Louis Dupré’s death marks the passing of a philosopher who made a profound contribution to the study of Marx, Hegel, and the wider tradition, and who needs to be reread today. This memoriam acknowledges his importance through placing him in conversation with the great Marxist humanist Raya Dunayevskaya.

Despite the proliferation of fine works on Marx, Dupré's learned text deserves attention. This is so because it provides a superb critical exposition of the complex development of Marx's social vision and theory as well as a provocative organicist critique of cultural disintegration in the modern West. In his close readings of Marx's works—from the doctoral dissertation to the third volume of Capital—Dupré displays an intellectual patience, historical sensitivity, and philosophical acumen rarely found in scholarly treatments of Marx. By refusing (...) to succumb to either uncritical presentation or tendentious dismissal, he provides one of the most reliable, succinct, and engaging interpretations we have of Marx's own writings. (shrink)

The latest book by Louis Dupré, The Quest of the Absolute, is the third and final volume of a trilogy on the intellectual history of modernity. It follows Passage to Modernity and The Enlightenment and the Intellectual Foundations of Modern Culture. Elegant writing and remarkable erudition go hand in hand with a deep insight into the objectives, achievements and deadlocks of the Romantic movement. It is not possible to look into the overwhelming variety of issues and figures that come (...) to the fore in this book and the trilogy as a whole; instead, this article focuses on Dupré’s central claim as to the development and significance of modern Western culture, starting from a specific question that time and again recurs as a key motive throughout the three volumes of his trilogy: are we postmodern or late modern? Dupré’s answer that we are dwellers of a late modern era rather than inhabitants of a postmodern age is dependent on his definition of modernity as a still ongoing ‘event that has transformed the relation between the cosmos, its transcendent source, and its human interpreter’. Since we are still standing in the midst of the event of modernity, shaped by the evolutionary process of and the strains and tensions within and between its three waves, Dupré underlines the necessity to move from hermeneutic to ontological questions. He even explicitly pleads for the rediscovery of a symbolic religious language in a tentative search for its ontological dimension and for a source of significance beyond the realm of human mind. The main question, however, is whether contemporary Western man is still capable of such a rediscovery. (shrink)

Volume 22 in the LTPM series offers a synchronic investigation of the thought of Christian philosopher Louis Dupre. Working from a careful reading of Dupre's vast body of writings, Paul Levesque demonstrates that in Dupre's work all religious expression, insofar as it has a transcendent reference, is intrinsically symbolic. In the course of his study, Levesque discusses the general necessity of employing symbols for religious expression; investigates in depth Dupre's symbol theory and applies it to the religious symbols of (...) ritual, sacraments, and religious art; examines the modern inability to fully form religious symbols; and explores Dupre's particular call to recover the mystical experience in personal life. (shrink)

This book is a tribute to the thought and person of Louis Dupré. The editors caution that this “is not a Festschrift” because the work and wisdom of Dupré continue to expand even after his retirement from Yale as T. Lawrason Riggs Professor in the Philosophy of Religion.

Focusing on the theme of symbols in the thought of the Yale scholar Louis Dupré, this recent study makes a clear contribution to understanding further the role this subject has played throughout Dupré’s life’s work. Levesque, presently in the Department of Comparative Religion at California State University, derived much of the research for this present volume from his Ph.D. dissertation. In addition to four major chapters there is a brief “Foreward” by Dupré, and an extensive bibliography of his work (...) in the concluding section. (shrink)

Did modernity begin with the Renaissance and end with post-modernity? In this book a distinguished scholar challenges both these assumptions. Louis Dupré discusses the roots, development, and impact of modern thought, tracing the fundamental principles of modernity to the late fourteenth century and affirming that modernity is still an influential force in contemporary culture. The combination of late medieval theology and early Italian humanism shattered the traditional synthesis that had united cosmic, human, and transcendent components in a comprehensive idea (...) of nature. Early Italian humanism transformed the traditional worldview by its unprecedented emphasis on human creativity. The person emerged as the sole source of meaning while nature was reduced to an object and transcendence withdrew into a "supernatural" realm. Dupré analyzes this fragmentation as well as the writings of those who reacted against it philosophers like Cusanus and Bruno, humanists like Ficino and Erasmus, theologians like Baius and Jansenius, mystics like Ignatius Loyola and Francis de Sales, and theosophists like Weigel and Boehme. Baroque culture briefly reunited the human, cosmic, and transcendent components, but since that time the disintegrating forces have increased in strength. Despite post-modern criticism, the principles of early modernity continue to dominate the climate of our time. Passage to Modernity is not so much a critique as a search for the philosophical meaning of the epochal change achieved by those principles. -- Amazon.com. (shrink)

This eagerly awaited study brings to completion Louis Dupré's planned trilogy on European culture during the modern epoch. Demonstrating remarkable erudition and sweeping breadth, The Quest of the Absolute analyzes Romanticism as a unique cultural phenomenon and a spiritual revolution. Dupré philosophically reflects on its attempts to recapture the past and transform the present in a movement that is partly a return to premodern culture and partly a violent protest against it. Following an introduction on the historical origins of (...) the Romantic Movement, Dupré examines the principal Romantic poets of England (Wordsworth, Coleridge, Shelley, Keats), Germany (Goethe, Schiller, Novalis, Hölderlin), and France (Lamartine, de Vigny, Hugo), all of whom, from different perspectives, pursued an absolute ideal. In the chapters of the second part, he concentrates on the critical principles of Romantic aesthetics, the Romantic image of the person as reflected in the novel, and Romantic ethical and political theories. In the chapters of the third, more speculative, part, he investigates the comprehensive syntheses of romantic thought in history, philosophy, and theology. The Quest of the Absolute is an important work both as the culmination of Dupré's ongoing project and as a classic in its own right. The book will meet the expectations of the specialist as well as appeal to more general readers with philosophical, cultural, and religious interests. "The Quest of the Absolute is the third volume in Louis Dupré's trilogy dealing with the origins and development of modernity and the major cultural currents defining its history. It follows Passage to Modernity (1993) and The Enlightenment and the Intellectual Foundations of Modern Culture (2004). This third volume deals with the Romantic movement. Dupré's impressive account is concerned to restore something of the full dimensionalities to Romanticism as a whole, to acknowledge something of the immense intellectual, political, and spiritual ambitions at work in it, without reneging on a reflective critical relation to it." —William Desmond, author of The Intimate Strangeness of Being: Metaphysics after Dialect “Louis Dupré’s fascinating portrayal of the Romantic soul urges us to look afresh at this crucial ‘third wave’ of modernity. His thorough insight, astonishing erudition, mild judgment, and unparalleled perspicacity bring to life the works and ideas of many whimsical personalities. He convincingly demonstrates that their restless search for existential depth and authenticity reveals layers of truth and meaning that can function as a mirror for our times.” —Joris Geldhof, Catholic University of Leuven, Belgium "In this extraordinarily comprehensive and penetrating study, the capstone to a great scholarly career, Louis Dupré undertakes nothing less than a grand synthesis of Romantic thought; yet the book is beautifully written and a joy to read. Discussions of English, French, and German poetry and fiction are seamlessly linked to systematic analyses of Romantic aesthetics, psychology, and ethics, as well as such other aspects of Romantic thought as the new religious and historical conceptions that emerge in the period. The Quest of the Absolute is a brilliant, indeed indispensable, book, one that demonstrates, more clearly than any previous study, why Romanticism is still relevant to the struggles that confront us in the twenty-first century." —Henry Weinfield, University of Notre Dame. (shrink)

_Religion and the Rise of Modern Culture_ describes and analyzes changing attitudes toward religion during three stages of modern European culture: the Renaissance, the Enlightenment, and the Romantic period. Louis Dupré is an expert guide to the complex historical and intellectual relation between religion and modern culture. Dupré begins by tracing the weakening of the Christian synthesis. At the end of the Middle Ages intellectual attitudes toward religion began to change. Theology, once the dominant science that had integrated all (...) others, lost its commanding position. After the French Revolution, religion once again played a role in intellectual life, but not as the dominant force. Religion became transformed by intellectual and moral principles conceived independently of faith. Dupré explores this new situation in three areas: the literature of Romanticism ; idealist philosophy ; and theology itself. Dupré argues that contemporary religion has not yet met the challenge presented by Romantic thought. “This beautifully crafted essay by Louis Dupré makes an original contribution to our understanding of the emergence and development of modernity, which dispensing with religion as a governing discourse and form of life, nonetheless attempts to find a place for it in a world sufficiently depleted of meaning and value as to require reenchantment. It supplements Dupré’s two magisterial texts on the topic of the modernity covering the Renaissance and Enlightenment periods, and whets the appetite for the forthcoming volume on Romanticism. Deep learning is worn lightly in this marvelously readable book.” —_Cyril O'Regan, University of Notre Dame_ “A stunning synthesis of Dupré's magisterial intellectual history of modernity and his distinctive and important philosophy of religion.” —_David Tracy, emeritus, The University of Chicago Divinity School_ “Louis Dupre's literate and sweeping review of the fate of religious faith in modern culture will help contemporary readers, who share his closing yearning for ways in which ‘transcendence can be recognized again,’ to appreciate why many of us find a postmodern climate—for better or worse—more conducive to fulfilling that desire. For his dramatic depictions of modernity teach us how different is the culture in which we now live.” —_David Burrell, CSC, Hesburgh Professor Emeritus in Philosophy and Theology, University of Notre Dame_. (shrink)

An eminent scholar of modern culture argues that the Enlightenment—the importance of which has been vigorously debated in recent years—was a more complex phenomenon than either its detractors or advocates assume. “Ranging as it does over art, morality, religion, science, philosophy, social theory, and a good deal besides, [Dupré’s book] is a marvel of scholarly erudition.... Formidably well-researched,... [this] would make an excellent introduction to Enlightenment ideas for the general reader.”—Terry Eagleton, _Harper’s Magazine _“This immensely readable book will cause readers (...) to rethink the Enlightenment and to see its positive aspects. It will also add crucial historical perspective to current discussions of modernity.”—Donald Verene, Emory University. (shrink)

An eminent scholar of modern culture argues that the Enlightenment—the importance of which has been vigorously debated in recent years—was a more complex phenomenon than either its detractors or advocates assume. “Ranging as it does over art, morality, religion, science, philosophy, social theory, and a good deal besides, [Dupré’s book] is a marvel of scholarly erudition.... Formidably well-researched,... [this] would make an excellent introduction to Enlightenment ideas for the general reader.”—Terry Eagleton, _Harper’s Magazine _“This immensely readable book will cause readers (...) to rethink the Enlightenment and to see its positive aspects. It will also add crucial historical perspective to current discussions of modernity.”—Donald Verene, Emory University. (shrink)

How should philosophy approach religious experience? Can philosophy do more than describe religious experience without discussing its object? Can religion make genuine truth claims? These are some of the questions raised in these essays.

It is stated that husserl's theory of truth is ambiguous. When husserl attacked psychological interpretations of truth, A logicism seemed to be predominant; later he inclined toward intuitionism, Where truth is constituted by the real presence of the object. Purely logical relations in an eternal order of truth, Independent of things, Seems to conflict with the idea of evidence, Which is a psychological experience. It is concluded that truth is the result of an intuition in which the thing itself is (...) given. Finally, Parallels are drawn between husserl's double truth and leibniz's truths of reason and truths of fact. (staff). (shrink)