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Maximilian De Gaynesford [33]Max De Gaynesford [22]M. de Gaynesford [10]
  1.  39
    I: The Meaning of the First Person Term.Maximilian de Gaynesford - 2006 - Clarendon Press.
    I is perhaps the most important and the least understood of our everyday expressions. This is a constant source of philosophical confusion. Max de Gaynesford offers a remedy: he explains what this expression means. He thereby shows the way to an understanding of how we express first-personal thinking. The book thus not only resolves a key issue in philosophy of language, but promises to be of great use to people working on problems in other areas of philosophy.
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  2.  85
    How Not To Do Things With Words: J. L. Austin on Poetry: Articles.Maximilian de Gaynesford - 2011 - British Journal of Aesthetics 51 (1):31-49.
    If philosophy and poetry are to illuminate each other, we should first understand their tendencies to mutual antipathy. Examining mutual misapprehension is part of this task. J. L. Austin's remarks on poetry offer one such point of entry: they are often cited by poets and critics as an example of philosophy's blindness to poetry. These remarks are complex and their purpose obscure—more so than those who take exception to them usually allow or admit. But it is reasonable to think that, (...)
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  3. John McDowell.Maximilian de Gaynesford - 2005 - Philosophical Quarterly 55 (221):667-669.
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  4.  9
    Uptake in Action.Maximilian De Gaynesford - 2017 - In Savas L. Tsohatzidis (ed.), Interpreting J. L. Austin: Critical Essays. Cambridge, U.K: Cambridge University Press.
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  5. I. The Meaning of the First-Person Term.Maximilian de Gaynesford - 2007 - Tijdschrift Voor Filosofie 69 (1):185-185.
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  6.  96
    John McDowell on Experience: Open to the Sceptic?Simon Glendinning & Max De Gaynesford - 1998 - Metaphilosophy 29 (1-2):20-34.
  7. Geoffrey Hill and Performative Utterance.Maximilian De Gaynesford - unknown
    Utterance of a sentence in poetry can be performative, and explicitly so. The best-known of Geoffrey Hill’s critical essays denies this, but his own poetry demonstrates it. I clarify these claims and explain why they matter. What Hill denies illuminates anxieties about responsibility and commitment that poets and critics share with philosophers. What Hill demonstrates affords opportunities for mutual benefit between philosophy and criticism.
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  8.  8
    The Rift in the Lute: Attuning Poetry and Philosophy.Maximilian De Gaynesford - unknown
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  9.  44
    Speech Acts and Poetry.Max De Gaynesford - unknown
    (No abstract is available for this citation).
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  10.  68
    Incense and Insensibility: Austin on the ‘Non‐Seriousness’ of Poetry.Max De Gaynesford - 2009 - Ratio 22 (4):464-485.
    What is at stake when J. L. Austin calls poetry ‘non‐serious’, and sidelines it in his speech act theory?. Standard explanations polarize sharply along party lines: poets and critics are incensed, while philosophers deny cause. Neither line is consistent with Austin's remarks, whose allusions to Plato, Aristotle and Frege are insufficiently noted. What Austin thinks is at stake is confusion, which he corrects apparently to the advantage of poets. But what is actually at stake is the possibility of commitment and (...)
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  11.  49
    Speech Acts, Responsibility and Commitment in Poetry.Maximilian De Gaynesford - unknown
    Philosophy has tended to regard poetry primarily in terms of truth and falsity, assuming that its business is to state or describe states of affairs. Speech act theory transforms philosophical debate by regarding poetry in terms of action, showing that its business is primarily to do things. The proposal can sharpen our understanding of types of poetry; examples of the ‘Chaucer-Type’ and its variants demonstrate this. Objections to the proposal can be divided into those that relate to the agent of (...)
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  12.  65
    Incense and Insensibility: Austin on the 'Non-Seriousness' of Poetry.Max De Gaynesford - unknown
    What is at stake when J. L. Austin calls poetry ‘non-serious’, and sidelines it in his speech act theory?. Standard explanations polarize sharply along party lines: poets and critics are incensed, while philosophers deny cause. Neither line is consistent with Austin's remarks, whose allusions to Plato, Aristotle and Frege are insufficiently noted. What Austin thinks is at stake is confusion, which he corrects apparently to the advantage of poets. But what is actually at stake is the possibility of commitment and (...)
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  13.  1
    The Mind and Its World.M. de Gaynesford - 1996 - Mind 105 (419):500-503.
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  14.  19
    Illocutionary Acts, Subordination and Silencing.Max De Gaynesford - 2009 - Analysis 69 (3):488-490.
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  15.  10
    The Bishop, The Chambermaid, The Wife, and The Ass: What Difference Does It Make If Something is Mine?Max De Gaynesford - unknown
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  16.  31
    Is I Guaranteed to Refer?Maximilian De Gaynesford - 2003 - Pacific Philosophical Quarterly 84 (2):109-126.
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  17.  21
    John Mcdowell.Maximilian de Gaynesford - 2004 - Polity.
    John McDowell has set the philosophical world alight with a revolutionary approach to the subject, illuminating old problems with dazzling particularity. In this welcome introduction to his work, Maximilian de Gaynesford puts writing within comfortable reach of non-specialists. The guiding argument of the book is that the variety of McDowell's interests disguises a core concern with a single basic goal: 'giving philosophy peace'. Since the dawn of the subject, philosophy has struggled with the question: can our experience of the world (...)
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  18.  14
    Ascent: Philosophy and Paradise Lost.Maximilian De Gaynesford - 2019 - British Journal of Aesthetics 59 (4):491-494.
    Ascent: Philosophy and Paradise LostZamirTzachioup. 2018. pp. 218. £36.49.
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  19.  5
    The Seriousness of Poetry.Max De Gaynesford - unknown
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  20.  33
    Agents and Their Actions.Maximilian de Gaynesford (ed.) - 2011 - Wiley-Blackwell.
    Reflecting a recent flourishing of creative thinking in the field, _Agents and Their Actions_ presents seven newly commissioned essays by leading international philosophers that highlight the most recent debates in the philosophy of action Features seven internationally significant authors, including new work by two of philosophy's ‘super stars’, John McDowell and Joseph Raz Presents the first clear indication of how John McDowell is extending his path-breaking work on intentionality and perceptual experience towards an account of action and agency Covers all (...)
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  21.  20
    Speech, Action and Uptake.Maximilian De Gaynesford - 2011 - In Agents and Their Actions. Wiley-Blackwell.
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  22.  6
    How Not to Do Things with Words.Max De Gaynesford - unknown
    If philosophy and poetry are to illuminate each other, we should first understand their tendencies to mutual antipathy. Examining mutual misapprehension is part of this task. J. L. Austin's remarks on poetry offer one such point of entry: they are often cited by poets and critics as an example of philosophy's blindness to poetry. These remarks are complex and their purpose obscure—more so than those who take exception to them usually allow or admit. But it is reasonable to think that, (...)
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  23. Hilary Putnam.Maximilian De Gaynesford - 2006 - Routledge.
    Putnam is one of the most influential philosophers of recent times, and his authority stretches far beyond the confines of the discipline. However, there is a considerable challenge in presenting his work both accurately and accessibly. This is due to the width and diversity of his published writings and to his frequent spells of radical re-thinking. But if we are to understand how and why philosophy is developing as it is, we need to attend to Putnam's whole career. He has (...)
     
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  24. Self-Knowing Agents • by Lucy O'Brien.Maximilian de Gaynesford - 2009 - Analysis 69 (1):187-188.
    How is it that we think and refer in the first-person way? For most philosophers in the analytic tradition, the problem is essentially this: how two apparently conflicting kinds of properties can be reconciled and united as properties of the same entity. What is special about the first person has to be reconciled with what is ordinary about it . The range of responses reduces to four basic options. The orthodox view is optimistic: there really is a way of reconciling (...)
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  25.  40
    Corporeal Objects and the Interdependence of Perception and Action.Maximilian De Gaynesford - 2002 - Ratio 15 (4):335-353.
  26.  53
    Integrity Over Time.Maximilian De Gaynesford - 2012 - The Harvard Review of Philosophy 18 (1):50-72.
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  27.  29
    Wittgenstein on 'I' and the Self.Maximilian De Gaynesford - unknown
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  28.  8
    The Sonnets and Attunement.Maximilian De Gaynesford - 2018 - In Craig Bourne & Emily Caddick Bourne (eds.), The Routledge Companion to Shakespeare and Philosophy. Routledge.
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  29. Words and Life. [REVIEW]Max de Gaynesford - 1996 - Radical Philosophy 76.
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  30. KIM, J.-Mind in a Physical World.M. de Gaynesford - 2000 - Philosophical Books 41 (3):192-193.
     
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  31.  16
    How Wrong Can One Be?Max De Gaynesford - 1996 - Proceedings of the Aristotelian Society 96 (1):387-394.
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  32.  48
    Review. The Mind and its World. Gregory McCulloch.M. de Gaynesford - 1996 - Mind 105 (419):500-503.
  33.  8
    Shades of Realism.Max de Gaynesford - 1995 - Philosophical Books 36 (1):1-9.
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  34.  49
    What Are We? A Study in Personal Ontology – Eric T. Olson.Maximilian de Gaynesford - 2010 - Philosophical Quarterly 60 (238):208-211.
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  35.  45
    Blue Book Ways of Telling: Criteria, Openness and Other Minds.Maximilian De Gaynesford - 2002 - Philosophical Investigations 25 (4):319–330.
  36.  21
    Ethics at the Cinema.Maximilian de Gaynesford - 2013 - Philosophical Papers 42 (3):391 - 397.
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  37.  13
    Poetic Utterances: Attuning Poetry and Philosophy.Maximilian De Gaynesford - unknown
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  38.  31
    Thucydides of the Cool Hour.Maximilian de Gaynesford - 2008 - Ratio 21 (3):360-367.
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  39.  10
    Scepticism in the Sonnets.Maximilian De Gaynesford - unknown
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  40.  9
    Integrity and Grace.Maximilian De Gaynesford - unknown
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  41.  9
    Putnam's Model-Theoretic Argument.Max De Gaynesford - unknown
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  42.  3
    Attuning Philosophy and Literary Criticism: A Response to 'In the Heart of the Country'.Max De Gaynesford - 2017 - In P. Hayes & J. Wilm (eds.), Beyond the Ancient Quarrel: Literature, Philosophy, and J.M. Coetzee. Oxford, U.K.: Oxford University Press.
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  43.  6
    Spinning Threads: On Peacocke's Moderate Rationalism.Maximilian de Gaynesford - 2006 - Philosophical Books 47 (2):111-119.
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  44.  18
    Humanism, Reflective Capacities and Prejudice.Max De Gaynesford - 1998 - Angelaki 3 (1):109 – 116.
  45.  18
    Philosophical Works as Objects of Aesthetic Judgment.Max De Gaynesford - 1998 - Ratio 11 (1):1–13.
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  46.  14
    Review: Jose Luis Bermudez: Thought, Reference, and Experience: Themes From the Philosophy of Gareth Evans. [REVIEW]M. de Gaynesford - 2008 - Mind 117 (466):462-468.
  47.  5
    Integrity and Contempt.Max De Gaynesford - unknown
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  48.  11
    Critical Notice.Max de Gaynesford - 1996 - Australasian Journal of Philosophy 74 (3):495 – 509.
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  49.  2
    'Eyes in Each Other’s Eyes’: Beckett, Kleist and the Fencing Bear.Maximilian De Gaynesford - unknown
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  50.  2
    Ne Rien Laisser En Arrière, Tr. Jeanne-Marie Roux.Maximilian De Gaynesford - unknown
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1 — 50 / 65