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  1. Language and the Interpretation of Music.Leo Treitler - 1997 - In Jenefer Robinson (ed.), Music & Meaning. Cornell University Press.
     
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    History and the Ontology of the Musical Work.Leo Treitler - 1993 - Journal of Aesthetics and Art Criticism 51 (3):483-497.
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    Oral, Written, and Literate Process in the Transmission of Medieval Music.Leo Treitler - 1981 - Speculum 56 (3):471-491.
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    "Wozzeck" and the Apocalypse: An Essay in Historical Criticism.Leo Treitler - 1976 - Critical Inquiry 3 (2):251-270.
    Among the central meanings in Büchner's Woyzeck, there is one that comes clear only when we read the play in the context of the history of ideas—specifically in the light of certain currents of thought about human history and eschatology. Aspects of the play's expression are thereby elucidated, that are forcefully brought forward through the organization and compositional procedures of Berg's Wozzeck. Near the end of the long third scene of the opera, Wozzeck appears suddenly at Marie's window and alludes (...)
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    Music and the Historical Imagination.Leo Treitler - 1989 - Harvard University Press.
    In this elegant book he develops a powerful statement of what music analysis and criticism in relation to historical understanding can be.
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