This paper aims at presenting the work of Dutch architecture Hans van der Laan through a comparison with the Renaissance architect Leon Battista Alberti by stating the similarity of the role assigned to proportion in architectural design by both architects. In particular, the study will show how both Van der Laan and Alberti understood proportion and the perceptive and aesthetic values of proportioned forms as the result of an intellectual appreciation.
The paper aims at drawing the main lines of a reflection about architectonic space, starting from the comparison between two hypothesis, as much as ever different: Theodor Lipps’ spatial aesthetics and Hans van der Laan’s elemental theory. The emphasis given by both authors to the intersection between directions and way, but also to the mutual subordination between thing and space, allows to rewrite the obituary of architecture as a spatial art, according to which the Modern Style has turned the spatiality (...) into its specular visibility, into the spaciousness, into the indefinite continuity of the Bigness. (shrink)
Van Gelder presents the distinction between dynamical systems and digital computers as the core issue of current developments in cognitive science. We think this distinction is much less important than a reassessment of cognition as a neurally, bodily, and environmentally embedded process. Embedded cognition lines up naturally with dynamical models, but it would also stand if combined with classic computation.
In this article, Christi van der Westhuizen's sociopolitical contribution in her publication, Sitting Pretty: White Afrikaans Women in Postapartheid South Africa, is reviewed. In light of the official end of apartheid in 1994, South Africans are attempting to define a new identity. Van der Westhuizen's publication focusses on how the identity of white Afrikaans women, as both the oppressor and the oppressed, influences and contributes to the endeavour of a search for new identity. In deconstructing and re-imagining new identity, Van (...) der Westhuizen deconstructs the 'supporting scaffolding' of Afrikaner identity and examines the impact of white patriarchal hegemony that silences the voice of women, sexual minorities and black consciousness. The review concludes with the emphasis on the transformative role of shame, that is, the willingness to expose the false sense of goodness that we had of ourselves, as pointed out by Van der Westhuizen. In this regard, the recognition of the intersectionality of people's experiences becomes a key aspect of the endeavour of a search for new identity. (shrink)
This paper criticizes the dominant approaches to presupposition projection and proposes an alternative. Both the update semantics of Heim and the discourse representation theory of van der Sandt have problems in explicating the presuppositions of disjunctions. Moreover, Heim's approach is committed to a conception of accommodation that founders on the problem of informative presuppositions, and van der Sandt's approach is committed to a conception of accommodation that generates over-interpretations of utterances. The present approach borrows Karttunen's idea that instead of associating (...) presuppositions with sentences, we should define the conditions that contexts must meet in order to satisfy-the-presuppositions-of a sentence. However, in place of Karttunen's conception of contexts in terms of common ground, the present theory substitutes a conception of contexts as objective entities that are independent of the attitudes of the interlocutors. Contexts, so conceived, may be defined as containing sets of relevant possibilities. This allows us to define the conditions under which a context satisfies-the-presuppositions-of a disjunction. (shrink)
The paper takes up the objections raised in van der Auwera (1993) against the joint analysis of the German particles schon, noch and erst published in Löbner (1989). Central to my analysis is the claim that the particles are organized in duality groups of four to which essentially the same type of analysis applies. Van der Auwera (1993) claims that already/schon, in its basic use, is different from the other three particles in having a more complex meaning which results in (...) an opposition of the particle to finally/endlich. As to the narrow-focus temporal uses he argues that the duality approach is inadequate in including improper members on the one hand, and excluding relevant particles on the other.The criticism will be refuted. After a recollection of the duality analysis in Section 2, van der Auwera's arguments against the general design of my analysis are dealt with in Section 3. It will be argued that his own analysis of already/schon and its group, as far as it is supported by the data, does not really differ from my approach. In Section 4, I will deal with the claim that finally/endlich contradicts already/schon, which if correct would provide an indirect argument against the duality analysis of schon and noch. I will argue that endlich is set apart from the particles of the schon group by the presence of a non-descriptive, expressive, meaning component. For its descriptive meaning, endlich logically entails schon and belongs to a parallel duality group of its own together with noch immer. The apparent incompatibility of finally/endlich and already/schon can be explained as a conflict between what is foregrounded by each particle, respectively. In Section 5, I will argue that, contrary to van der Auwera's claims, the narrow focus uses of schon and its kin do form proper duality groups. The existence of such uses of noch, not treated in Löbner (1989), does not invalidate the duality analysis of schon and erst. Rather, noch in its relevant narrow-focus use belongs to yet another duality group together with its dual nur noch. (shrink)
Notwithstanding the general rise of experimental disciplines in biology in the first decades of our century, in Germany and in the Netherlands the interest in the idealistic morphological tradition flourished, and compensated for a reductionistic causal approach to natural phenomena. This article analyses the influence of the German idealistic morphologists W. Lubosch and A. Meyer on the development of C.J. van der Klaauw's epistemology. It discusses the gradual incorporation of non-causal principles into van der Klaauw's concept of biology. Van der (...) Klaauw's epistemological concept of holistic biology was shaped in a critical confrontation with German idealistic morphology, and his early considerations can be interpreted as a direct impulse towards the development of his theory of functional components. Van der Klaauw's theories, being an alternative to the reductionistic experimental sciences, were among the causes of the fact that in the first half of our century biology in the Netherlands took a course deviating from the development of biology in the Anglo-American countries. (shrink)
In Anarchy, State, and Utopia, Robert Nozick contrasts entitlement theories of justice and “traditional” theories such as Rawls', utilitarianism or egalitarianism, and advocates the former against the latter. What exactly is an entitlement theory of justice? Nozick's book offers two distinct characterizations. On the one hand, he explicitly describes “the general outlines of the entitlement theory” as maintaining “that the holdings of a person are just if he is entitled to them by the principles of justice in acquisition and transfer, (...) or by the principle of rectification of injustice ”. On the other hand, his famous “Wilt Chamberlain” argument against alternative theories is first said to apply to “non-entitlement conceptions”, and later to any “end-state principle or distributional patterned principle of justice” — which amounts to an implicit characterization of an entitlement conception as a conception of justice which is neither end-state nor patterned. (shrink)
A critical examination of the history of theories and uses of concepts such as 'primitive' and 'savage' in the academic study of religion in imperial, colonial and postcolonial contexts is particularly urgent in our time with its demands to decolonise Western models of knowledge production. In Savage Systems and Empire of Religion, David Chidester has contributed to this project by relating the invention and use of terms such as 'religion', 'primitive' and 'savage' by theorists of religion in European imperial metropoles (...) to South African colonial and indigenous contexts. This article intends to take Chidester's project further by relating Gerardus Van der Leeuw's phenomenological analysis of 'primitive mentality' to Chidester's analysis and postcolonial critique of imperial theories of religion. By taking animism and dreams in Chidester's and Van der Leeuw's works as example, it is argued that in spite of the latter's decontextualised use of ethnological material, a fundamental shift occurred in the judgement of 'primitive' religion from Tylor's evolutionary to Van der Leeuw's phenomenological analysis, which is contrary to claims according to which modern theories are unanimously denigratory of indigenous religions. (shrink)
Van der Klaauw was a professor of Descriptive Zoology in the period 1934–1958. This paper presents a concise annotated overview of his publications. In his work three main topics can be recognized: comparative anatomy of the mammalian auditory region, theoretical studies about ecology and ecological morphology, and vertebrate functional morphology. In particular van der Klaauw developed new concepts on functional morphology, based upon a holistic approach. A series of studies in functional morphology of Vertebrates by his students is added. An (...) overview of recent morphological and theoretical studies show that this new approach had a long lasting impact in studies of functional morphology. (shrink)
Q. Sept. Florent. Tertulliani Opera ex recensione Aug. Reifferscheid et Georg Wissowa. Pars I. Vienna, Tempsky, 1890. Mk. 15.60. Patristische Studien I. II. III. IV. By Dr. Wilhelm von Hartel. Vienna, Tempsky, 1890. Mk. 5.80. Studia Ecclesiastica. Tertullianus. I. Critica et Interpretatoria scripsit DR. J. Van Der Vliet. Leyden, Brill, 1891. 2s. 6d. Gai Vetti Aquiliai Juvenci Evangeliorum Libri Quattuor. Ed. J. Huemer, Vienna, 1891. Mk. 7. 20. Ueber das Evangelienbuch des Juvencus in seinem Verhältniss zum Bibeltext. By K. Marold. (...) [Zeitschrift für wissenschaftliclie Theologie, 1890, pp. 329–341.] Geschichte der Christlich-lateinisehen Poesie. By M. Manitius. Stuttgart, 1891. 12 Mk. (shrink)
Scholars in history and philosophy know the extraordinary difficulty of producing original research that is simultaneously creative, well-documented, and methodologically rigorous. But this is exactly what Mara van der Lugt manages in her recent book, a comprehensive treatment of Pierre Bayle's magnum opus. Reading Bayle is not for the faint of heart; he is a complex thinker with a controversial legacy. Van der Lugt exhibits appropriate caution, and though other interpreters have professed similar caution, van der Lugt's methodological commitments necessitate (...) it. Her approach imitates Bayle's own by suspending judgment on his intentions as author; attending meticulously... (shrink)
This article discusses the design methodology of the Benedictine monk-architect Dom Hans van der Laan, famous for his manifesto De Architectonische Ruimte, in which he proposed his ideal elementary architecture. In the past, this ideal achitecture was linked to Van der Laan’s proportional system and to his general approach as an architect rather than to his Catholic background. Consequently, the changing conceptual landscape in which he developed his ideas on the relation between religion and design was neglected. Yet, as this (...) article will argue, it is only by carefully exploring the relation between Van der Laan’s attempts to define a fundamental architecture and his ambition to understand the religious traditions they may have sprung from that one can understand how his religion and design methodology influenced each other. Based on unedited primary sources, this article reveals forgotten interconnections between Van der Laan’s religious and architectural thinking. By analysing these motifs, it offers new insights on the interrelationships between religion and architecture that go beyond the traditionalist-modernist dichotomy. (shrink)
Willem II van Haecht?s panel of the Cabinet of Cornelis van der Geest (1628), introduces the viewer to the theme of the Five Senses by including five prominently displayed paintings, each corresponding to one of the senses, in the foreground. The paper offers a new reading of the panel, suggesting that this image may be read as an allegory of the Five Senses, proposing this theme as a key to the rhetorical performance the collector, van der Geest, is shown undertaking, (...) and connecting the senses to the picture?s punning motto: Vive l?Esprit. (shrink)
Anlässlich des Jubiläumsjahres 2008 werden Strukturanalogien zwischen der Musik des französischen Komponisten Olivier Messiaen und der Mystik des Flamen Jan van Ruusbroec anhand des X. Satzes aus den „Vingt Regards sur l'Enfant-Jésus" aufgezeigt, der dem „Blick des Geistes der Freude" gewidmet ist. Wie in Ruusbroecs „Zierde der geistlichen Hochzeit" finden sich in der Musik pneumatologische Bildmetaphern wie die des Tanzes, der Jagd, aber auch Übereinstimmung im Ausdruck der Freude und der Einigkeit des Geistes mit dem Vater und dem Sohn. Über (...) seine charakteristischen Farbklänge ist es Messiaen gelungen, sogar die ruusbroecsche Rede vom Minnebrand des Geistes in der Seele musikalisch umzusetzen und dem Geist der Weisheit und der Wahrheit musikalisch Ausdruck zu verleihen. Auf diese Weise trägt zeitgenössische Musik bei, das Geheimnis des Heiligen Geistes tiefer zu erfassen.On the occasion of the Messiaen jubilee 2008, this article shows analogue structures between the Music of the French composer Olivier Messiaen and the mysticism of the Flemish theologian Jan van Ruusbroec . My examination is based on the X. movement of Messiaen's "Vingt Regards sur l'Enfant-Jésus", which is dedicated to the "Vision of the Spirit of Joy". Like Ruusbroec's "Adornment of the Spiritual Marriage", the music of Messiaen contains pneumatological metaphors like the dance and the hunt, but is also accords with Ruusbroec's work in expressing the joy and unity of the Holy Spirit with the Father and the Son. Through his characteristic sound-colours, Messiaen even succeeds in musically expressing what Ruusbroec describes as the Spirit's "firebrand of love" within the soul and in giving the Spirit of wisdom and truth a musical form. This demonstrates how contemporaneous music can contribute to a deeper understanding of the mystery of the Holy Spirit. (shrink)