Theodor Adorno is a widely-studied figure, but most often with regard to his work on cultural theory, philosophy and aesthetics. The Sociology of Theodor Adorno provides the first thorough English-language account of Adorno's sociological thinking. Matthias Benzer reads Adorno's sociology through six major themes: the problem of conceptualising capitalist society; empirical research; theoretical analysis; social critique; the sociological text; and the question of the non-social. Benzer explains the methodological and theoretical ideas informing Adorno's reflections on sociology and illustrates Adorno's approach (...) to examining social life, including astrology, sexual taboos and racial prejudice. Benzer clarifies Adorno's sociology in relation to his work in other disciplines and the inspiration his sociology took from social thinkers such as Marx, Weber, Durkheim, Kracauer and Benjamin. The book raises critical questions about the viability of Adorno's sociological mode of procedure and its potential contributions and challenges to current debates in social science. (shrink)

In this interview, Boris Groys discusses his key cultural-theoretical ideas, positions his thought in relation to debates on the cultural economy and clarifies questions emerging from his work. The conversation focuses on his untranslated cultural-theoretical contributions, notably Über das Neue [On the New] and Topologie der Kunst [Topology of Art], but also touches on his writings available in English, for example Art Power. The interview contains three sections. The first revisits Groys’s challenge to the postmodern claim about the end of (...) cultural innovation. He problematizes this claim with reference to the current rise of digital archives and the loss of individual and collective memory. Groys goes on to elucidate the centrality of the ready-made method to cultural innovation. Cultural activity, he argues, constitutes a ritual which promises immortality in a world of perpetual change. Finally, Groys clarifies and illustrates the questions guiding his phenomenological investigation of the ‘scene of evidence’ and the ‘mode of suspicion’. The second section is dedicated to the topology of culture in 21st-century capitalism. Groys sets out from his observation of the privatization and fragmentation of archival space. Humanity is entering a ‘new virtual Middle Age’, where individuals are engaged in a series of self-installations, travelling through a string of heterogeneous valorizing spaces. The ‘chance’ of genuine art in these conditions lies in its withdrawal from exchange. As inexchangeable ‘commodity corpses’ demanding eternal preservation, artworks can provocatively indicate the possibility of a ‘life after capitalism’. His considerations also lead Groys to discuss his notion of Soviet Communism as an installation in pursuit of the wish to ‘step out of time’. The third section centres on the problems of politics and critique. Responding to a question about the political potential of art, Groys proposes consideration of the increasing intensity — presently illustrated by the conflict in the Middle East — with which politics acts in the realm of aesthetics. The interview closes with reflections on the possibility of intellectual resistance. Referring to Nietzsche and Adorno, Groys locates the potential of opposition in a resentful critique of time: a ‘rejection of everything’ and the insistence upon the possibility that what is will vanish. (shrink)

Focusing on his essays “New value‐free sociology” and “Remarks on social conflict today,” this chapter discusses Adorno's assessments of how Karl Mannheim, Georg Simmel, Lewis Coser, and Ralf Dahrendorf have addressed the tensions and conflicts that beset contemporary society. The chapter draws on these sociologists' works and on Adorno's reading of them to elucidate core arguments in his critique of both their conceptions of the social world and their sociological modes of procedure. Particular emphasis is placed on Adorno's notion of (...) the potential of a sociological approach that is more suitable for gaining insight into the antagonistic capitalist condition. The key components of such an approach, notably experience, its interplay with theory, and sociology's response to appearance, are further illuminated with reference to passages that illustrate their operations in sociological research. (shrink)

The article examines Adorno’s conviction that a critique of concepts inevitably entails a critique of society. Some commentators, notably Cook, read Adorno’s idea of the seamless transition from conceptual to social critique as dependent on the use of normative concepts. According to this ‘Marxist’ reading, a critique of unfaithful concepts provokes a persuasive and constructive critique of society for failing to fulfil concepts. This line of argument creates problems. Adorno’s inquiries into society’s resistance to decipherment imply that the progression from (...) conceptual to social critique via normative concepts leads to advocating misguided, potentially dangerous social standards. In response to this dilemma, the article proposes an alternative interpretation of the transition from conceptual to social critique. The focus shifts from normative concepts to Adorno’s examinations of society as a condition of false consciousness and suffering. From this perspective, conceptual critique entails a convincing — albeit no longer constructive — critique of society. (shrink)