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  1.  13
    Material and Mental Representation.Lars Elleström - 2014 - American Journal of Semiotics 30 (1/2):83-138.
    The aim of this article is to adapt Peirce’s semiotics to the study of media and arts. While some Peircean notions are criticized and rejected, constructive ways of understanding Peirce’s ideas are suggested, and a number of new notions, which are intended to highlight crucial aspects of semiosis, are then introduced. All these ideas and notions are systematically related to one another within the frames of a consistent terminology. The article starts with an investigation of Peirce’s three sign constituents and (...)
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  2.  2
    Coherence and Truthfulness in Communication: Intracommunicational and Extracommunicational Indexicality.Lars Elleström - 2018 - Semiotica.
    Name der Zeitschrift: Semiotica Heft: Ahead of print.
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  3.  2
    Photography and Intermediality: Analytical Perspectives on Notions Referred to by the Term “Photography”.Lars Elleström - 2013 - Semiotica 2013 (197):153-169.
    Name der Zeitschrift: Semiotica - Journal of the International Association for Semiotic Studies / Revue de l'Association Internationale de Sémiotique Jahrgang: 2013 Heft: 197 Seiten: 153-169.
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  4.  27
    A Medium-Centered Model of Communication.Lars Elleström - 2018 - Semiotica 2018 (224):269-293.
    Name der Zeitschrift: Semiotica Jahrgang: 2018 Heft: 224 Seiten: 269-293.
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  5.  21
    The Paradoxes of Mail Art.Lars Elleström - 2012 - Cultura 9 (2):103-122.
    This article aims to show that so-called Mail Art (art distributed via the international postal system) is based on five paradoxes. These paradoxes, which correlateto how Mail Art is distributed and exhibited by means of changing technologies, its aesthetics, its democratic ideals, and its transnational character, explain howMail Art has emerged and been constructed as an artistic medium on the stage of world cultures. While the paradoxes of Mail Art are specific for this particular medium, I argue that all media (...)
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  6.  2
    Material and Mental Representation: Peirce Adapted to the Study of Media and Arts.Lars Elleström - 2014 - American Journal of Semiotics 30 (1/2):83-138.
    The aim of this article is to adapt Peirce’s semiotics to the study of media and arts. While some Peircean notions are criticized and rejected, constructive ways of understanding Peirce’s ideas are suggested, and a number of new notions, which are intended to highlight crucial aspects of semiosis, are then introduced. All these ideas and notions are systematically related to one another within the frames of a consistent terminology. The article starts with an investigation of Peirce’s three sign constituents and (...)
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  7.  4
    BERGSTEIN, MARY. Mirrors of Memory.(Ithaca & London: Cornell University Press). 2010. Pp. 335.£ 18.95 (Hbk). BOYLAN, MICHAEL and JOHNSON, CHARLES. Philosophy: An Innovative Introduction.(Boulder: Westview Press). 2010. Pp. 344. $50.00 (Pbk). [REVIEW]Anthony Bryant, Griselda Pollock, Patrizia di Bello, Gabriel Koureas, Jason Edwards, Imogen Hart, Lars Ellestrom, Samb Girgus, Joseph Margolis & Peggy Samuels - 2010 - British Journal of Aesthetics 50 (3).
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  8.  1
    The Paradoxes of Mail Art: How to Build an Artistic Media Type.Lars Elleström - 2012 - Cultura 9 (2):103-122.
    This article aims to show that so-called Mail Art is based on five paradoxes. These paradoxes, which correlateto how Mail Art is distributed and exhibited by means of changing technologies, its aesthetics, its democratic ideals, and its transnational character, explain howMail Art has emerged and been constructed as an artistic medium on the stage of world cultures. While the paradoxes of Mail Art are specific for this particular medium, I argue that all media types are more or less marked by (...)
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