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  1.  76
    "Jan van Eyck's Arnolfini Portrait": Business as Usual?Linda Seidel - 1989 - Critical Inquiry 16 (1):55-86.
    This essay had its beginnings in my desire to reexamine the Arnolfini portrait from the perspective of Giovanna Cenami, the demure young woman who stands beside the cloaked and hated man on the fifteenth-century panel in London. Even though she shares the formal prominence with the man in Jan van Eyck’s unprecedented composition, she has been paid scant attention in the literature on the painting. I anticipated, as I began my work that inspection of the female subject of the panel (...)
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    A l'origine du décor du portail occidental de Notre-Dame de Senlis: Le triomphe de la Vierge-Eglise. Sources historiques, littéraires et iconographiques. Marie-Louise Thérel.Linda Seidel - 1987 - Speculum 62 (3):733-736.
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    Les Sculptures Médiévales de Saint-Mour-des-Fossés. Barbara Dirlam.Linda Seidel - 1987 - Speculum 62 (3):670-672.
  4. Barbara Dirlam, Les Sculptures Médiévales de Saint-Maur-des-Fossés. Saint-Maur: Société d'Histoire Et d'Archéologie, 1983. Paper. Pp. 166; Illustrated. May Be Ordered From Lucien Gillon, 19 Ave. De Tunis, 94100 Saint-Maur. [REVIEW]Linda Seidel - 1987 - Speculum 62 (3):670-672.