14 found
Order:
  1.  45
    (1 other version)Everyday Heritage and Place- Making.Lisa Giombini - 2019 - Espes 9 (2):50-61.
    In this paper, I combine sources from environmental psychology with insights from the everyday aesthetics literature to explore the concept of ‘everyday heritage’, formerly introduced by Saruhan Mosler. Highlighting the potential of heritage in its everyday context shows that symbolic, aesthetic, and broadly conceived affective factors may be as important as architectural, historical, and artistic issues when it comes to conceiving of heritage value. Indeed, there seems to be more to a heritage site than its official inscription on the UNESCO (...)
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  2.  16
    Classical music as ethical practice: A professional perspective.Chiara Palazzolo & Lisa Giombini - 2024 - The Journal of Moral Education 2024.
    This article examines the ethical foundations within classical music performance. It argues that phronesis (practical wisdom) is crucial in navigating the ethical challenges faced by musicians, addressing the tension between distinct normative constraints as well as enhancing musicians’ ethical awareness and decision-making in their practice. Among these ethical concerns is the responsibility to balance respecting the work’s integrity and pursuing originality. On these grounds, we argue further that phronesis serves a broader function, enabling musicians to fulfil effectively their role responsibility (...)
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  3.  18
    Climate Change, Philosophy, and Fiction.Marta Benenti & Lisa Giombini - 2023 - In Gianfranco Pellegrino & Marcello Di Paola (eds.), Handbook of the Philosophy of Climate Change. Springer. pp. 503-523.
    This chapter addresses fictional narratives as a specific kind of fiction capable of eliciting particular effects on their recipients. The first section of the chapter considers the status of climate fiction (cli-fi) as a literary genre, and identifies a set of standard properties that qualify most works in the category. The second section addresses the specific fictional engagement prompted by cli-fi and discusses its relationship with thought experiments. The third section examines, from a psychological angle, whether and how climate narratives (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  4.  19
    Music from beyond (or how to deal with a musical forgery).Lisa Giombini - 2023 - Lebenswelt: Aesthetics and Philosophy of Experience 19.
    Rosemary Brown (1916-2001), a housewife from South-London, was one of the most famous mediums of her time. Throughout her lifetime, famous composers such as Liszt, Beethoven, Schubert, Debussy and Chopin sought her from the realm of the dead to dictate their posthumous compositions. Brown’s ‘received’ musical pieces became a case study for musicians and psychologists. None, however, ever came up with a convincing explanation for the pieces’ existence. Rather than being a story of sheer madness or clairvoyance, in this paper (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  5. Aesthetics and musicology.Lisa Giombini - 2023 - In Max Ryynänen & Zoltán Somhegyi (eds.), Aesthetic theory across the disciplines. Lanham: Rowman & Littlefield.
     
    Export citation  
     
    Bookmark  
  6.  16
    Applying aesthetics to everyday life: methodologies, history and new directions.Lisa Giombini & Adrián Kvokačka (eds.) - 2023 - New York: Bloomsbury Academic.
    Applying Aesthetics to Everyday Life surveys current debates in the field of everyday aesthetics, examining its history, methodology and intersections with cognate research areas. Lisa Giombini and Adrián Kvokacka bring together an international team of renowned scholars who are shaping the present and future of the discipline. They demonstrate how the historical origins of everyday aesthetics emerges across the history of Western aesthetic thought, from Renaissance thinkers to the modern German philosophers Baumgarten, Kant and Heidegger. Chapters shed light on the (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  7.  34
    But is this really authentic? Revising authenticity in restoration philosophy.Lisa Giombini - 2018 - Lebenswelt. Aesthetics and Philosophy of Experience 12.
    Over the past few decades debates in the field of conservation have called into question the suppositions underpinning contemporary restoration theory and practice. Restorers seem to base their choices on implicit ideas about the authenticity, identity and value of works of art, ideas that need to undergo a more systematic theoretical evaluation. I begin by focusing on the question of whether authenticity is fully established in the process of the creation of an artwork: namely, at its initial point of existence. (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  8.  32
    (2 other versions)Contemporary Aesthetics. A Topographic Attempt.Lisa Giombini & Adrián Kvokačka - 2019 - Espes 9 (2):3-9.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  9. Chi ha paura della critica musicale?Lisa Giombini - forthcoming - la Società Degli Individui.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  10. Care in conservation ethics.Lisa Giombini - 2023 - In Lisa Giombini & Adrián Kvokačka (eds.), Applying aesthetics to everyday life: methodologies, history and new directions. New York: Bloomsbury Academic.
     
    Export citation  
     
    Bookmark  
  11.  32
    (2 other versions)Descriptivism in Meta-Ontology of Music: A Plea for Reflective Equilibrium.Lisa Giombini - 2019 - Espes 9 (2):59-73.
    In this paper, I investigate one popular view in current methodological debate about musical ontology, namely, descriptivism. According to descriptivism, the task of musical ontology is to offer a description of the ‘structure of our thought’ about musical works, as it manifests itself in actual musical practices. In this regard, descriptivists often appeal to our pre-theoretical intuitions to ground ontological theories of musical works. This practice, however, is worrisome, as such intuitions are unstable and contradictory. For example, there is a (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  12. Introduction, rethinking roots, imagining futures.Lisa Giombini & Adrián Kvokačka - 2023 - In Lisa Giombini & Adrián Kvokačka (eds.), Applying aesthetics to everyday life: methodologies, history and new directions. New York: Bloomsbury Academic.
     
    Export citation  
     
    Bookmark  
  13.  1
    Music Criticism Reconsidered: Bias, Expertise, and the Language of Sound.Lisa Giombini - 2025 - Philosophies 10 (1):18.
    Despite its growing prominence on social and media platforms, scholarly engagement with music criticism today remains unexpectedly limited, especially when compared to the extensive attention devoted to visual and literary criticism. This article seeks to revitalize the discourse by confronting the biases that have long undermined the credibility of music critics in the eyes of both musicians and the public. Inspired by the myth of King Midas—punished by Apollo for his “misguided” musical judgment—the discussion investigates the persistent critiques leveled at (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  14.  16
    Nel gesto, nell’atto. L’arte della performance tra opera e evento.Lisa Giombini - 2019 - Lebenswelt. Aesthetics and Philosophy of Experience 13.
    What kind of art is performance art? In what sense – if any – can it be defined? This paper is an attempt to answer these questions by drawing on the category of ‘performative gesture’. One crucial manifestation of the character of performance art is the way it challenges our traditional ideas about what art is. A pivotal point is that performance art does not hold up to the traditional notion of artistic creativity as either a process of ‘production’ or (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark