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Kris Goffin
University of Antwerp
  1.  81
    The Affective Experience of Aesthetic Properties.Kris Goffin - 2019 - Pacific Philosophical Quarterly 100 (1):283-300.
    It is widely agreed upon that aesthetic properties, such as grace, balance, and elegance, are perceived. I argue that aesthetic properties are experientially attributed to some non‐perceptible objects. For example, a mathematical proof can be experienced as elegant. In order to give a unified explanation of the experiential attribution of aesthetic properties to both perceptible and non‐perceptible objects, one has to reject the idea that aesthetic properties are perceived. I propose an alternative view: the affective account. I argue that the (...)
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  2.  19
    An Empirical Investigation of Guilty Pleasures.Kris Goffin & Florian Cova - 2019 - Philosophical Psychology 32 (7):1129-1155.
    ABSTRACTIn everyday language, the expression ‘guilty pleasure’ refers to instances where one feels bad about enjoying a particular artwork. Thus, one’s experience of guilty pleasure seems to involv...
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  3.  47
    Music Feels Like Moods Feel.Kris Goffin - 2014 - Frontiers in Psychology 5:327.
    While it is widely accepted that music evokes moods, there is disagreement over whether music-induced moods are relevant to the aesthetic appreciation of music as such. The arguments against the aesthetic relevance of music-induced moods are: moods cannot be intentionally directed at the music and music-induced moods are highly subjective experiences and are therefore a kind of mind-wandering. This paper presents a novel account of musical moods that avoids these objections. It is correct to say that a listener’s entire mood (...)
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  4.  33
    You Too Can Awesomize Yourself.Kris Goffin - unknown
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