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  1.  26
    The Possibility of the Sublime: Aesthetic Exchanges.Lars Aagaard-Mogensen (ed.) - 2017 - Newcastle, GB: Cambridge Scholars Publishing.
    The notion of the sublime, used to describe a particular kind of overwhelming or exhilarating aesthetic experience, has garnered a great deal of attention by philosophers, critical theorists and literary scholars. In the midst of this growing body of literature, Professor Jane Forsey published an article asking whether an aesthetic theory of the sublime is even possible, and argued provocatively in the negative. Claiming that efforts to explain the sublime inevitably result in theories that are either contradictory or incoherent, Forsey (...)
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  2. Arts and ends.Lars Aagaard-Mogensen - 1982 - Journal of Aesthetics and Art Criticism 41 (2):215-217.
  3. Art in Culture I-III.Lars Aagaard-Mogensen, Rik Pinxten & F. Vandamme (eds.) - 1985 - Communication & Cognition.
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  4. Anpassung von Begriffen an Qualitäten.Lars Aagaard-Mogensen - 1983 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 28 (2):183-191.
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  5. (1 other version)Berel Lang, ed., The Death of Art Reviewed by.Lars Aagaard-Mogensen - 1986 - Philosophy in Review 6 (5):229-231.
     
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  6. Culture and art: an anthology.Lars Aagaard-Mogensen (ed.) - 1976 - Atlantic Highlands, N.J.: Humanities Press.
    Danto, A. The artworld.--Dickie, G. What is art?--Margolis, J. Works of art are physically embodied and culturally emergent entities.--Kjørup, S. Art broadly and wholly conceived.--Meyer, L. B. Forgery and the anthropology of art.--Brunius, T. Theory and ideologies in aesthetics.--Tilghman, B. R. Artistic puzzlement.--Binkley, T. Deciding about art.--Alexander, H. G. On defining in aesthetics.--Iseminger, G. Appreciation, the artworld, and the aesthetic.--Glickman, J. Creativity in the arts.--Sclafani, R. The theory of art.--Lyas, C. Danto and Dickie on art.--Beardsley, M. C. Is art essentially (...)
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  7.  35
    (2 other versions)Culture and Art.Lars Aagaard-Mogensen - 1976 - Journal of Aesthetics and Art Criticism 35 (2):227-229.
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  8.  33
    Contemporary aesthetics in Scandinavia.Lars Aagaard-Mogensen & Göran Hermerén (eds.) - 1980 - Lund: Doxa.
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  9.  31
    Caught without an answer.Lars Aagaard-Mogensen - 1975 - Philosophical Studies 28 (1):67 - 70.
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  10. Factual and Logical Incorrigibility.Lars Aagaard-Mogensen - 1972 - Danish Yearbook of Philosophy 9:7-14.
  11. Fit, Fast, and Futura.Lars Aagaard-Mogensen - 2015 - Wassard Elea Rivista 2 (2):79-90.
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  12.  10
    Hvad er oplysning?Lars Aagaard-Mogensen (ed.) - 1976 - [København]: [eksp., DBK].
    Kant, I. Hvad er oplysning?--Hartnack, J. Oplysning og fornuft.--Løgstrup, K.E. Videnskab og oplysning.--Favrholdt, D. Frihed og indotrinering.--Sløk, J. Fordummelsens tid.--Palle Hansen, F. Uvidenskabeligt efterskrift.
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  13.  76
    On Cognitive Aesthetics.Lars Aagaard-Mogensen - 1982 - Philosophica 30 (2):5-16.
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  14. Of Idealism: On Schiller's and Schopenhauer's Aesthetics.Lars Aagaard-Mogensen - 1978 - Darshana International 18 (1):52-64.
     
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  15. O saznajnoj estetici.Lars Aagaard-Mogensen - 1984 - Knjizevna Kritika 15 (1):5-12.
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  16.  28
    On Taste: Aesthetic Exchanges.Lars Aagaard-Mogensen & Jane Forsey (eds.) - 2018 - Cambridge Scholars Press.
    This volume offers an original and innovative collection of fresh approaches to the investigation of the idea of taste. It is divided into three sections: the concept of taste; taste and culture; and gustatory taste. The papers in all three parts deal with the way that aesthetics interpenetrates discussions of food, political conflict, art appreciation, aesthetic judgement, and education. These are fresh, never-before published contributions from a range of scholars, using the most recent literature in their areas of expertise. There (...)
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  17. Real Art: An Essay in Aesthetics.Lars Aagaard-Mogensen - 1994 - Communication & Cognition.
     
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  18. Reversible Figurer.Lars Aagaard-Mogensen - 1980 - Norsk Filosofisk Tidsskrift 15 (1):31-44.
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  19.  8
    Æstetisk kultur.Lars Aagaard-Mogensen - 1979 - København: Berlingske.
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  20. The Alleged Ambiguity of "Work of Art".Lars Aagaard-Mogensen - 1975 - Pacific Philosophical Quarterly 56 (3):309.
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  21. The Definition of 'Art'.Lars Aagaard-Mogensen - 1974 - Diálogos. Revista de Filosofía de la Universidad de Puerto Rico 10 (27):39-55.
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  22.  52
    The Idea of the Museum: Philosophical, Artistic and Political Questions.Lars Aagaard-Mogensen - 1990 - Journal of Aesthetics and Art Criticism 48 (1):91-93.
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  23.  11
    Text, Literature and Aesthetics in Honor of Monroe C. Beardsley.Lars Aagaard-Mogensen & Luk de Vos (eds.) - 1986 - Amsterdam: Brill | Rodopi.
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  24. Unfakables.Lars Aagaard-Mogensen - 1978 - Danish Yearbook of Philosophy 15:97-104.
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  25.  32
    What’s the difference?Lars Aagaard-Mogensen - 1975 - Semiotica 15 (2).
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  26.  81
    Text, literature, and aesthetics: in honor of Monroe C. Beardsley.Monroe C. Beardsley, Lars Aagaard-Mogensen & Luk de Vos (eds.) - 1986 - Amsterdam: Rodopi.
    Foreword Large parts of Monroe Beardsley's production in the field of aesthetics treat literature, the theory of meaning, and the philosophy of language. ...
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  27.  16
    Kunsthistorie og samfundsvidenskab.E. H. Gombrich, Else Mogensen & Lars Aagaard-Mogensen - 1979 - Journal of Aesthetics and Art Criticism 37 (3):360-360.
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  28.  12
    Worldmaking's Ways.Nelson Goodman, Fernand J. Vandamme, Rix Pinxten & Lars Aagaard-Mogensen - 1987
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  29.  39
    AEstetisk kultur [Aesthetic Culture].Soren Kjorup & Lars Aagaard-Mogensen - 1980 - Journal of Aesthetics and Art Criticism 38 (4):458.
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  30. Sur la laideur. [Actes du symposium On Ugliness, organizé par Lars Aagaard- Mogensen au Wassard Elea (Ascea, Italie) en juin 2016].Bertrand Naivin & Lars Aagaard-Mogensen (eds.) - 2017
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  31.  44
    Miriam Van Reijen, Lars Aagaard-Mogensen, Judy Wubnig, Philip L. Peterson.Miriam Van Reijen, Lars Aagaard-Mogensen, Judy Wubnig & Philip L. Peterson - 1988 - Philosophie Et Culture: Actes du XVIIe Congrès Mondial de Philosophie 5:615-615.
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