Meditative poetry has the ability to reproduce aspects of the meditative experience. In this paper we explore this ability, trying to clarify the phenomenon by pointing out the cognitive processes involved. We focus on Christian Jesuit meditation and pinpoint one of its most effective elements: “the composition of place”. We argue that three main abilities associated with “the composition of place” are responsible for the meditative quality detected in poetic meditative texts: The text’s ability to evoke an orientation process; the (...) text’s ability to support diffuse perception and encourage divergent ways of processing; the text’s ability to generate the mental set required for this experience, the absence of purpose, and to supply the conditions that enable such a mental set to exist over time. We illustrate our theoretical discussion through a close reading of two meditative poetic masterpieces: Donne’s Holy Sonnet No. 7, and the Spanish anonymous sonnet “A Cristo Crucificado”. (shrink)

In the current study of metaphor it is commonly assumed that during a metaphorical reading both an impression of dissimilarity and an impression of similarity are created in the reader's mind. These separate impressions exist simultaneously and each of them is considered to have linear relations with the metaphor's aptness without either coming at the expense of the other. Thus far this assumption has never received any satisfactory theoretical justification. In this paper I discuss the problem of the simultaneous existence (...) of similarity and dissimilarity in the reader's awareness when engaged in metaphor comprehension. I examine the methods for resolving this problem, point out the shortcomings of the suggested solution and present an alternative solution. My solution uses a well-known distinction in the field of visual perception, that of global similarity versus dimensional similarity, and applies it to metaphor comprehension. While doing 50 1 also try to supply a novel perspective on the process of metaphor comprehension. (shrink)

In the current study of metaphor it is commonly assumed that during a meta­phorical reading both an impression of dissimilarity and an impression of similarity are created in the reader’s mind. These separate impressions exist simultaneously and each of them is considered to have linear relations with the metaphor’s aptness without either coming at the expense of the other. Thus far this assumption has never received any satisfactory theoretical justification. In this paper I discuss the problem of the simultaneous existence (...) of similarity and dissimilarity in the reader’s awareness when engaged in metaphor comprehension. I examine the methods for resolving this pro­blem, point out the shortcomings of the suggested solution and present an alternative solution. My solution uses a well-known distinction in the field of visual perception, that of global similarity versus dimensional similarity, and applies it to metaphor comprehension. While doing so I also try to supply a novel perspective on the process of metaphor comprehension. (shrink)

Meditative poetry has the ability to reproduce aspects of the meditative experience. In this paper we explore this ability, trying to clarify the phenomenon by pointing out the cognitive processes involved. We focus on Christian Jesuit meditation and pinpoint one of its most effective elements: ¿the composition of place¿. We argue that three main abilities associated with ¿the composition of place¿ are responsible for the meditative quality detected in poetic meditative texts: The text¿s ability to evoke an orientation process; the (...) text¿s ability to support diffuse perception and encourage divergent ways of processing; the text¿s ability to generate the mental set required for this experience, the absence of purpose, and to supply the conditions that enable such a mental set to exist over time. We illustrate our theoretical discussion through a close reading of two meditative poetic masterpieces: Donne¿s Holy Sonnet No. 7, and the Spanish anonymous sonnet ¿A Cristo Crucificado¿. (shrink)