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  1.  13
    Wie fühlt sich Schönheit an? Zur Phänomenologie des interesselosen Wohlgefallens bei Kant.Larissa Berger - 2022 - Kant Studien 113 (4):659-688.
  2.  14
    10 On the Subjective, Beauty and Artificial Intelligence: A Kantian Approach.Larissa Berger - 2022 - In Hyeongjoo Kim & Dieter Schönecker (eds.), Kant and Artificial Intelligence. De Gruyter. pp. 255-282.
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  3.  52
    The way it makes us feel: The subsumption model of the Kantian judgement of taste.Larissa Berger - 2021 - European Journal of Philosophy 30 (4):1473-1487.
    In his theory of beauty, Kant introduces the free and harmonious play of the faculties as a kind of judging. This judging should precede the pleasure in the beautiful. But being the determining ground of the judgement of taste, the pleasure should precede the judgement. Regarding this problem, two opposing models have been proposed: Paul Guyer's ‘two-acts model’ and Hannah Ginsborg's ‘one-act model’. I propose a third model that, I argue, resolves the difficulty and does not fall prey to the (...)
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  4.  11
    Das Paradox des kantischen Gemeinsinns und seine vermeintliche Lösung im Rahmen des Schönen.Larissa Berger - 2024 - Zeitschrift für Philosophische Forschung 78 (1):78-107.
    This article investigates the notion of sensus communis as being introduced in the Critique of Judgment. I argue that, within the framework of Kant's philo- sophy, the general notion of a sensus communis, that is, a faculty that leads to sensuous and universal results, is paradoxical. An analysis of the theoretical sensus communis, understood as an awareness of the faculties' accord in cases of cognition, reveals that it is unclear why this faculty should amount to a sense. The aesthetic sensus (...)
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  5.  42
    Disinterested Pleasure and Beauty: Perspectives from Kantian and Contemporary Aesthetics.Larissa Berger (ed.) - 2023 - Boston: De Gruyter.
    The conception of disinterested pleasure is not only central to Kant’s theory of beauty but also highly influential in contemporary philosophical discourse about beauty. However, it remains unclear, what exactly disinterested pleasure is and what role it plays in experiences of beauty. This volume sheds new light on the conception of disinterested pleasure from the perspectives of both Kant scholarship and contemporary aesthetics. In the first part, the focus is on Kant’s theory of beauty as grounded on the conception of (...)
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  6.  22
    What Is It Like to Feel Beauty? The Complex Meaning of Kant’s Thesis of Disinterestedness.Larissa Berger - 2023 - In Disinterested Pleasure and Beauty: Perspectives from Kantian and Contemporary Aesthetics. Boston: De Gruyter. pp. 31-58.
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  7.  17
    Classics in Western Philosophy of Art.Larissa Berger - forthcoming - British Journal of Aesthetics.
    Many of us will remember when, as students, we were attending an introductory course on aesthetics or the philosophy of art. We may have wished for a textbook t.
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  8.  11
    How to Become a Good Artist – Kant on Humaniora and the ‘Propaedeutic for All Beautiful Art’.Larissa Berger - 2023 - Journal of Transcendental Philosophy 4 (2):179-207.
    In § 60 of the Critique of Judgment, entitled ‘On the doctrine of method of taste,’ Kant suggests that the study of so-called humaniora (ancient Roman and Greek literature) will help one to become a good artist. I will argue that a proper, namely emotional, engagement with humaniora will further the two components of humanity in ourselves: the feeling of sympathy and the ability to communicate feelings. I will discuss two options of how a strengthening of these two components might (...)
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  9.  10
    Introduction.Larissa Berger - 2023 - In Disinterested Pleasure and Beauty: Perspectives from Kantian and Contemporary Aesthetics. Boston: De Gruyter. pp. 1-8.
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  10. Der "Zirkel" im dritten Abschnitt der Grundlegung : eine neue Interpretation und ein Literaturbericht.Larissa Berger - 2015 - In Dieter Schönecker (ed.), Kants Begründung von Freiheit und Moral in Grundlegung III: neue Interpretationen. Münster: Mentis.
  11. Kant's account of emotive art.Larissa Berger - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy.
    For Kant, experiences of beauty, including experiences of beautiful art, are based on the feeling of disinterested pleasure. At first glance, garden-variety emotions don’t seem to play a constitutive role for beauty in art. In this paper I argue that they can. Drawing on Kant’s notion of aesthetic ideas, I will show that garden-variety emotions can function as a driving force for the free use of the imagination: they can enhance the beholder’s activity of freely associating and thus contribute crucially (...)
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  12.  8
    Kleines Kant-Lexikon.Larissa Berger (ed.) - 2018 - Wilhelm Fink Verlag.
    Ein Einstiegs- und Nachschlagwerk für das Philosophiestudium: Die Einträge liefern Definitionen und Kurzanalysen zu Kants Schriften, Grundbegriffen und Positionen. Sie können unabhängig voneinander gelesen werden, ergeben zusammengenommen aber auch eine vollständige Einführung. Das Kleine Kant-Lexikon beginnt mit einem Überblick zu Kants Leben und Werk sowie den zentralen Positionen seiner Philosophie. Auf diese Einführung folgen als erster Hauptteil detailliertere Analysen der wichtigsten Werke und Schriften Kants, als zweiter Hauptteil die Grundbegriffe seiner Philosophie zum Nachschlagen. Die Beiträge wurden von renommierten Expertinnen und (...)
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  13.  4
    Kants Philosophie des Schönen: eine kommentarische Interpretation zu den [Paragraphen] 1-22 der Kritik der Urteilskraft.Larissa Berger - 2021 - Baden-Baden: Verlag Karl Alber.
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