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  1.  31
    Annemarie S. Kidder . Etty Hillesum: Essential Writings. [REVIEW]M. F. Simone Roberts - 2012 - Journal for Peace and Justice Studies 22 (1):178-179.
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  2.  1
    A Poetics of Being-Two: Irigaray's Ethics and Post-Symbolist Poetry.M. F. Simone Roberts - 2010 - Lexington Books.
    "M. F. Simone Roberts's A Poetics of Being-Two is animated by a lively and engaging voice, drawing readers in with a sense of serious purpose working (delightfully) in tandem with a sense of humor. Roberts's aesthetics and her close readings of Yves Bonnefoy, St-John Perse, and Jorie Graham clearly demonstrate the literary effectiveness of Irigarayan sexual difference as an analytic trope, even as they emphasize the philosophical and political possibilities sexual difference opens up for feminism, environmentalism, and all levels of (...)
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  3.  13
    Iris Murdoch and the Moral Imagination: Essays.M. F. Simone Roberts & Alison Scott-Baumann (eds.) - 2010 - McFarland.
    The writing of Iris Murdoch has long been of interest to both literature enthusiasts and students of philosophy. The years Murdoch spent studying philosophy at Oxford and Cambridge left an indelible imprint on her work. The essays in this book address both Murdoch’s philosophy and writing in the context of Continental philosophy and postmodern fiction. Many of the twelve essays resist the prevailing critical orthodoxies, introducing instead new theories with which to approach one of Britain’s most revered authors.
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  4.  18
    Qamar-Ul Huda . Crescent and Dove: Peace and Conflict Resolution in Islam. [REVIEW]M. F. Simone Roberts - 2012 - Journal for Peace and Justice Studies 22 (1):174-177.
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  5.  4
    Rene Girard and Secular Modernity: Christ, Culture, and Crisis. [REVIEW]M. F. Simone Roberts - 2015 - Journal for Peace and Justice Studies 25 (2):184-188.
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  6.  2
    The Aleatory Genre: A Notebook of Misunderstanding.M. F. Simone Roberts - 2014 - Common Knowledge 20 (2):235-256.
    The philosophy suggested by Jan Zwicky's expanded understanding of lyric and use of the fragment-as-method inspired this notebook of misunderstanding. Seeking to read Zwicky in the tradition of the aleatory genre and its basic form, the fragment, Roberts finds that her own sense of poetics and ethics accords generally with Zwicky's lyric philosophy and epistemology of imagination. Roberts's resonance with Zwicky's theory is conflicted by Zwicky's choice to isolate her fragment-method from the larger history of the aleatory genre and its (...)
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