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  1.  78
    Plato’s Poetic Wisdom in the Myth of Er.Keping Wang - 2009 - Frontiers of Philosophy in China 4 (2):282-293.
    The interlink between myth and wisdom in Hellenic heritage is characteristically embodied in the Platonic philosophizing as regards the education and enculturation of the human psyche. As is read in the end of The Republic , the myth of Er turns out to be a philosophical rewriting of poetry to a large degree. For it engagingly reveals Plato’s moral inculcation, philosophical instruction and poetic wisdom in particular, all of which are intended to guide human conduct along the right track for (...)
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  2.  71
    Mozi Versus Xunzi on Music.Keping Wang - 2009 - Journal of Chinese Philosophy 36 (4):653-665.
  3.  16
    Reflections on Plato's Poetics: Essays From Beijing.Eugenio Benitez & Keping Wang (eds.) - 2016 - Berrima: Academic Printing and Publishing.
    Reflections on Plato’s Poetics presents the reflections of leading scholars from China and the West on the form, nature and significance of Plato's engagement with poetry. The book does not adopt any monolithic point of view about Plato and poetry. Instead it openly explores Plato's attitudes to poetry, both comprehensively and within the intricate confines of particular dialogues. These reflections reveal a Plato who is deeply influenced by poetry; a Plato who writes, at least very often, from within a poetic (...)
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  4. Reflections on Plato's Poetics.Rick Benitez & Keping Wang (eds.) - 2016 - Academic Printing and Publishing.
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  5. Beauty and Human Existence in Chinese Philosophy.Keping Wang - 2021 - Springer Singapore.
    This book considers the Chinese conception of beauty from a historical perspective with regard to its significant relation to human personality and human existence. It examines the etymological implications of the pictographic character mei, the totemic symbolism of beauty, the ferocious beauty of the bronzeware. Further on, it proceeds to look into the conceptual progression of beauty in such main schools of thought as Confucianism, Daoism and Chan Buddhism. Then, it goes on to illustrate through art and literature the leading (...)
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  6.  29
    Art as Sedimentation.Keping Wang - 2010 - Journal of Chinese Philosophy 37 (1):131-138.
  7.  30
    Appreciating Nature in View of Practical Aesthetics.Keping Wang - 2007 - Frontiers of Philosophy in China 2 (1):140-149.
    Appreciating nature may at its best feature have three levels of experience according to practical aesthetics. The first level is more sensuous as it largely pleases the ear and eye, the second level is more psychological as it chiefly pleases the mind and mood, and the third level is more sublimate as it mainly pleases the will and spirit. In Chinese culture the affinity between man and nature can be traced back to the traditional conception of tian ren he yi (...)
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