Following the integration of artistic disciplines within the university, artists have been challenged to review their practice in academic terms. This has become a vigorous epicentre of debates concerning the nature of research in the artistic disciplines. The special issue "On Reflecting and Making in Artistic Research Practice" captures some of this debate. This editorial article presents a broad-brush outline of the debates raging in the artistic disciplines and presents three discernible trends in those debates. The trends highlight different core (...) questions: (1) Art as research: Can artistic practice represent forms of inquiry acceptable within academic settings? (2) Academically-attuned practice-led research: Can art practice and research practice cooperate as equal partners within the university context? (3) Artistic research: Can the academic notion of research be extended to include the unique results possible through artistic research? The articles in the special issue offer a discussable overview of the current stage in the development of artistic research, demonstrating how creative practice and research practice can come together. (shrink)

This article discusses multisensorial aesthetic experience of environmental materiality via a craft process. The locally situated study investigates the interrelations of humans and environment through soil. In focus is how craft practitioners use their material sensitivity to reflect the idea of interdependency in the context of the contemporary environmental discourse. This is done through presenting an artistic research project in which craft is used to explore the human imprint in a particular geological environment, the Venice Lagoon. The case study Traces (...) from the Anthropocene: Working with Soil combines environmental research methods of contaminated soil and artistic research in the field of ceramic art. Craft making provides an embodied way to engage with the local environment. The cultural value and environmental disruption of the lagoon area forms a context for reflecting the aesthetic experience to better understand how we are active participants, in continuous flux with our material environment. (shrink)

A reflection on the symposium ‘Clear-sighted Art – Open Mind? Encounters between Art and Esotericism’ arranged at the Amos Rex Art Museum, Helsinki, 25th August 2020.

This study explored the factorial and concurrent validity of a scale developed for assessing teachers’ self-efficacy beliefs in engaging with diversity in early childhood education settings. According to tests of measurement invariance, the conceptualization of the constructs varied to some extent between Finnish student teachers and qualified teachers. Qualified teachers reported, at the item level, higher confidence in engaging with diversity in mainstream early childhood classrooms than student teachers. Structural equation modeling demonstrated that for both groups, higher levels of reported (...) confidence in planning and implementing inclusive teaching–learning interactions were related to a higher level of closeness during interactions with children. The evidence for concurrent validity may imply beneficial and reciprocal influences between teachers’ confidence in their professional competence and close teacher–child relationships. The implications of the study are discussed from the perspective of teacher training and professional development in the early childhood education context. (shrink)

With articles by Maarit Jänterä-Jareborg, Petar Sarcevic, Hans Ulrich Jessurun d'Oliveira, Paul Volken, national reports from Venezuela, Switzerland, China, Hungaria and Germany and news from The Hague as well as texts, materials and recent developments.

With articles by Katharina Boele-Woelki and Ronald H. van Ooik, Marc Fallon and Johan Meeusen and Maarit Jänterä-Jareborg, national reports from Canada, Russia, Belgium and China, reports on court decisions and news from The Hague, Rome and Washington as well as texts, materials and recent developments.

The grammarians of antiquity, unlike some of their modern counterparts, seem to have had little interest in investigating ‘what every speaker knows’, at least as a largescale project, consciously articulated and embarked on. The object of such a project would be to determine what constitutes such knowledge—or mastery, or cognition, or whatever name it is given—in actual speakers. An alternative goal would be an account of something knowledge of which would count as knowledge of the language in question, even if (...) this is not what actual speakers know. No ancient author seems to have set himself either task; indeed, the whole question of what it is to know a language seems to have been raised only very occasionally in classical antiquity. is probably the best known of these rare discussions.) Kaimio is surely justified in making the still more sweeping observation that ‘The concept of language knowledge was rather vague amongst ancient peoples’. (shrink)

The grammarians of antiquity, unlike some of their modern counterparts, seem to have had little interest in investigating ‘what every speaker knows’, at least as a largescale project, consciously articulated and embarked on. The object of such a project would be to determine what constitutes such knowledge—or mastery, or cognition, or whatever name it is given—in actual speakers. An alternative goal would be an account of something knowledge of which would count as knowledge of the language in question, even if (...) this is not what actual speakers know. No ancient author seems to have set himself either task; indeed, the whole question of what it is to know a language seems to have been raised only very occasionally in classical antiquity. is probably the best known of these rare discussions.) Kaimio is surely justified in making the still more sweeping observation that ‘The concept of language knowledge was rather vague amongst ancient peoples’. (shrink)