14 found
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Michael Podro [13]M. Podro [1]
  1.  44
    Literalism and Truthfulness in Painting.M. Podro - 2010 - British Journal of Aesthetics 50 (4):457-468.
    In this article, one of a series he was preparing for publication when he died, Michael Podro discusses how the concept of truthfulness can be applied to paintings, paying particular attention to Cezanne's art and thought.
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  2.  12
    The Critical Historians of Art.Michael Podro - 1983 - Journal of Aesthetics and Art Criticism 42 (1):94-96.
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  3.  8
    V—A Sense of Complexity in the Visual Arts.Michael Podro - 1963 - Proceedings of the Aristotelian Society 63 (1):79-98.
    Michael Podro; V—A Sense of Complexity in the Visual Arts, Proceedings of the Aristotelian Society, Volume 63, Issue 1, 1 June 1963, Pages 79–98, https://doi.or.
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  4.  53
    Formal elements and theories of modern art.Michael Podro - 1966 - British Journal of Aesthetics 6 (4):329-338.
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  5.  28
    Rembrandt's woman taken in adultery.Michael Podro - 1987 - Journal of the Warburg and Courtauld Institutes 50 (1):245-252.
  6.  44
    The manifold in perception: theories of art from Kant to Hildebrand.Michael Podro - 1972 - Oxford,: Clarendon Press.
  7. The Manifold in Perception: Theories of Art from Kant to Hildebrand.Michael Podro - 1974 - Mind 83 (331):458-459.
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  8.  6
    Thomas Monrad Puttfarken 1943-2006.Michael Podro - 2011 - In Podro Michael (ed.), Proceedings of the British Academy, Volume 166, Biographical Memoirs of Fellows, IX. pp. 259.
    Thomas Puttfarken was one of the most accomplished and original art historians of the last quarter century. His enormous contribution to the life and work of the University of Essex, where he spent nearly all of his academic career, included vigorous sponsorship of the arts on and off campus, and support for the preservation of the built and natural environments. He was a lover of good food, good wine, good company, and a wide range of music–as well as a talented (...)
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  9.  2
    The parallel of linguistic and visual formulation in the writing of Konrad Fiedler.Michael Podro - 1961 - Torino: Edizioni di "Filosofia,".
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  10. The parallel of linguistic and visual formulation in the writing of Konrad Fiedler.Michael Podro - 1961 - Filosofia 12 (4 Supplemento):628.
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  11.  18
    V—A Sense of Complexity in the Visual Arts.Michael Podro - 1963 - Proceedings of the Aristotelian Society 63 (1):79-98.
    Michael Podro; V—A Sense of Complexity in the Visual Arts, Proceedings of the Aristotelian Society, Volume 63, Issue 1, 1 June 1963, Pages 79–98, https://doi.or.
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  12.  13
    Book reviews. [REVIEW]Michael Podro - 1964 - British Journal of Aesthetics 4 (2):188-191.
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  13.  18
    Drawing Distinctions. The Varieties of Graphic Expression: Book Reviews. [REVIEW]Michael Podro - 2008 - British Journal of Aesthetics 48 (3):346-347.
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  14. "Levels of Unreality": Seven Sandström. [REVIEW]Michael Podro - 1964 - British Journal of Aesthetics 4 (2):188.
     
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