aesthetics.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):84-100.
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  48.  51
    Principes modernes de la valorisation de l'art : Mise en question de la valeur esthétique.Ken-Ichi Sasaki - 1993 - Horizons Philosophiques 3 (2):89-101.
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  49.  62
    Politics of Beauty.Ken-Ichi Sasaki - 2012 - Journal of Philosophical Research 37 (9999):55-60.
    This article looks at the past, present, and future of the study of aesthetics. The early modern period, during which aesthetics came into being, was a great historical turning point for civilization. So, too, is our own day. Looked at this way, aesthetics should show a different face than the one we are used to. Aesthetics is generally considered to be the philosophy of art, yet, with art regarded as an autonomous cultural field, aesthetics commonly gives the impression of being (...)
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  50. Sakuhin no tetsugaku.Ken'ichi Sasaki - 1985 - Tōkyō: Tōkyō Daigaku Shuppankai.
     
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