Author Ken Dorter, in a passage-by-passage analysis traces Plato's depiction of how the most basic forms of human functioning and social justice contain the seed of their evolution into increasingly complex structures, as well as the seed of their degeneration. Dorter also traces Plato's tendency to begin an investigation with models based on rigid distinctions for the sake of clarity, which are subsequently transformed into more fluid conceptions that no longer sacrifice complexity and subtlety for clarity.

The Gita at first appears to be a series of explanations of various kinds of yoga strung together in no apparent order, and several of its claims and arguments seem to contradict one another. I argue that the apparent contradictions disappear if we see the arguments as related to one another dialectically rather than analytically. From an analytic perspective contradictions are either merely verbal and can be disambiguated by a conceptual distinction, or else they render the statement meaningless. A dialectical (...) resolution, in the sense I am using the term, requires a change of perspective rather than a simple terminological clarification. A dialectical reading can also show that the appearance of randomness in the order of presentation follows from an organizing principle that is hierarchical rather than linear. (shrink)

If Z hu Xi had been a western philosopher, we would say he synthesized the philosophies of Plato, Aristotle, and Plotinus: that he took from Plato the theory of forms, from Aristotle the connection between form and empirical investigation, and from Plotinus self-differentiating holism. But because a synthesis abstracts from the incompatible elements of its members, it involves rejection as well as inclusion. Thus, Z hu Xi does not accept the dualism by which Plato opposed to the rational forms an (...) irrational material principle, and does not share Aristotle’s irreducible dualism between form and prime matter, or his teleology. Neither does he share Plotinus’ indifference to the empirical world. Understanding how these similarities and differences play out against one another will help us discover what is at stake in their various commitments. (shrink)

According to the Myth of Er we are responsible for our character because we chose it before birth. But any choice is determined by our present character, sothere is an indefinite regress and we cannot be entirely responsible for our character. The Myth of Er can be seen as the first formulation of the problem of free will, which Aristotle demythologizes in Nicomachean Ethics III.5. Plato's solution is that freedom is compatible with causal determinism because it does not mean indeterminism (...) but rationality. The myth links the individual lives to the harmony of the spheres, so our lives are determined not by blind necessity, but by rational necessity that follows from the nature of the universe. Even so, the limitations of determinism prevent rationality from being a sufficient cause of happiness (although the opposite view is usually attributed to Plato), but it remains a necessary one. (shrink)

Philosophers from traditions that are not only entirely different but apparently uninfluenced by each other sometimes show remarkable similarities. In the case of Spinoza and Shankara such similarities include the dual-aspect model according to which the apparent pluralism of the world rests on an inadequate perception of its oneness, and the way the overcoming of that inadequacy is conceived as a liberation from the passions and an achievement of immortality. A significant difference between the two, however, is that Spinoza's explanations (...) are epistemologically conceived while Shankara's are conceived ontologically. Not that Spinoza lacked an ontology or Shankara an epistemology, but rather their explanatory approaches emphasize the differences of the worlds within which they wrote. (shrink)

The question whether the fusion of the musical traditions of different cultures is a good thing or not is irrelevant in practical terms, since there is no realistic possibility of preventing it, but the advantages and disadvantages that the process brings are worth considering nevertheless. The loss of diversity that results when one tradition is overwhelmed by its contact with a more influential one is not redressed by the increased variety that comes about within the dominant tradition, since the latter (...) are variations within a tradition rather than traditions of distinct origins. But the common denominator that allows different traditions to interact meaningfully with one another points to the ability of music to bring us in touch with our common humanity. (shrink)

According to the Myth of Er we are responsible for our character because we chose it before birth. But any choice is determined by our present character, sothere is an indefinite regress and we cannot be entirely responsible for our character. The Myth of Er can be seen as the first formulation of the problem of free will, which Aristotle demythologizes in Nicomachean Ethics III.5. Plato's solution is that freedom is compatible with causal determinism because it does not mean indeterminism (...) but rationality. The myth links the individual lives to the harmony of the spheres, so our lives are determined not by blind necessity, but by rational necessity that follows from the nature of the universe. Even so, the limitations of determinism prevent rationality from being a sufficient cause of happiness, but it remains a necessary one. (shrink)