This collection of current research on logic programming languages presents results from a three-year, ESPRIT-funded effort to explore the integration of the foundational issues of functional, logic, and object-oriented programming. It offers valuable insights into the fast-developing extensions of logic programming with functions, constraints, concurrency, and objects. Chapters are grouped according to the unifying themes of functional programming, constraint, logic programming, and object-oriented programming.

It is the contention of this paper that the Merleau-pontynian primacy of perception is compatible with the importance of the imagination and other dimensions of embodied existence. In spite of the fact that these dimensions have important differences, they spring from the same source: the lived body and its operative intentionality. I analyze their implications in the Merleaupontinian conception of the Flesh in order to apply his Phenomenology of the imagination to undertand the current iconic turn.

LET ME BEGIN this inquiry with the simple but fundamental fact that the flow of time, or passage, as it is also known, is given in experience, that it is as indubitable an aspect of our perception of the world as the sights and sounds that come in upon us, even though it is not the peculiar property of a special sense. Consider, by way of illustration, that I am now sitting at the desk in my study. This particular event (...) was not present at any earlier time, nor will it be present shortly as I become involved in other activities. The present, as I experience it, is regularly associated with later and later events. It does not hop about capriciously from here to a later time, to a previous time, and then to a much later time, or trace out some other such indiscriminate pattern; instead I find it always in association with the next moment, and as I look backward and inward, so to speak, I find that the prior moment was present and that this next-later moment is present. Quite often this condition is expressed by means of imagery. We are asked to envision either a moving present racing along a fixed track of moments or events from earlier to later, or alternatively a fixed present through which stream a series of moments or events, first the earlier and then the later ones. One is in truth hard-pressed to find references to passage which do not employ quasi-poetical tropes and metaphors, and while these do help in some sense to say what we mean, great caution is required when handling them because of their ready tendency to draw us away from the actual phenomenon requiring explanation. (shrink)

With a 24-hour news cycle, the desperate need to attract viewers and increase revenue, and the pressure of being the first to print, news organizations have had to undergo a rapid evolution. Whether they've been able to maintain their integrity during this transition is a matter of debate. In this resource, a wide spectrum of contributors addresses the importance of journalistic ethics, the challenges journalists face today, and what's at stake for newspeople when charges of "fake news" are lobbed at (...) them. (shrink)