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Margaret Van De Pitte
University of Alberta
  1.  41
    Schlick's Critique of Phenomenological Propositions.M. M. Van De Pitte - 1984 - Philosophy and Phenomenological Research 45 (2):195-225.
  2.  63
    “The Female is Somewhat Duller”.M. M. Van de Pitte - 1998 - Environmental Ethics 20 (1):23-39.
    I review ornithological literature in order to demonstrate that conventions of description and illustration, as well as some aspects of biological theory relating to birds, put a strong focus on male birds. I criticize the sexist aspects of ornithology from the standpoint of recent feminist philosophy of science, establishing connections between the ways in which we view animals and the ways in which we viewourselves and arguing that it is costly to humans, specifically women, to suggest that females of the (...)
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  3.  13
    Husserl's Solipsism.M. M. Van De Pitte - 1977 - Journal of the British Society for Phenomenology 8 (2):123-125.
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  4.  14
    Phenomenology: Vigorous or Moribund?M. M. Van De Pitte - 1988 - Husserl Studies 5 (1):3.
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  5.  13
    On Bracketing the Epoché.M. M. Van De Pitte - 1972 - Dialogue 11 (4):535-545.
  6.  13
    Critical Notice. [REVIEW]M. M. Van De Pitte - 1979 - Canadian Journal of Philosophy 9 (1):163-178.
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  7.  21
    Critical Notice of Peter Jones, Philosophy and the Novel.M. M. Van De Pitte - 1979 - Canadian Journal of Philosophy 9 (1):163-178.
    Jones sketches a theory of interpretation of literary works and tests it on Middlemarch, Anna Karenina, Brothers Karamazov and A la recherche du temps perdu. The theory centers on creativity and the strong parallelisms between artistic and critical production. The result is that the critic is shown to have considerable latitude in reading a text--perhaps too much. Jones acknowledges the danger of stressing inferred rather than observed features of texts. He sees his sketch of a theory of interpretation as a (...)
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  8.  19
    Discipline-Based Art Education and the New Aesthetics.M. M. Van De Pitte - 1994 - Journal of Aesthetic Education 28 (2):1.
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  9. Edmund J. Thomas and Eugene G. Miller, Writers and Philosophers: A Sourcebook of Philosophical Influences on Literature Reviewed By.M. M. Van de Pitte - 1991 - Philosophy in Review 11 (5):369-370.
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  10.  59
    Hermeneutics and the ‘Crisis’ of Literature.M. M. Van de Pitte - 1984 - British Journal of Aesthetics 24 (2):99-112.
  11.  28
    Husserl Literature 1965—1971.M. M. Van de Pitte - 1975 - Archiv für Geschichte der Philosophie 57 (1):36-53.
  12.  45
    Husserl: The Idealist Malgré Lui.M. M. van de Pitte - 1976 - Philosophy and Phenomenological Research 37 (1):70-78.
    The aim of the paper is to show and document the husserlian concern to validate a position of ontological realism, and the inappropriateness of his method to this task. It is precisley the scientific charachter of his philosophy that drew Husserl to idealism and solipsism, despite his original intentions and motivations.
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  13. Izchak Miller, Husserl, Perception, and Temporal Awareness. [REVIEW]M. M. Van de Pitte - 1985 - Philosophy in Review 5 (7):305-308.
  14.  17
    Is There a Phenomenological Method?M. M. Van de Pitte - 1977 - Metaphilosophy 8 (1):21–35.
  15. John Sallis, Ed., Husserl and Contemporary Thought Reviewed By.M. M. Van de Pitte - 1984 - Philosophy in Review 4 (5):230-230.
     
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  16. Lucian Krukowski, Aesthetic Legacies Reviewed By.M. M. Van de Pitte - 1995 - Philosophy in Review 15 (3):184-187.
    Krukowski, a painter/philosopher, tries to understand postmodern art and then speculates about what post-postmodern art will be. He gives a valuable account of the roots of modernism in 19th C philosophy and of its slide into skepticism about art serving any epistemic function. Postmodern aesthetics though is just an inconsistent mix of modernist ideas and their opposites. Postmodern artists believed themselves creative only by coming up with a work, or an idea, unconnected to modernism. Post-postmodernists will likely do the same (...)
     
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  17. Peter J. McCormick, Ed., The Reasons of Art: Artworks and the Transformations of Philosophy/L'art a Ses Raisons: Les Oeuvres D'Art: Défis a la Philosophie Reviewed By.M. M. van de Pitte - 1987 - Philosophy in Review 7 (9):364-367.
     
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  18. Richard A. Chapman, Ed., Ethics in Public Service Reviewed By.M. M. Van de Pitte - 1995 - Philosophy in Review 15 (1):16-19.
     
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  19.  18
    Sartre as a Transcendental Realist.M. M. Van De Pitte - 1970 - Journal of the British Society for Phenomenology 1 (2):22-26.
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  20.  9
    Seeing and Reading Graeme Nicholson Atlantic Highlands, NJ: Humanities Press, 1984. Pp. 275. $25.00.M. M. Van De Pitte - 1986 - Dialogue 25 (4):782-.
    Nicholson's goal is to show that interpretation of a text can be done rigorously and be true. He argues this by showing that perception also has an interpretative dimension yet we usually accept claims rooted in perception as true. This effort to show the soundness of hermeneutical criticism is in fact an attempt to show that anti-foundationalism does not default to relativism. I trace his well-prosecuted argument for the truth of interpretation to the point where it becomes opaque. The argument (...)
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  21.  29
    The Idea of Dialogal Phenomenology. By Stephen Strasser. Pittsburgh: Duquesne University Press. 1969. Pp. Xiii, 136. $5.95. [REVIEW]M. M. Van De Pitte - 1972 - Dialogue 11 (3):452-455.