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  1. Varieties of Relativism.Rom Harré & Michael Krausz - 1997 - Revue Philosophique de la France Et de l'Etranger 187 (2):251-253.
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  2. Varieties of Relativism.Rom Harré & Michael Krausz - 1996 - Blackwell.
     
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  3. Relativism: A Contemporary Anthology.Michael Krausz (ed.) - 2010 - Columbia University Press.
    The thirty-three essays in <I>Relativism: A Contemporary Anthology</I> grapple with one of the most intriguing, enduring, and far-reaching philosophical problems of our age. Relativism comes in many varieties. It is often defined as the belief that truth, goodness, or beauty is relative to some context or reference frame, and that no absolute standards can adjudicate between competing reference frames. Michael Krausz's anthology captures the significance and range of relativistic doctrines, rehearsing their virtues and vices and reflecting on a spectrum of (...)
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  4. Relativism Cognitive and Moral.Jack W. Meiland & Michael Krausz - 1985 - Revue de Métaphysique et de Morale 90 (2):273-273.
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  5.  26
    The Idea of Creativity.Karen Bardsley, Denis Dutton & Michael Krausz (eds.) - 2009 - Brill.
    Seventeen philosophical thinkers ask: What is creativity? What are the criteria of creativity? Should we assign logical priority to creative persons, processes, or products? How do various forms of creativity relate to different domains of human activity?
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  6. Is There a Single Right Interpretation?Michael Krausz - 2002 - Pennsylvania State University Press.
    Is there a single right interpretation for such cultural phenomena as works of literature, visual artworks, works of music, the self, and legal and sacred texts? In these essays, almost all written especially for this volume, twenty leading philosophers pursue different answers to this question by examining the nature of interpretation and its objects and ideals. The fundamental conflict between positions that universally require the ideal of a single admissible interpretation and those that allow a multiplicity of some admissible interpretations (...)
     
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  7.  14
    "Relativism Refuted: A Critique of Contemporary Epistemological Relativism" by Harvey Siegel. [REVIEW]Michael Krausz - 1990 - Philosophy and Phenomenological Research 50 (4):841.
  8. Mapping Relativism.Michael Krausz - 2010 - In Michael Kausz (ed.), Relativism: A Contemporary Anthology. Columbia University Press. pp. 13--30.
     
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  9.  3
    Oneness and the Displacement of Self: Dialogues on Self-Realization.Michael Krausz (ed.) - 2013 - Rodopi.
    This book presents a fictional dialogue among four former college friends about Oneness and self-realization. News of the sudden death of a relative occasions their discussion. One friend, a devotee of the Advaita or non-duality school of Hindu philosophy, seeks to short-circuit the pain and suffering characteristically associated with anxieties about human mortality. According to her, to be is to be the ultimate ineffable undifferentiated Being, the birthless and the deathless—the One. The other friends, whose philosophical attitudes are broadly pragmatist, (...)
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  10.  43
    Relativism and Foundationalism: Some Distinctions and Strategies.Michael Krausz - 1984 - The Monist 67 (3):395-404.
    Various issues are characteristically associated with discussions about relativism. The first concerns defining relativism—which is not an easy matter, since there seems to be no clear and well established usage to which one might appeal. Some stipulation is required, though this need not be arbitrary. One may proceed by distinguishing relativism from its putative contrast: absolutism, although defining this latter notion is as difficult as defining the former. Absolutism, however, at least, holds that the truth or the truth value of (...)
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  11. Dialogues on Relativism, Absolutism, and Beyond: Four Days in India.Michael Krausz - 2011 - Rowman & Littlefield Publishers.
    What is truth, goodness, or beauty? Can we really define these concepts without the idea of a frame of reference? In the newest addition to the New Dialogues in Philosophy series, Michael Krausz presents fictional dialogues between four former classmates who hold significantly different views about these questions. As they travel in India, a place with unfamiliar concepts and customs, these four friends debate the rightness of relativism and absolutism. Are these concepts irreconcilable? Might there be a better view that (...)
     
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  12.  71
    The Interpretation of Music: Philosophical Essays.Michael Krausz (ed.) - 1993 - Oxford University Press.
    This volume looks at the symbiotic relationship between the philosophical inquiry into the presuppositions of musical interpretation and the interpretation of particular musical works by musicians. Characteristically, interpreters of music entertain philosophical views about musical interpretation. For example, an interpreter's decision whether to play one or another version of a piece, whether to use one instrument or another, whether to emphasize certain elements, depends in part upon certain convictions of a philosophical nature. An interpreter's resolution of such questions will involve (...)
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  13.  44
    Interpretation and Its Art Objects: Two Views.Michael Krausz - 1990 - The Monist 73 (2):222-232.
    This article arises from selected issues on interpretation raised in a session entitled ‘Danto on Margolis/margolis on Danto’ at the Eastern Division meeting of the American Society for Aesthetics, April 25, 1989, at the University of Arts, Philadelphia. In Part I, principally for dialectical purposes, I recapitulate some of Arthur Danto’s and Joseph Margolis’s points in an attempt to idealize two opposing views: constructionist and realist. It should be said at the outset that the constructionist and realist positions need not (...)
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  14.  23
    Karl Popper. Bryan Magee.Michael Krausz - 1974 - Philosophy of Science 41 (4):426-427.
  15.  8
    Rightness and Reasons: Interpretation in Cultural Practices.Michael Krausz - 1993 - Journal of Aesthetics and Art Criticism 53 (2):222-225.
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  16.  8
    Interpretation and Transformation: Explorations in Art and the Self.Michael Krausz (ed.) - 2007 - Rodopi.
    In this book, Michael Krausz addresses the concept of interpretation in the visual arts, the emotions, and the self. He examines competing ideals of interpretation, their ontological entanglements, reference frames, and the relation between elucidation and self-transformation.“This book marks a decisive moment in the philosophical scholarship on interpretation. Krausz is a unique figure in the current philosophical climate, equally capable of theoretical sophistication, eloquence, and compelling argumentation. Widely acclaimed for his major contributions to interpretation theory, he has now added a (...)
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  17.  18
    Rightness and Reasons: Interpretation in Cultural Practices.Michael Krausz - 1993 - Cornell University Press.
    Introduction Vv hich interpretation of Beethoven's First Symphony is the single right one: one that strictly adheres to the score or one that does not? ...
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  18.  12
    Critical Essays on the Philosophy of R. G. CollingwoodVelazguez, Goya and the Dehumanization of ArtOther Criteria, Confrontations with Twentieth Century Art.Michael Krausz, R. G. Collingwood, Ortega Y. Gasset, A. Brown & Leo Steinberg - 1973 - Journal of Aesthetics and Art Criticism 31 (3):424.
  19. Critical Essays on the Philosophy of R. G. Collingwood.Michael Krausz - 1973 - Revue Philosophique de la France Et de l'Etranger 163:222-223.
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  20.  9
    The Interpretation of Music: Philosophical Essays.Michael Krausz - 1996 - Journal of Aesthetics and Art Criticism 54 (2):201-204.
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  21. Is There a Single Right Interpretation?Michael Krausz - 2005 - Journal of Aesthetics and Art Criticism 63 (2):200-202.
     
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  22.  16
    The Possessor and the Possessed: Handel, Mozart, Beethoven and the Idea of Musical Genius. [REVIEW]Michael Krausz - 2005 - International Studies in Philosophy 37 (4):144-148.
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  23.  30
    History and Its Objects.Michael Krausz - 1991 - The Monist 74 (2):217-229.
    Two views about the objects of history have traditionally been opposed: the realist, which holds that history is about past actuality: and the constructionist, which holds that history cannot be about a past actuality but rather it is about what survives the materials and procedures of historical research. I shall suggest that both of these views may well agree that, as regards the practice of historical inquiry, an historian is constrained by what survives the materials and procedures of historical research. (...)
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  24.  12
    Critical Essays on the Philosophy of R. G. Collingwood.Michael Krausz, R. G. Collingwood, Ortega Y. Gasset, A. Brown, Leo Steinberg & Angela Brown - 1973 - Journal of Aesthetics and Art Criticism 31 (3):424-424.
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  25.  29
    Rationality, Relativism, and the Human Sciences.Joseph Margolis, Michael Krausz & Richard M. Burian (eds.) - 1986 - M. Nijhoff.
    The Greater Philadelphia Philosophy Consortium was launched in the early eighties. It began during a particularly lean period in the American economy.
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  26. The Concept of Creativity in Science and Art.Denis Dutton & Michael Krausz (eds.) - 1981 - Kluwer Academic Publishers.
  27.  21
    A Reply to Vaidya.Michael Krausz - 2014 - Comparative Philosophy 5 (1).
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  28.  5
    The Concept of Creativity in Science and Art.Marcia M. Eaton, Dennis Dutton & Michael Krausz - 1983 - Journal of Aesthetic Education 17 (3):109.
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  29.  17
    Critical Essays on the Philosophy of R. G. Collingwood.Michael Krausz (ed.) - 1972 - Oxford, Clarendon Press.
  30.  25
    Human Understanding. By Stephen Toulmin. Princeton University Press. 1972. 520 Pages. $13.50. [REVIEW]Michael Krausz - 1973 - Dialogue 12 (2):356-359.
  31.  24
    Historical Explanation, Re-Enactment, and Practical Inference.Michael Krausz - 1980 - Metaphilosophy 11 (2):143–154.
  32.  9
    Art and Its Mythologies: A Relativist View.Michael Krausz - 1986 - In Joseph Margolis, Michael Krausz & Richard M. Burian (eds.), Rationality, Relativism, and the Human Sciences. M. Nijhoff. pp. 189--208.
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  33.  18
    Mind, History, and Dialectic: The Philosophy of R. G. Collingwood. By Louis O. Mink. Bloomington: Indiana University Press; Toronto: Fitzhenry and Whiteside. 1969. Pp. 276. $12.50. [REVIEW]Michael Krausz - 1971 - Dialogue 10 (1):151-154.
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  34.  11
    Replies: Interpretation and Codes of Culture.Michael Krausz - 2005 - Philosophy in the Contemporary World 12 (1):103-114.
    I am honored to have this special issue devoted to themes in my philosophical work. This testimony is especially meaningful to me since I have benefitted so much from numerous meetings of the Society for Philosophy in the Contemporary World. I extend thanks to Joe Jones who proposed the idea to the editorial board, and to Jim Sauer who, as editor, saw it through to its publication. Grateful thanks go to Michael McKenna who, as guest editor, brought the collection together. (...)
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  35.  22
    Review of Pol Vandevelde, The Task of the Interpreter: Text, Meaning, and Negotiation[REVIEW]Michael Krausz - 2006 - Notre Dame Philosophical Reviews 2006 (10).
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  36.  9
    History As a Science.Michael Krausz - 1987 - International Studies in Philosophy 19 (3):117-119.
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  37.  18
    Popper's Objective Knowledge.Michael Krausz - 1974 - Dialogue 13 (2):347-351.
  38.  5
    Interpretation and Transformation: Explorations in Art and the Self.Michael Krausz - 2009 - Journal of Aesthetics and Art Criticism 67 (2):252-254.
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  39.  5
    Interview With Ven. Lobsang Gyatso.Lobsang Gyatso & Michael Krausz - 1996 - Journal of Indian Philosophy and Religion 1:104-134.
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  40.  5
    Replies: Interpretation and Codes of Culture.Michael Krausz - 2005 - Philosophy in the Contemporary World 12 (1):103-114.
    I am honored to have this special issue devoted to themes in my philosophical work. This testimony is especially meaningful to me since I have benefitted so much from numerous meetings of the Society for Philosophy in the Contemporary World. I extend thanks to Joe Jones who proposed the idea to the editorial board, and to Jim Sauer who, as editor, saw it through to its publication. Grateful thanks go to Michael McKenna who, as guest editor, brought the collection together. (...)
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  41.  20
    Rightness and Reasons: A Reply to Stecker.Michael Krausz - 1997 - Journal of Aesthetics and Art Criticism 55 (4):415-418.
  42.  13
    Relativism and Rationality.Michael Krausz - 1973 - American Philosophical Quarterly 10 (4):307 - 312.
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  43.  5
    Critical Essays on the Philosophy of R. G. Collingwood.William Dray & Michael Krausz - 1974 - History and Theory 13 (3):291.
  44.  6
    History As a Science: The Philosophy of R. G. Collingwood. [REVIEW]Michael Krausz - 1987 - International Studies in Philosophy 19 (3):117-119.
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  45.  13
    Interpretation and its “Metaphysical” Entanglements.Michael Krausz - 2000 - Metaphilosophy 31 (1&2):125-147.
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  46. Philip Alperson, Ed., What is Music?: An Introduction to the Philosophy of Music Reviewed By.Michael Krausz - 1990 - Philosophy in Review 10 (2):47-51.
     
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  47.  14
    The Tonal and the Foundational: Ansermet on Stravinsky.Michael Krausz - 1984 - Journal of Aesthetics and Art Criticism 42 (4):383-386.
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  48.  3
    Rightness and Reasons: Interpretation in Cultural Practices.Michael Krausz - 1993 - Philosophy and Phenomenological Research 55 (3):711-715.
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  49.  8
    Jean Potter 1923-1995.Michael Krausz & Mary Patterson McPherson - 1996 - Proceedings and Addresses of the American Philosophical Association 69 (5):135 -.
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  50. Interpretation of Art.M. Krausz - 1998 - In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press. pp. 2.
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