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Kirk Pillow [20]Kirk Eliot Pillow [1]
  1. Sublime Understanding: Aesthetic Reflection in Kant and Hegel.Kirk Pillow - 2000 - Journal of Aesthetics and Art Criticism 61 (1):74-77.
     
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  2.  53
    Sublime Understanding: Aesthetic Reflection in Kant and Hegel.Kirk Pillow (ed.) - 2000 - MIT Press.
    The topic of the sublime is making a return to contemporary discourse on aesthetics and cognition. In Sublime Understanding, Kirk Pillow makes sublimity the center of an alternative conception of aesthetic response and interpretation. He draws an aesthetics of sublimity from Kant's Critique of Judgment, bolsters it with help from Hegel, and establishes its place in a broadened conception of human understanding. He argues that sublime reflection provides a model for an interpretive response to the uncanny Other outside our conceptual (...)
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  3.  46
    Jupiter's Eagle and the despot's hand mill: Two views on metaphor in Kant.Kirk Pillow - 2001 - Journal of Aesthetics and Art Criticism 59 (2):193–209.
  4. Sublime Understanding: Aesthetic Reflection in Kant and Hegel.Kirk Pillow - 2003 - Philosophical Quarterly 53 (212):454-456.
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  5. Understanding aestheticized.Kirk Pillow - 2006 - In Rebecca Kukla (ed.), Aesthetics and Cognition in Kant's Critical Philosophy. Cambridge University Press.
  6. Imagination.Kirk Pillow - 2009 - In Richard Eldridge (ed.), The Oxford Handbook of Philosophy and Literature. Oxford University Press USA.
     
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  7. Did Goodman's distinction survive lewitt?Kirk Pillow - 2003 - Journal of Aesthetics and Art Criticism 61 (4):365–380.
  8. Versions and forgeries: A response to Kivy.Kirk Pillow - 2002 - Journal of Aesthetics and Art Criticism 60 (2):177-179.
    In "How to Forge a Musical Work," Peter Kivy poses a counterexample to Nelson Goodman's view that forgery is impossible in "allographic" art form such as music. Yet Kivy's example does not raise problems for Goodman's position, because his example does not exemplify the sort of forgery of concern to Goodman. By focusing on Kivy's characterization of what counts as a version of a work of art, I argue that he only seems to make room for musical forgeries (of the (...)
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  9.  7
    Comment on Robert Stern's ‘Going Beyond the Kantian Philosophy’.Kirk Pillow - 1999 - European Journal of Philosophy 7 (2):270-274.
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  10.  16
    The German Aesthetic Tradition (review).Kirk Pillow - 2003 - Journal of the History of Philosophy 41 (4):565-566.
    In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.4 (2003) 565-566 [Access article in PDF] Kai Hammermeister. The German Aesthetic Tradition. New York: Cambridge University Press, 2002. Pp. xv + 259. Cloth, $60.00. Paper, $22.00. This history of German (or more accurately, Germanic) aesthetics surveys the tradition stretching from Alexander Baumgarten to Theodor Adorno. The author has divided his survey into three thematic parts. In the first, "The Age of Paradigms," (...)
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  11.  16
    Comment on Robert Stern's 'going beyond the Kantian philosophy'.Kirk Pillow - 1999 - European Journal of Philosophy 7 (2):270–274.
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  12.  49
    Form and content in Kant's aesthetics: Locating beauty and the sublime in the work of art.Kirk Pillow - 1994 - Journal of the History of Philosophy 32 (3):443-459.
  13.  5
    Form and Content in Kant's "Kritik der Urteilskraft:" Situating Beauty and the Sublime in the Work of Art.Kirk Pillow - 1994 - Journal of the History of Philosophy 32 (3):443.
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  14.  39
    Hegel and homosexuality.Kirk Pillow - 2002 - Philosophy Today 46 (5):75-91.
  15.  3
    Hegel and Homosexuality.Kirk Pillow - 2002 - Philosophy Today 46 (Supplement):75-91.
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  16.  46
    Habituating Madness and Phantasying Art in Hegel's Encyclopedia.Kirk Pillow - 1997 - The Owl of Minerva 28 (2):183-215.
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  17.  5
    Versões e falsificações: uma resposta a Kivy.Kirk Pillow - 2010 - Critica.
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  18.  57
    Book Notes. [REVIEW]Keith Burgess‐Jackson, Cheshire Calhoun, Susan Finsen, Chad W. Flanders, Heather J. Gert, Peter G. Heckman, John Kelsay, Michael Lavin, Michelle Y. Little, Lionel K. McPherson, Alfred Nordmann, Kirk Pillow, Ruth J. Sample, Edward D. Sherline, Hans O. Tiefel, Thomas S. Tomlinson, Steven Walt, Patricia H. Werhane, Edward C. Wingebach & Christopher F. Zurn - 2001 - Ethics 112 (1):189-201.
  19.  37
    Hegel, History, and Interpretation. [REVIEW]Kirk Pillow - 2000 - The Owl of Minerva 31 (2):221-227.
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  20.  19
    Picture, Image, and Experience. [REVIEW]Kirk Pillow - 2003 - International Studies in Philosophy 35 (2):147-148.
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