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  1.  17
    Politics and Commonality of Sensation from a Reading of Merleau-Ponty.Razvan Amironesei & Louis-Étienne Pigeon - 2017 - Substance 46 (1):69-89.
    During the afternoon of December 21, 1989, in Bucharest, a mass of demonstrators gather in a public square at the request of Nicolae Ceausescu, then president of Romania. In the previous days, students had shaken the country by taking to the streets in protest in the city of Timisoara. These mass protests had been preceded that year by a wave of other social movements that took place in Poland, Hungary, East Germany, Bulgaria, and Czechoslovakia. Now in a broadcast from the (...)
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  2.  5
    Questioning Customs and Traditions in Culinary Ethics: the Case of Cruel and Environmentally Damaging Food Practices.Louis-Etienne Pigeon & Lyne Letourneau - 2023 - Food Ethics 8 (1):1-17.
    Culinary traditions and food practices are at the center of our daily lives and therefore constitute an important part of culture. Whether they are part of significant rituals or simply routinely enacted, they tell us something about the way we relate to each other and to the non-human world. In other words, food practices have an ethical dimension. Our paper focuses on the possibility to make objective ethical assessments of problematic cultural practices rooted in culinary traditions as a reply to (...)
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  3.  15
    The Leading Canadian NGOs' Discourse on Fish Farming: From Ecocentric Intuitions to Biocentric Solutions.Louis-Etienne Pigeon & Lyne Létourneau - 2014 - Journal of Agricultural and Environmental Ethics 27 (5):767-785.
    The development of the aquaculture industry in Canada has triggered a conflict of a scope never seen before. As stated in Young and Matthews’ The Aquaculture Controversy, this debate has “mushroomed over the past several decades to become one of the most bitter and stubborn face-offs over industrial development ever witnessed in Canada” (Young and Matthews in The aquaculture controversy in Canada. Activism, policy and contested science. UBC Press, Vancouver, p 3, 2010). It opposes a wide variety of actors: from (...)
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