Despite the proliferation of fine works on Marx, Dupré's learned text deserves attention. This is so because it provides a superb critical exposition of the complex development of Marx's social vision and theory as well as a provocative organicist critique of cultural disintegration in the modern West. In his close readings of Marx's works—from the doctoral dissertation to the third volume of Capital—Dupré displays an intellectual patience, historical sensitivity, and philosophical acumen rarely found in scholarly treatments of Marx. By refusing (...) to succumb to either uncritical presentation or tendentious dismissal, he provides one of the most reliable, succinct, and engaging interpretations we have of Marx's own writings. (shrink)
Focusing on the theme of symbols in the thought of the Yale scholar Louis Dupré, this recent study makes a clear contribution to understanding further the role this subject has played throughout Dupré’s life’s work. Levesque, presently in the Department of Comparative Religion at California State University, derived much of the research for this present volume from his Ph.D. dissertation. In addition to four major chapters there is a brief “Foreward” by Dupré, and an extensive bibliography of his work (...) in the concluding section. (shrink)
The latest book by Louis Dupré, The Quest of the Absolute, is the third and final volume of a trilogy on the intellectual history of modernity. It follows Passage to Modernity and The Enlightenment and the Intellectual Foundations of Modern Culture. Elegant writing and remarkable erudition go hand in hand with a deep insight into the objectives, achievements and deadlocks of the Romantic movement. It is not possible to look into the overwhelming variety of issues and figures that come (...) to the fore in this book and the trilogy as a whole; instead, this article focuses on Dupré’s central claim as to the development and significance of modern Western culture, starting from a specific question that time and again recurs as a key motive throughout the three volumes of his trilogy: are we postmodern or late modern? Dupré’s answer that we are dwellers of a late modern era rather than inhabitants of a postmodern age is dependent on his definition of modernity as a still ongoing ‘event that has transformed the relation between the cosmos, its transcendent source, and its human interpreter’. Since we are still standing in the midst of the event of modernity, shaped by the evolutionary process of and the strains and tensions within and between its three waves, Dupré underlines the necessity to move from hermeneutic to ontological questions. He even explicitly pleads for the rediscovery of a symbolic religious language in a tentative search for its ontological dimension and for a source of significance beyond the realm of human mind. The main question, however, is whether contemporary Western man is still capable of such a rediscovery. (shrink)
This book is a tribute to the thought and person of Louis Dupré. The editors caution that this “is not a Festschrift” because the work and wisdom of Dupré continue to expand even after his retirement from Yale as T. Lawrason Riggs Professor in the Philosophy of Religion.
This eagerly awaited study brings to completion Louis Dupré's planned trilogy on European culture during the modern epoch. Demonstrating remarkable erudition and sweeping breadth, _The Quest of the Absolute_ analyzes Romanticism as a unique cultural phenomenon and a spiritual revolution. Dupré philosophically reflects on its attempts to recapture the past and transform the present in a movement that is partly a return to premodern culture and partly a violent protest against it. Following an introduction on the historical origins of (...) the Romantic Movement, Dupré examines the principal Romantic poets of England, Germany, and France, all of whom, from different perspectives, pursued an absolute ideal. In the chapters of the second part, he concentrates on the critical principles of Romantic aesthetics, the Romantic image of the person as reflected in the novel, and Romantic ethical and political theories. In the chapters of the third, more speculative, part, he investigates the comprehensive syntheses of romantic thought in history, philosophy, and theology. _The Quest of the Absolute_ is an important work both as the culmination of Dupré's ongoing project and as a classic in its own right. The book will meet the expectations of the specialist as well as appeal to more general readers with philosophical, cultural, and religious interests. "_The Quest of the Absolute _is the third volume in Louis Dupré's trilogy dealing with the origins and development of modernity and the major cultural currents defining its history. It follows _Passage to Modernity_ and _The Enlightenment and the Intellectual Foundations of Modern Culture_. This third volume deals with the Romantic movement. Dupré's account is concerned to restore something of the full dimensionalities to Romanticism as a whole, to acknowledge something of the immense intellectual, political, and spiritual ambitions at work in it, without reneging on a reflective critical relation to it." —_William Desmond, Catholic University Louvain and Villanova University_. (shrink)
_Religion and the Rise of Modern Culture_ describes and analyzes changing attitudes toward religion during three stages of modern European culture: the Renaissance, the Enlightenment, and the Romantic period. Louis Dupré is an expert guide to the complex historical and intellectual relation between religion and modern culture. Dupré begins by tracing the weakening of the Christian synthesis. At the end of the Middle Ages intellectual attitudes toward religion began to change. Theology, once the dominant science that had integrated all (...) others, lost its commanding position. After the French Revolution, religion once again played a role in intellectual life, but not as the dominant force. Religion became transformed by intellectual and moral principles conceived independently of faith. Dupré explores this new situation in three areas: the literature of Romanticism ; idealist philosophy ; and theology itself. Dupré argues that contemporary religion has not yet met the challenge presented by Romantic thought. “This beautifully crafted essay by Louis Dupré makes an original contribution to our understanding of the emergence and development of modernity, which dispensing with religion as a governing discourse and form of life, nonetheless attempts to find a place for it in a world sufficiently depleted of meaning and value as to require reenchantment. It supplements Dupré’s two magisterial texts on the topic of the modernity covering the Renaissance and Enlightenment periods, and whets the appetite for the forthcoming volume on Romanticism. Deep learning is worn lightly in this marvelously readable book.” —_Cyril O'Regan, University of Notre Dame_ “A stunning synthesis of Dupré's magisterial intellectual history of modernity and his distinctive and important philosophy of religion.” —_David Tracy, emeritus, The University of Chicago Divinity School_ “Louis Dupre's literate and sweeping review of the fate of religious faith in modern culture will help contemporary readers, who share his closing yearning for ways in which ‘transcendence can be recognized again,’ to appreciate why many of us find a postmodern climate—for better or worse—more conducive to fulfilling that desire. For his dramatic depictions of modernity teach us how different is the culture in which we now live.” —_David Burrell, CSC, Hesburgh Professor Emeritus in Philosophy and Theology, University of Notre Dame_. (shrink)
It is stated that husserl's theory of truth is ambiguous. When husserl attacked psychological interpretations of truth, A logicism seemed to be predominant; later he inclined toward intuitionism, Where truth is constituted by the real presence of the object. Purely logical relations in an eternal order of truth, Independent of things, Seems to conflict with the idea of evidence, Which is a psychological experience. It is concluded that truth is the result of an intuition in which the thing itself is (...) given. Finally, Parallels are drawn between husserl's double truth and leibniz's truths of reason and truths of fact. (staff). (shrink)
Major problems in modern theodicy derive from a rationalist conception of God---alien to living faith---and from an abstract, theologically neutral definition of good and evil. The alternative model here proposed rests on a more intimate union of finite with infinite Being which, on the one hand, allows the creature a greater autonomy and responsibility, and, on the other hand, enables the Creator to share in the suffering of his creatures and thereby to redeem them.