In this interview 1, Jean-Luc Nancy retraces the origin, the affirmation and the trivialisation of deconstruction: from its point of departure in Heidegger's project of the destruction of the history of ontology, to its attachment to Derrida's philosophical style; from its quick dissemination in the American universities and its adoption as a method of textual critique, to its gradual banalisation in common discourse as a synonym of ‘demolition’. All this is discussed through the lens of Nancy's personal experience, with particular (...) attention to the historical background and some insights into the origins of the project of a deconstruction of Christianity, the relation between deconstruction and différance and the future role of deconstruction. (shrink)
This paper is not an article in a regular sense. It is a dialogue between François-David Sebbah, one of the two editors of this topical collection, and Jean-Luc Nancy, one of the most eminent representatives of the contemporary French Thought. This dialogue took place in the first half of 2022 in a written form, because of the sanitary restrictions related to the COVID-19 pandemic and because Nancy was heavily sick. Sebbah sent to Nancy a text, corresponding to Section 2.1, and (...) Nancy responded to it with another text, corresponding to Section 2.2. Unfortunately, Nancy died on August 23, 2022, and could not revise his own text nor pursue the dialogue, as it was originally planned. For this reason, an introductory clarification by Sebbah, corresponding to Section 1, has been added. The purpose of such clarification is to introduce the reader to Nancy’s philosophy of technology—although technology never had a central role in Nancy’s reflections. In Section 2.1, Sebbah proposes a distinction between “French Theory,” “French Thought,” and “French Philosophy.” He also proposes a list of twelve possible intersections between the French Thought and the philosophy of technology. In Section 2.2, Nancy criticizes the use of expressions such as “French Thought.” He also insists, in a Heideggerian vein, on the fact that Technology (with a capital “T”) does not depend on human ends but has its own ends. (shrink)
Against a certain contemporary style of thinking that wishes to go beyond finitude entirely, I propose a finite praxis modeled after Jean-Luc Nancy’s finite thinking. I argue that the desire to imm...
Jean-Luc Nancy takes the concept of "essence" in order to indicate its drawbacks on the singularity of being. The concept of essence is not a universal and necessary origin, but contingent and historical meanings for Nancy. This historicity in meaning leads Nancy to question the concept of the individual and the rules of the social/public sphere allocated through individuality. Nancy's argument on the ontological environment of finite beings aims to highlight those beings are mixed singular, not belonging to a universal (...) unit. This allows us to discover that being is singular and also singular-plural to the extent that it is with the other. Thus, essential historical concepts invalidate individual or social organizations at this point. Nancy calls this “finitude” which is the only transcendental concept that makes possible the “being with” (Mitsein). It is possible to think that finitude is the only property to make a community of singularities rather than ready-made concepts of social sciences. I argue that this position is methodological for an alternative socio-ontology. (shrink)
Probabilistic models have much to offer to philosophy. We continually receive information from a variety of sources: from our senses, from witnesses, from scientific instruments. When considering whether we should believe this information, we assess whether the sources are independent, how reliable they are, and how plausible and coherent the information is. Bovens and Hartmann provide a systematic Bayesian account of these features of reasoning. Simple Bayesian Networks allow us to model alternative assumptions about the nature of the information sources. (...) Measurement of the coherence of information is a controversial matter: arguably, the more coherent a set of information is, the more confident we may be that its content is true, other things being equal. The authors offer a new treatment of coherence which respects this claim and shows its relevance to scientific theory choice. Bovens and Hartmann apply this methodology to a wide range of much discussed issues regarding evidence, testimony, scientific theories, and voting. Bayesian Epistemology is an essential tool for anyone working on probabilistic methods in philosophy, and has broad implications for many other disciplines. (shrink)
Jean-Luc Marion is one of the leading Catholic thinkers of our time: a formidable authority on Descartes and a major scholar in the philosophy of religion. This book presents a concise, accessible, and engaging introduction to the theology of Jean-Luc Marion. Described as one of the leading thinkers of his generation, Marion's take on the postmodern is richly enhanced by his expertise in patristic and mystical theology, phenomenology, and modern philosophy. In this first introduction to Marion's thought, Robyn Horner provides (...) the essential background to Marion's work, as well as analysing the most significant themes for contemporary theology. This book serves as an ideal starting point for students of theology and philosophy, as well as for those seeking to further their knowledge of cutting-edge thinking in contemporary theology. (shrink)
Jean-Luc Nancy is one of the leading contemporary thinkers in France today. Through an inventive reappropriation of the major figures in the continental tradition, Nancy has developed an original ontology that impacts the way we think about religion, politics, community, embodiment, and art. Drawing from a wide range of his writing, Marie-Eve Morin provides the first comprehensive and systematic account of Nancy’s thinking, all the way up to his most recent work on the deconstruction of Christianity. Without losing sight of (...) the heterogeneity of Nancy’s work, Morin presents a concise articulation of the organizing concepts, which structure Nancy’s body of work. The guiding thread is that of an essential rift at the heart of any “self” by which this self is exposed and relates to itself and other selves. Nancy’s ontology undercuts dichotomies between individual and community, interior and exterior, matter and spirit, thing and thought, not in the name of mere deconstruction, but in seeking to open a thinking of the “limit” or the “edge” as the locus of sense. While Nancy’s work has often been presented in relation to Heidegger or Derrida, Morin demonstrates the originality of Nancy’s work and argues that, despite the variety of its preoccupations and topics, it possesses its own rigorous internal logic. This book will be of interest to students and scholars of philosophy and related fields who seek a systematic and critical understanding of one of the most original contemporary thinkers. (shrink)
¿Cómo entender la contradicción de una filosofía que, a la vez que se autoproclama heredera legítima de la fenomenología, pretende liberarse de sus límites y abrir paso a la manifestación incondicionada? ¿Debemos sin más leer la obra de Jean-Luc Marion como una verdadera renovación de la fenomenología, tal como él y sus seguidores pretenden o, por el contrario, debemos leerla como pura teología independizada del movimiento fenomenológico? ¿Por qué sería la vía teológica la única salida posible de la crisis de (...) la metafísica contemporánea denunciada por Marion y, más aún, una vía necesaria? Para responder a estas y otras preguntas, el presente trabajo desarrolla algunas de las paradojas que surgen del giro teológico marioniano, distinguiendo dos maneras posibles de entender su _Kehre_: o bien como una _desviación_ que permite extender la fenomenología a nuevos campos, o bien como un regreso o vuelta atrás y abandono del proyecto fenomenológico. Por último, nos preguntamos si la ontología donadora gradual, propuesta por Marion, no permite pensar en una posible tercera vía, según la cual el pensamiento de Marion no sería ya una _fenomenología_, sino una _fansiología teológico gradualista_. (shrink)
The work of the contemporary French philosopher Jean-Luc Nancy has impacted across a range of disciplines. His writings on psychoanalysis, theology, art, culture and, of course, philosophy are now widely translated and much discussed. His L'Experience de la Liberte is considered to be one of the landmarks of contemporary continental philosophy. Jean-Luc Nancy and the Future of Philosophy is the first genuine introduction to Nancy's ideas and a clear and succinct appraisal of a burgeoning reputation. The book summarises topically the (...) primary conceptual areas of Nancy's thought and explores its relevance for contemporary issues like nationalism, racism and media rights. Nancy's indebtedness to Nietzsche, Heidegger, and Bataille is examined as well as how his ideas compare to those of his contemporary continental thinkers. Three major areas of Nancy's work are emphasised: freedom and morality; community and politics; and arts and the media. The reader is guided through a chosen theme without being lost in a welter of allusive language, jargon is avoided where possible and when unavoidable it is clearly explained. The book concludes with a new interview with Nancy, which discusses the future of philosophy. The book will be an important addition to the readings lists for courses on contemporary continental thought and political philosophy. (shrink)
This article proposes a number of models to examine through which mechanisms a population of autonomous agents could arrive at a repertoire of perceptually grounded categories that is sufficiently shared to allow successful communication. The models are inspired by the main approaches to human categorisation being discussed in the literature: nativism, empiricism, and culturalism. Colour is taken as a case study. Although we take no stance on which position is to be accepted as final truth with respect to human categorisation (...) and naming, we do point to theoretical constraints that make each position more or less likely and we make clear suggestions on what the best engineering solution would be. Specifically, we argue that the collective choice of a shared repertoire must integrate multiple constraints, including constraints coming from communication. Key Words: autonomous agents; colour categorisation; colour naming; connectionism; cultural evolution; genetic evolution; memes; origins of language; self-organisation; semiotic dynamics; symbol grounding. (shrink)
In a footnote of his La Communaute Desoeuvree, Jean Luc Nancy writes that it is necessary to investigate more closely the entry of myth into modern political thinking and more generally the relationship between myth and ideology (Nancy 1990, 116n). In this paper, I will explore the way in which we should understand this strange relation between myth and ideology. To do so, I will first briefly outline Nancy's now already known thinking of myth. Secondly, I will introduce a modern (...) understanding of ideology. In a concluding remark, I will discuss Nancy's idea of the entry of myth in ideology. (shrink)
This volume is the direct result of a conference in which a number of leading researchers from the fields of artificial intelligence and biology gathered to ...
The work of the contemporary French philosopher Jean-Luc Nancy has impacted across a range of disciplines. His writings on psychoanalysis, theology, art, culture and, of course, philosophy are now widely translated and much discussed. His L'Experience de la Liberte is considered to be one of the landmarks of contemporary continental philosophy. Jean-Luc Nancy and the Future of Philosophy is the first genuine introduction to Nancy's ideas and a clear and succinct appraisal of a burgeoning reputation. The book summarises topically the (...) primary conceptual areas of Nancy's thought and explores its relevance for contemporary issues like nationalism, racism and media rights. Nancy's indebtedness to Nietzsche, Heidegger, and Bataille is examined as well as how his ideas compare to those of his contemporary continental thinkers. Three major areas of Nancy's work are emphasised: freedom and morality; community and politics; and arts and the media. The reader is guided through a chosen theme without being lost in a welter of allusive language, jargon is avoided where possible and when unavoidable it is clearly explained. The book concludes with a new interview with Nancy, which discusses the future of philosophy. The book will be an important addition to the readings lists for courses on contemporary continental thought and political philosophy. (shrink)
Jean-Luc Nancy and the Thinking of Otherness is the first book in English to provide a sustained account of the relationship between Nancy, Levinas and Heidegger.
Taking his critique of totalitarianizing conceptions of community as a starting point, this text examines Jean-Luc Nancy's work of an ‘ontology of plural singular being’ for its political implications. It argues that while at first this ontology seems to advocate a negative or an anti-politics only, it can also be read as a ‘theory of communicative praxis’ that suggests a certain ethos – in the form of a certain use of symbols that would render the ontological plurality of singulars perceptible (...) and practically effective. Finally, some recent texts by Nancy even sidestep the ontology of being-with and face the question of what politics, faced with demands of justice, could be and what a democratic politics could provide. Both of these aspects in Nancy's work, however, still remain to be spelled out more politically. (shrink)
Luc Dardenne focuses on his work with his brother lean-Pierre, and in particular on their last film Le fils, and on the path which has led them to the mastery of new cinematographic practices. Dardenne touches on, in turn, the importance of the history and memory of struggles, changes in forms of engagement and of resistance, in the ethics of filming a body, the imbrication of technology in the search for the limits of their art.
The Fifth Element (1997) is a French science-fiction film in English, directed and co-written by Luc Besson. The title and the plot of the film refer to a central notion of Greek philosophy, that is, pemptousia, or quintessence. Pre-Socratic philosophers such as Thales, Anaxagoras, Anaximenes and others, were convinced that all natural beings – in fact, nature itself – consist in four primary imperishable elements or essences (ousiai), i.e., fire, earth, water, and air. To these four, Aristotle added aether, a (...) fifth essence (pemptousia). The introduction of aether gave birth to a great tradition in late Antique and Medieval philosophy, and eventually it came to signify not an additional primary element, but the core-essence of all beings, their fundamental ontological structure. Besson’s film draws its inspiration on this philosophical tradition but its cinematographic rendering of the concept of Quintessence is typical of the contemporaneous views on the core characteristics of matters. The modernity that stimulates the film is equally anti-transcendentalist and anti-essentialist. Thus, the fifth element of the film is existentially personified and genderized making the traditional philosophical significance of the term to be adjusted by modernity in an immanent and temporal context where in addition aesthetics plays a crucial role. (shrink)
As soon as we stop talking aloud, we seem to experience a kind of 'inner voice', a steady stream of verbal fragments expressing ongoing thoughts. What kind of information processing structures are required to explain such a phenomenon? Why would an 'inner voice' be useful? How could it have arisen? This paper explores these questions and reports briefly some computational experiments to help elucidate them.
L'oeuvre du philosophe anglais est au coeur du débat qui divise historiens et philosophes sur le thème de la sécularisation de la pensée politique moderne. Cet ouvrage ambitionne de contribuer nettement à ce débat, en montrant le rôle joué par la théologie de la toute-puissance dans la constitution de la philosophie morale et politique de Hobbes.
A vital and underappreciated dimension of social interaction is the way individuals justify their actions to others, instinctively drawing on their experience to appeal to principles they hope will command respect. Individuals, however, often misread situations, and many disagreements can be explained by people appealing, knowingly and unknowingly, to different principles. On Justification is the first English translation of Luc Boltanski and Laurent Thévenot's ambitious theoretical examination of these phenomena, a book that has already had a huge impact on French (...) sociology and is likely to have a similar influence in the English-speaking world. In this foundational work of post-Bourdieu sociology, the authors examine a wide range of situations where people justify their actions. The authors argue that justifications fall into six main logics exemplified by six authors: civic (Rousseau), market (Adam Smith), industrial (Saint-Simon), domestic (Bossuet), inspiration (Augustine), and fame (Hobbes). The authors show how these justifications conflict, as people compete to legitimize their views of a situation. On Justification is likely to spark important debates across the social sciences. (shrink)
The word myth is commonly thought to mean a fictional story, but few know that Plato was the first to use the term muthos in that sense. He also used muthos to describe the practice of making and telling stories, the oral transmission of all that a community keeps in its collective memory. In the first part of Plato the Myth Maker , Luc Brisson reconstructs Plato's multifaceted description of muthos in light of the latter's Atlantis story. The second part (...) of the book contrasts this sense of myth with another form of speech that Plato believed was far superior: the logos of philosophy. Gerard Naddaf's substantial introduction shows the originality and importance both of Brisson's method and of Plato's analysis and places it in the context of contemporary debates over the origin and evolution of the oral tradition. "[Brisson] contrasts muthos with the logos found at the heart of the philosophical reading. [He] does an excellent job of analyzing Plato's use of the two speech forms, and the translator's introduction does considerable service in setting the tone."-- Library Journal. (shrink)
This article carries out a systematic exposition of the concept of the body in Jean-Luc Nancy, with all the risks of reduction that such an exposition entails. First it is necessary to return to Western philosophy’s founding text on living corporality, that is, Aristotle’s treatise on the soul. The oppositions that can be established between the Greek thinker’s psyche (soul) and Nancy’s dead Psyche are not so radical as may at first be thought: In both it is a question of (...) thinking the soul as the difference, the retreat or departure in which the exposition of bodies consists. The article continues with an analysis of touch and the self and concludes with an elaboration of the idea of the body within the general program of the deconstruction of Christianity. (shrink)
Le 23 août 2021, Jean-Luc Nancy s’est éteint, au terme d’une vie intense. On sait sa fécondité philosophique. On sait son œuvre immense, à la fois profonde et joyeuse, mêlant sérieux et jeu, philosophie et goût des mots, érudition et brillance. Il ne fut pas en vain lecteur de Nietzsche. Fidèle en ses amitiés et ses engagements, il prit racine à Strasbourg, ville diagonalement opposée à son lieu de naissance. Penseur entré de son vivant dans le cercle des philosophes immortels, (...) Jean-Luc Nancy... (shrink)
This article considers Jean-Luc Nancy’s reflections on the nude in painting and photography in the light of his aesthetics, his philosophy of the body and soul, and some of his other writings on portraiture. It explores Nancy’s insistence on skin as the truth behind and beyond which no further meaning waits to be revealed: there are no hidden depths, no secret or sacred truths, nothing is concealed beneath the skin.
In this article, I will investigate Jean-Luc Marion’s influential critique of metaphysical and natural theological approaches to the divine which he regards as “idolatrous”, and his own proposal of an “iconic” account of God’s revelation which he calls the “third way”. Marion’s idol-icon distinction, I maintain, developed in his early work “God without Being”, is the guiding thread of Marion’s philosophical project, and the key for an adequate understanding of his own account. While Marion’s account is compelling and has provided (...) new perspectives and insights to the contemporary discussion in philosophy of religion, its uncompromising excessiveness and the outright rejection of all hermeneutics leaves it deeply problematic and makes it hard to see how to follow his “third way”. (shrink)
Par quelque lieu qu'on s'y engage, s'il y a bien «quelque chose» qui insiste dans la pensée de Jean-Luc Nancy--qui en constitue le coeur, irriguant et inquiétant tout le reste de son corpus -, c'est assurément la question de la communauté--sous les divers noms qu'elle peut prendre: «partage», «nous», «comparution», « Mitsein» ou plutôt «Mitdasein», «communication» «être singulier pluriel», «être-en-commun», «avec», «coexistence», «coexposition», «monde», «liberé», «finitude», «espacement originaire» de l'existence, «écotechnie» ou «techné des corps», «toucher», etc. La question de la (...) communauté implique ou ouvre nécessairement celle du sens, étant entendu que la communauté est immédiatement enveloppée dans celle du sens, ou encore plus précisément qu'elle est immédiatement celle du sens, non pas d'un sens, mais du sens--pour autant qu'«il n'y a de sens, comme le dit Bataille, qu'à plusieurs», ce «pluriel» devant d'abord s'entendre chez Nancy comme l'avoir-lieu ou l'espacement même de l'«avec».--Page 4 of cover. (shrink)
Distant Suffering examines the moral and political implications for a spectator of the distant suffering of others as presented through the media. What are the morally acceptable responses to the sight of suffering on television, for example, when the viewer cannot act directly to affect the circumstances in which the suffering takes place? Luc Boltanski argues that spectators can actively involve themselves and others by speaking about what they have seen and how they were affected by it. Developing ideas in (...) Adam Smith's moral theory, he examines three rhetorical 'topics' available for the expression of the spectator's response to suffering: the topics of denunciation and of sentiment and the aesthetic topic. The book concludes with a discussion of a 'crisis of pity' in relation to modern forms of humanitarianism. A possible way out of this crisis is suggested which involves an emphasis and focus on present suffering. (shrink)
This essay explores Jean-Luc Nancy’s philosophical return to Cartesian philosophy, specifically to Descartes’s preoccupation with the relation of mind and body, as a fertile ground from which to develop an ontology of the body in. It explores Nancy’s reasons for revisiting the Cartesian thinking framework, which on the face of it, is of little value to an ontology of the body. I argue that Descartes’s impasse in accounting for both mind/body dualism and their union constitutes Nancy’s point of departure in (...) constructing an ontology of the body in, thereby transforming Descartes’s impasse into a productive aporia, in the Derridean sense of the term. To fully understand the significance of the notion of “relation” in Nancy’s’ philosophy, I turn to his reading of Lacan’s famous aphorism “there is no sexual relation” and explore its ontological implications. (shrink)
The paper surveys the currently available axiomatizations of common belief (CB) and common knowledge (CK) by means of modal propositional logics. (Throughout, knowledge- whether individual or common- is defined as true belief.) Section 1 introduces the formal method of axiomatization followed by epistemic logicians, especially the syntax-semantics distinction, and the notion of a soundness and completeness theorem. Section 2 explains the syntactical concepts, while briefly discussing their motivations. Two standard semantic constructions, Kripke structures and neighbourhood structures, are introduced in Sections (...) 3 and 4, respectively. It is recalled that Aumann's partitional model of CK is a particular case of a definition in terms of Kripke structures. The paper also restates the well-known fact that Kripke structures can be regarded as particular cases of neighbourhood structures. Section 3 reviews the soundness and completeness theorems proved w.r.t. the former structures by Fagin, Halpern, Moses and Vardi, as well as related results by Lismont. Section 4 reviews the corresponding theorems derived w.r.t. the latter structures by Lismont and Mongin. A general conclusion of the paper is that the axiomatization of CB does not require as strong systems of individual belief as was originally thought- only monotonicity has thusfar proved indispensable. Section 5 explains another consequence of general relevance: despite the "infinitary" nature of CB, the axiom systems of this paper admit of effective decision procedures, i.e., they are decidable in the logician's sense. (shrink)
This article carries out a systematic exposition of the concept of the body in Jean-Luc Nancy, with all the risks of reduction that such an exposition entails. First it is necessary to return to Western philosophy’s founding text on living corporality, that is, Aristotle’s treatise on the soul. The oppositions that can be established between the Greek thinker’s psyche and Nancy’s dead Psyche are not so radical as may at first be thought: In both it is a question of thinking (...) the soul as the difference, the retreat or departure in which the exposition of bodies consists. The article continues with an analysis of touch and the self and concludes with an elaboration of the idea of the body within the general program of the deconstruction of Christianity. (shrink)
Considerations regarding predication in ordinary language as well as the ontology of relations suggest a refinement of the Ontological Square, a conceptual scheme used in many foundational ontologies and which consists of particular substrates as well as their types on the one hand and particular attributes as well as their types on the other hand. First, the distinction between particulars and universals turns out to be one of degree, since particulars are merely the least elements in the subsumption hierarchy. Second, (...) relations may be analysed in terms of roles as ways of participating in events. In consequence, the Logic of the Ontological Square proposed in (Schneider 2009) has to be revised accordingly. (shrink)
The Ontological Square is a categorial scheme that combines two metaphysical distinctions: that between types (or universals ) and tokens (or particulars ) on the one hand, and that between characters (or features ) and their substrates (or bearers ) on the other hand. The resulting four-fold classification of things comprises particular substrates, called substances , universal substrates, called kinds , particular characters, called modes or moments , and universal characters, called attributes . Things are joined together in facts by (...) primitive ontological ties or nexus . This article describes a logic that is meant to capture the basic intuitions behind the Ontological Square. Given a minimal correspondence between atomic logical form and ontological structure, the commitment to nexus as a distinct ontological category entails a rehabilitation of copulae as ties of predication. Thus, the Logic of the Ontological Square is a copula calculus rather than a predicate calculus; its soundness and completeness can be established with respect to a model akin to a so-called first-order semantics for standard second-order logic. (shrink)