The essay aims to illuminate the current crisis, as it has been diagnosed by important currents of contemporary European thought, from the baroque remarkably the Hispanic perspective. The author argues that one of the fundamental figures of the Baroque is what he calls an infinite aporethic difference. According to this, Baroque understands the world as a set of differences that bind aporethically tending to infinity. This figure is, at the same time, shown as a critical operator with regard to reality, (...) which has lost its pre-modern configuration as Cosmos. The author also holds that in its present projection, the figure of the infinite aporethic difference takes the form of a new normativity, namely, that of the Chaosmos, which is particularly visible in post-structuralism and in the Ibero-American Neo-baroque. By its virtue, it is possible to distinguish two ways of coping with the current crisis. The chaosmotic one would be characteristic of a compromised strong trans-modernity, which contrasts with the evasive weak postmodernity. This problem is finally investigated from the point of view of the subtle baroque heroism and its shadow in the present. (shrink)

Esta tesis tiene como objetivo proponer una perspectiva crítica que permita un análisis filosófico del arte que fue desarrollada a partir de una lectura de El arte como experiencia de John Dewey. Para ello, recupero en primer lugar dos conceptos centrales, arte y experiencia, para desarrollar luego tres conceptos subsidiarios, expresión, comunicación y educación de la sensibilidad.

This paper is devoted to the study of some subvarieties of the variety Qof Q-Heyting algebras, that is, Heyting algebras with a quantifier. In particular, a deeper investigation is carried out in the variety Q 3 of three-valued Q-Heyting algebras to show that the structure of the lattice of subvarieties of Qis far more complicated that the lattice of subvarieties of Heyting algebras. We determine the simple and subdirectly irreducible algebras in Q 3 and we construct the lattice of subvarieties (...) (Q 3 ) of the variety Q 3. (shrink)

This paper is devoted to the study of some subvarieties of the variety Q of Q-Heyting algebras, that is, Heyting algebras with a quantifier. In particular, a deeper investigation is carried out in the variety Q subscript 3 of three-valued Q-Heyting algebras to show that the structure of the lattice of subvarieties of Q is far more complicated that the lattice of subvarieties of Heyting algebras. We determine the simple and subdirectly irreducible algebras in Q subscript 3 and we construct (...) the lattice of subvarieties lambda (Q subscript 3) of the variety Q subscript 3. (shrink)

In this paper we continue the study of the variety \ of monadic Gödel algebras. These algebras are the equivalent algebraic semantics of the S5-modal expansion of Gödel logic, which is equivalent to the one-variable monadic fragment of first-order Gödel logic. We show three families of locally finite subvarieties of \ and give their equational bases. We also introduce a topological duality for monadic Gödel algebras and, as an application of this representation theorem, we characterize congruences and give characterizations of (...) the locally finite subvarieties mentioned above by means of their dual spaces. Finally, we study some further properties of the subvariety generated by monadic Gödel chains: we present a characteristic chain for this variety, we prove that a Glivenko-type theorem holds for these algebras and we characterize free algebras over n generators. (shrink)

El presente ensayo pretende analizar críticamente la interpretación que M. Heidegger hace de la obra de Hölderlin al establecer diversos paralelismos entre el ser y lo divino. El autor sostiene dos tesis: en primer lugar, que —en favor de Heidegger— se puede establecer una analogía entre la diferencia óntico-ontológica y el carácter diferencial de lo divino; en segundo lugar, que los elementos “excéntrico” y trágico de este último hacen implosionar —contra Heidegger— la intimidad “céntrica” del ser.

Es, quiza, la coleccion mas abierta que existe en cuestiones de etica, aunque se ha ocupado tambien de antropologia, estetica, ontologia, teoria del conocimiento e historia de la filosofia. El primer titulo que se publico en la coleccion fue la gran Historia de la filosofia y de la ciencia en tres volumenes de Ludovico Geymonat. A este le han seguido obras de A. J. Ayer, A. MacIntyre, Ernst Tugendhat, Antoni Domenech, Anna Estany, Agnes Heller, F. Fernandez Buey, Carlos Paris, Emilio (...) Lledo, Manuel Sacristan, John Rawls o Ludwig Wittgenstein. Victoria Camps ha dirigido, ademas, una gran Historia de la etica, en tres volumenes, en la que han colaborado los mejores especialistas espanoles. Manual al dia y de lectura agil y amena sobre valores y conceptos como el de igualdad y prioridad, fundamentales en los estudios de la filosofia de hoy. (shrink)

The essay starts from the Heideggerian conception of being as a difference with a phenomenological-aleteiological character, that is, as an event of sense and of the truth of being. The author defends that it is possible to think an ontic-ontological difference with a genetic-intensive character that cannot be reduced to the previous one and is inherent in the notion of physis. Heidegger, according to the central thesis, dilutes the second in the first, offering as the only alternative a devalued understanding (...) of genesis as ontic becoming, an alternative that links to the forgetting of being. Therefore, and despite himself, he forgets being, understood in a genetic and differential way. This forgetting is analyzed in various contexts: that of Heidegger's confrontation with Nietzsche, that of his interpretation of becoming and that of his assimilation of german idealism. By characterizing being as genesis, the author inserts various points of view of G. Simondon, G. Deleuze, Schelling and Hölderlin. (shrink)

A Q -Heyting algebra is an algebra of type such that is a Heyting algebra and the unary operation ∇ satisfies the conditions ∇0=0, a ∧∇ a = a , ∇=∇ a ∧∇ b and ∇=∇ a ∨∇ b , for any a , b ∈ H . This paper is devoted to the study of the subvariety QH L of linear Q -Heyting algebras. Using Priestley duality we investigate the subdirectly irreducible linear Q -Heyting algebras and, as consequences, we (...) derive some properties of the lattice of subvarieties of QH L and find equational bases for some of these subvarieties. (shrink)

En el presente trabajo quisiera, en primer lugar, reconstruir el legado heideggeriano tomando como motivo central su crítica a la voluntad técnica de la filosofía moderna ;en segundo lugar, me gustaría analizar dos formas del ideario actual "postmoderno" en las que ha sido transfigurado ese legado: el "pensamiento de la diferencia" de J.-F. Lyotard --que reconstruye a una nueva luz la referencia a una dimensión indisponible de la exitencia-- y el "neopragmatismo" americano de R. Rorty --que reduce dicha dimensión de (...) un modo naturalista y, a mi juicio, incoherente--. finalmente, aprovecharé el pensamiento de Lyotard para intentar justificar la existencia de una dimensión lingüísitca que, liberada del radicalismo heideggeriano, merece aún ser reconocida como indisponible para el sujeto y como dimensión ineliminable de la racionalidad discursiva. (shrink)

El trabajo defiende que la verdad del mundo es, en el Barroco hispano, diferencial. El mundo consiste en una multiplicidad infinita de diferencias en relación, teniendo esta última carácter de ser. Es, además, una multiplicidad de perspectivas reales, cada una de las cuales constituye una infinitud de acontecimientos diferentes. Esta verdad diferencial está vinculada a la aporía según la cual el mundo es todo y nada al unísono, de manera que el infinito trascendente posee en el mundo la paradójica y (...) creativa presencia de su ausencia. El autor sostiene también que la verdad es dependiente de una ética, litigiosa con el mundo dado, y de una posición existencial que rechaza la auto-identidad del sujeto (su identificación con el rol e intereses del teatro del mundo). Desde tales resultados, el autor analiza las diferencias entre la modernidad prevaleciente (cartesiana, científica e identitaria) y la modernidad-otra que representa el Barroco hispano. (shrink)

Reseña de Melamed, A. (2022). Adiós al cuerpo. Marcel Proust y las estéticas y poéticas contemporáneas. Buenos Aires, Prometeo Libros (156 páginas).