33 found
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  1.  42
    (1 other version)L'« Esprit » en japonais ancien.Ken-Ichi Sasaki - 2009 - Diogène 227 (3):3-.
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  2.  13
    Landscape as atmosphere. An aspect of japanese sensibility.Ken-Ichi Sasaki - 2006 - Rivista di Estetica 33 (33):85-94.
    0 From Sansui to Keshiki My subject here is the nature of landscape. The word “landscape” is to be understood in what follows in the aesthetic sense: I wish to clarify what we experience in landscape as a typical scene of natural beauty. For most people, the nature of this experience may be so transparent that its analysis is superfluous. I don’t, however, find the matter so straightforward. The fact that “a landscape” can also signify a landscape painting would seem (...)
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  3.  14
    Aesthetics of Urban Design.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):63-72.
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  4.  13
    The Sense of Earthiness: Everyday Aesthetics.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):138-147.
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  5. Atmosfere.Tonino Griffero, Antonio Somaini, Gemot Bohme, Hermann Schmitz, Elio Franzini, Ken-Ichi Sasaki, Jürgen Hasse & Barbara Carnevali - 2006 - Rivista di Estetica 46 (33).
     
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  6.  31
    Should/Can Philosophy be Ethnic? Varieties of Internationalism in Philosophy.Ken-Ichi Sasaki - 1997 - Metaphilosophy 28 (4):351-358.
    This paper describes the situation of philosophy in Japan with respect to the question of internationalism. For more than a hundred years, Japan took Western culture as its model and European philosophy as the authentic philosophy. This tendency was paradoxically strengthened by the post‐war humanism. It gave us Japanese philosophers a clear discipline to work in but cut us off from our own native culture, history, and philosophical traditions. In wishing to recover this loss, I argue that it is necessary (...)
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  7.  15
    Art and Aesthetics: From Modern to Contemporary.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):148-157.
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  8.  15
    Aesthetic Life in Anti-Urban Culture of Japan.Ken-Ichi Sasaki - 1997 - Dialogue and Universalism 7 (3):67-72.
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  9.  66
    A Silent Rhetoric: The Mechanism of Propaganda as Persuasion.Ken-Ichi Sasaki - 2008 - Contemporary Aesthetics 6.
  10.  24
    Aesthetics Tomorrow: Re-Contextualizations?Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):118-126.
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  11.  13
    Body and the Arts: The Need for Somaesthetics.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):7-20.
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  12.  19
    Body, Brain, and Beauty: The Place of Aesthetics in the World of the Mind.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):41-51.
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  13.  24
    Contemporary Meaning of European Landscape.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):73-83.
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  14.  21
    Éditorial.Ken-Ichi Sasaki & France Grenaudier-Klijn - 2011 - Diogène 233 (1):3.
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  15.  25
    Detective Novel as a Modernism.Ken-Ichi Sasaki - 2019 - Sztuka I Filozofia (Art and Philosophy) 55 (2).
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  16.  65
    Eros, Beauty, and Ugliness.Ken-Ichi Sasaki - 2008 - Nordic Journal of Aesthetics 19 (35).
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  17.  5
    Erotičnost vizualnosti. Semantična analiza japonskih besed »oko« in »videnje«.Ken-Ichi Sasaki - 1996 - Filozofski Vestnik 17 (2).
    Članek je razdeljen na dva dela. V prvem delu je obravnavan aktivni značaj gledanja. Ta je tako aktiven, da angažira naše celotno bitje v izkustvenem polju. V drugem delu je nasprotno poudarjena aktivna moč sveta: neprosojni pojav, ki poseduje to močno privlačnost, se imenuje v japonščini »oko« – ravno tako kot organ vida. Po teh analizah je obravnavana specifičnost vida med petimi čutili.
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  18. Il mondo come superficie.Ken-Ichi Sasaki - 2003 - Ágalma: Rivista di studi culturali e di estetica 6.
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  19.  22
    La beauté embellissante.Ken-Ichi Sasaki - 2015 - Nouvelle Revue d'Esthétique 14 (2):101-113.
    Il s’agit ici de mettre en évidence une propriété de la beauté, à la fois subtile et évidente, mais largement ignorée de l’esthétique occidentale : la capacité du beau à embellir ce qui l’entoure. L’analyse s’appuie sur le commentaire d’un waka d’Akiko Yosano et étudie les proximités et les différences de cette beauté embellissante et de concepts philosophiques européens qui s’en rapprochent : l’éclat selon Platon, l’aura selon W. Benjamin, et le cérémonial, selon H. Kuhn.
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  20.  28
    Le feeling, ou la faculté de sentir.Ken-Ichi Sasaki & Brigitte Rollet - 2011 - Diogène 233 (1):30.
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  21.  12
    (1 other version)Living the Ageing.Ken-Ichi Sasaki - 2023 - Espes 12 (2):24-32.
    Ageing is basically a natural or physical phenomenon. For a human being, it belongs to the body. When this fact is noticed, a drama of oldness and life/death begins: ageing is a problem of experience. There are losses and gains in this experience. Indeed, a particular respect was paid to a rhapsodist/bard and a hermit because of their memory power and deep wisdom respectively. Since we recognize in these cases accumulation and maturation, the core subject in the experience of ageing (...)
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  22.  47
    “Mind” in ancient Japanese: The primitive perception of its existence.Ken-Ichi Sasaki - 2010 - Diogenes 57 (3):3-19.
  23. On the Front: Aesthetics vs. the Popular Arts and Mass Culture - I.Ken-Ichi Sasaki - 2017 - Contemporary Aesthetics 15 (1).
     
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  24.  10
    Philosophy and Art: Changing Landscapes for Aesthetics.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):84-100.
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  25.  58
    Principes modernes de la valorisation de l'art : Mise en question de la valeur esthétique.Ken-Ichi Sasaki - 1993 - Horizons Philosophiques 3 (2):89-101.
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  26.  61
    Politics of Beauty.Ken-Ichi Sasaki - 2012 - Journal of Philosophical Research 37 (9999):55-60.
    This article looks at the past, present, and future of the study of aesthetics. The early modern period, during which aesthetics came into being, was a great historical turning point for civilization. So, too, is our own day. Looked at this way, aesthetics should show a different face than the one we are used to. Aesthetics is generally considered to be the philosophy of art, yet, with art regarded as an autonomous cultural field, aesthetics commonly gives the impression of being (...)
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  27.  10
    The Artistic Disenfranchisement of Philosophy.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):168-176.
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  28.  10
    The Role of Art in History and the Art of the Future.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):158-167.
  29.  13
    The Wheel of Fortune vs. the Mustard Seed: A Comparative Study of European and Chinese Painting.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):101-117.
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  30. Aesthetics in the 21st Century: Report on the XVth International Congress of Aesthetics (Tokyo, Japan, August 27-31, 2001). [REVIEW]Ken-Ichi Sasaki - 2002 - Dialogue and Universalism 12 (4-5):175-178.
     
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  31.  12
    Book Review: Micheline Galley (2010) La Sibylle de l’Antiquité à nos jours. [REVIEW]Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):190-192.
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  32.  12
    Book Review: Maurizio Serra (2011) Malaparte, vies et légendes. [REVIEW]Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):184-187.
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  33.  11
    Book Review: Nicole G. Albert (2011) La Castiglione, Vies et métamorphoses. [REVIEW]Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):188-190.
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