Transparency is the following (alleged) property of truth: if one possesses the concept of truth, then to assert, believe, inquire whether it is true that S just is to assert, believe, inquire whether S (and conversely). It might appear (as it did to Frege in 'Thoughts') that if truth ascriptions were transparent, then the truth predicate must be redundant; but the fact that some truth ascriptions are not transparent-for instance, those that quantify over, name, or describe the proposition(s) to which (...) truth is ascribed-shows that the truth predicate could not be redundant. It is argued that the apparent paradox is resolved by treating content as more basic than truth (and arguing, accordingly, that content cannot be explained, even in part, in terms of truth conditions). This strategy is illustrated by three candidate analyses, each of which treats the truth predicate as non-redundant but can, nevertheless, account for transparency. (shrink)

Mark Eli Kalderon presents an original study of perception, taking as its starting point a puzzle in Empedocles' theory of vision: if perception is a mode of material assimilation, how can we perceive colors at a distance? Kalderon argues that the theory of perception offered by Aristotle in answer to the puzzle is both attractive and defensible.

[1] Ḥeleḳ ha-moʻadim -- [2] Ḥeleḳ parashiyot ha-Torah -- ḥeleḳ 3. Be-ʻinyene midot.

This is a book about the metaphysics of perception and discusses touch, audition, and vision. Though primarily concerned with the nature of perception, it draws heavily from the history of philosophy of perception, and connects the concerns of analytical and continental philosophers.

Fictionalism is the view that a serious intellectual inquiry need not aim at truth. It came to prominence in philosophy in 1980, when Hartry Field argued that mathematics does not have to be true to be good, and Bas van Fraassen argued that the aim of science is not truth but empirical adequacy. Both suggested that the acceptance of a mathematical or scientific theory need not involve belief in its content. Thus the distinctive commitment of fictionalism is that acceptance in (...) a given domain of inquiry need not be truth-normed, and that the acceptance of a sentence from the associated region of discourse need not involve belief in its content. In metaphysics fictionalism is now widely regarded as an option worthy of serious consideration. This volume represents a major benchmark in the debate: it brings together an impressive international team of contributors, whose essays represent the state of the art in various areas of metaphysical controversy, relating to language, mathematics, modality, truth, belief, ontology, and morality. (shrink)

Festschrift for Maḍiniyavela Śrī Mēdhaṅkara, Sri Lankan Buddhist monk; contributed articles chiefly on economic and ethical aspects of Buddhism.

What is the relation between colors and our experience of them? A na?ve thought is this?the phenomenal character of color experience is determined by the qualitative character of the perceived color. When Norm perceives a red tomato, the qualitative character of his color experience is determined by the qualitative character of the color manifest in his experience of the tomato. If however, colors are mind- independent qualities of material objects, as they seem, pre-philosophically to be, then this can seem to (...) con?ict with the possibility, if it is one, of veridical perceptual variation. Indeed, it is largely on this basis that Shoemaker ?????? criticizes the version of representationalism defended by Hilbert and Kalderon ?????? (shrink)

If you trained someone to emit a particular sound at the sight of something red, another at the sight of something yellow, and so on for other colors, still he would not yet be describing objects by their colors. Though he might be a help to us in giving a description. A description is a representation of a distribution in a space (in that of time, for instance).

Mark Eli Kalderon argues that morality is a fiction by means of which our emotional attitudes are conveyed. This is an improvement on the standard noncognitivist view, which denies that moral judgement is belief but claims instead that it is the expression of an emotional attitude. Noncognitivists tend to deny that moral sentences even purport to represent moral reality, and so they have developed non-standard semantics for moral discourse. Kalderon's fictionalism shows that noncognitivism can manage without such controversial (...) semantics. His book will be essential reading for anyone working in moral philosophy, and for many others working on meaning and knowledge. (shrink)

The alleged for-me-ness or mineness of conscious experience has been the topic of considerable debate in recent phenomenology and philosophy of mind. By considering a series of objections to the notion of for-me-ness, or to a properly robust construal of it, this paper attempts to clarify to what the notion is committed and to what it is not committed. This exercise results in the emergence of a relatively determinate and textured portrayal of for-me-ness as the authors conceive of it.

Mark Eli Kalderon's book boldly positions itself as a work in speculative metaphysics. Its point of departure is the familiar distinction between presentational and representational philosophies of perception. Kalderon notes that the latter has been more popular of late, as it is more amenable to "an account" explicating causal or counterfactual conditions on perception; but he wishes to rehabilitate the former, at least in part. One widely perceived disadvantage of presentationalism has been the way that understanding perception merely (...) as registering the presence of things might seem to leave us vulnerable to error about the nature of what is presented. Kalderon seeks to remedy this not by dealing at length with various disjunctivist positions concerning perception which may be friendly to his position, nor by spending much time criticising opposing views, but by explicating presentationalist perception through a series of tactile metaphors, thereby providing a radically new philosophical view. He claims that we do not just 'stand before' reality, we grasp it-the metaphor survives tellingly in ordinary language-and he thereby seeks to defend a form of realism which is robust, though he admits, "pre-modern". He draws on a remarkably rich variety of thinkers to defend this position, including pre-modern, modern, and various figures from both analytic and continental philosophy-however, although there is plenty of solid scholarship here, the book is aimed at metaphysics more than the history of ideas. (shrink)

Colors are sensible qualities. They are qualities that objects are perceived to have. Thus, when Norm, a normal perceiver, perceives a blue bead, the bead is perceived have a certain quality, perceived blueness. `Quality', here, is no mere synonym for property; rather, a quality is a kind of property a qualitative, as opposed to quan• titative, property. (The quantitative is a way of contrasting with the qualitative perhaps not the only way.).

As standardly conceived, an illusion is an experience of an object o appearing F where o is not in fact F. Paradigm examples of color illusion, however, do not fit this pattern. A diagnosis of this uncovers different sense of appearance talk that is the basis of a dilemma for the standard conception. The dilemma is only a challenge. But if the challenge cannot be met, then any conception of experience, such as representationalism, that is committed to the standard conception (...) is false. Perhaps surprisingly, naïve realism provides a better account of color illusion.An apparence ymaad by som Magyk. Chaucer. (shrink)

Before the law sits a gatekeeper. To this gatekeeper comes a man from the country who asks to gain entry into the law. But the gatekeeper says that he cannot grant him entry at the moment. The man thinks about it and then asks if he will be allowed to come in sometime later on. “It is possible,” says the gatekeeper, “but not now.”—Franz Kafka..

Name der Zeitschrift: Archiv für Geschichte der Philosophie Jahrgang: 98 Heft: 4 Seiten: 474-477.

A standard strategy for defending a claim of non-identity is one which invokes Leibniz’s Law. (1) Fa (2) ~Fb (3) (∀x)(∀y)(x=y ⊃ (∀P)(Px ⊃ Py)) (4) a=b ⊃ (Fa ⊃ Fb) (5) a≠b In Kalderon’s view, this basic strategy underlies both Moore’s Open Question Argument (OQA) as well as (a variant formulation of) Frege’s puzzle (FP). In the former case, the argument runs from the fact that some natural property—call it “F-ness”—has, but goodness lacks, the (2nd order) property of (...) its being an open question whether everything that instantiates it is good to the conclusion that goodness and F-ness are distinct. And in the latter case, the argument runs from the fact that that Hesperus has, but Phosphorus lacks, the property of being believed by the ancient astronomers to be visible in the evening sky to the conclusion that Hesperus and Phosphorus are distinct. Kalderon argues that both the OQA and FP fail because in neither case is there good reason to believe that both (1) and (2) are true. The reason we are tempted to believe that they are true is because we mistake de dicto claims for de re claims. In order for FP to go through, the truth of the following de re claims needs to be established: FP1) Hesperus was believed by the ancient astronomers to be visible in the evening sky. (shrink)

Shoemaker argues that one could not hold both that the qualitative character of colour experience is inherited from the qualitative character of the experienced colour and that there are faultless forms of variation in colour perception. In this paper, I explain what is meant by inheritance and discuss in detail the problematic cases of perceptual variation. In so doing I argue that these claims are in fact consistent, and that the appearance to the contrary is due to an optional and (...) controversial conception of experience that should be rejected. (shrink)

Collected writings of a Dge-lugs-pa master Gung-thang Dkon-mchog-bstan-paʼi-sgron-me, 1762-1823.

We begin with a puzzle about how to intelligibly combine the active and passive elements of perception. For counsel, we turn to Augustine’s account of perception in De Trinitate. Augustine’s trinitarian account of perception offers an attractive resolution of our puzzle. Augustine’s resolution of our puzzle, however, cannot be straightforwardly adopted. It must be adapted. We end with speculation about how this might be done.

A puzzle about the presentation of objects located at a distance is seen to animate Aristotle's account of transparency in De Anima and De Sensu.

When Norm perceives a red tomato in his garden, Norm perceives the tomato and its sensible qualities.

Sight is a capacity, and seeing is its exercise. Reflection on the sense in which sight is for the sake of seeing reveals distinct relations of dependence between sight and seeing, the capacity and its exercise. Moreover, these relations of dependence in turn reveal the nature of our perceptual capacities and their exercise. Specifically, if sight is for the sake of seeing, then sight will depend, in a certain sense, upon seeing, in a manner inconsistent with experiential monism. Thus reflection (...) on the power of perception forms the basis of an argument for experiential pluralism. (shrink)

I argue that logical understanding is not propositional knowledgebut is rather a species of practical knowledge. I further arguethat given the best explanation of logical understanding someversion or another of inferential role semantics must be the correct account of the determinants of logical content.

Producing language that other people will be able to understand involves not just having a picture in your mind of the scenario…You have to deploy a shared linguistic system, according to established rules, using lexemes of known meaning, to present that picture to others in a way that will work for them. You have to consider whether there are other ways of viewing the situation at hand. You have to examine the wording you have chosen to see if it has (...) ambiguities or unclarities. You have to put yourself in the place of a person who did not [develop the picture], and you have to ask yourself whether they would understand.. (shrink)

Very often, objects in the scene before us are somehow perceived to be constant or uniform or unchanging in color, shape, size, or position, even while their appearance with respect to these features somehow changes. This is a familiar and pervasive fact about perception, even if it is notoriously difficult to describe accurately let alone adequately account for. These difficulties are not unrelated—how we are inclined to describ the phenomenology of perceptual constancy will affect how we are inclined to accoun (...) for it. (shrink)

The essay argues that, on their usual metalinguistic reconstructions, the open question argument and Frege’s puzzle are variants of the same argument. Each are arguments to a conclusion about a difference in meaning; each deploy compositionality as a premise; and each deploy a premise linking epistemic features of sentences with their meaning (which, given certain meaning-platonist assumptions, can be interpreted as a universal instantiation of Leibniz’s law). Given these parallels, each is sound just in case the other is. They are, (...) in fact, unsound. The essay first argues that reformulations of these arguments directly in terms of Leibniz’s law are unsound and then that subarguments of the metalinguistic versions are unsound for structurally similar reasons. Finally, given how the theory/observation distinction is deployed in linguistic practice, the meaning-platonist assumptions are shown to be optional. (shrink)

Review of part one of Ronald Dworkin's Justice for Hedgehogs.

When surveying recent philosophical work on the nature and status of collective intentionality and we-intentions, it is striking how much effort is spent on analysing the structure of joint action and on establishing whether or not the intention to, say, go for a walk or paint a house together is reducible to some form of I-intentionality. Much less work has been devoted to an analysis of shared affects and emotions. This is regrettable, not only because emotional sharing in all likelihood (...) is developmentally prior to and logically more basic than joint action, but also because it might constitute a way of being together with others, which we need to study if we wish to better understand the nature of the we. In the present contribution, my primary aim will be to offer an answer to the following question: does the we-experience, the experience of being part of a we, presuppose, precede, preserve, or abolish the difference between self- and other-experience? In pursuing this task, I will take a closer look at emotional sharing and draw on resources that are too frequently ignored in current social ontology, namely insights found in classical phenomenology and in contemporary research on social cognition. (shrink)

Collected works on diverse aspects of Tibetan Buddhist doctines and philosophy of Dge-lugs-pa tradition.

If you trained someone to emit a particular sound at the sight of something red, another at the sight of something yellow, and so on for other colors, still he would not yet be describing objects by their colors. Though he might be a help to us in giving a description. A description is a representation of a distribution in a space (in that of time, for instance).

Now with extra footnotes, by editorial demand! Final version accepted by Oxford Studies in Ancient Philosophy. -/- This essay consists in a trick and a potential insight. The trick consists in a minimalist interpretation of color mixture. The account of color mixture is minimalist in the sense that, given certain background assumptions, there is no more to Timaeus’ account of color mixture than the list of the chromatic pathēmata and the list of how these combine to elicit perceptions of all (...) the colors. The only potential controversial elements of the minimalist interpretation are the relevant background assumptions and the interpretation of the chromatic pathēmata. The potential insight concerns a motive that Plato, in the guise of Timaeus, may have for presenting an account of color mixture. Specifically, I shall argue that on the minimalist interpretation, Plato may be read as reconciling the Democritrean four color scheme with an older tradi- tion where white and black are the fundamental chromatic opposition. As we shall see, this bears on the interpretation of the chromatic pathēmata. (shrink)