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  1.  44
    Knowing Through Making: The Role of the Artefact in Practice-Led Research.Maarit Mäkelä - 2007 - Knowledge, Technology & Policy 20 (3):157-163.
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  2.  11
    On Reflecting and Making in Artistic Research.Maarit Mäkelä, Nithikul Nimkulrat, D. P. Dash & Francois-X. Nsenga - 2011 - Journal of Research Practice 7 (1):Article E1.
    Following the integration of artistic disciplines within the university, artists have been challenged to review their practice in academic terms. This has become a vigorous epicentre of debates concerning the nature of research in the artistic disciplines. The special issue "On Reflecting and Making in Artistic Research Practice" captures some of this debate. This editorial article presents a broad-brush outline of the debates raging in the artistic disciplines and presents three discernible trends in those debates. The trends highlight different core (...)
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    Exploring Ecological and Material Sensitivity Through Craft Practice in the Context of the Venice Lagoon.Riikka Latva-Somppi & Maarit Mäkelä - 2020 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 13 (1):31-46.
    This article discusses multisensorial aesthetic experience of environmental materiality via a craft process. The locally situated study investigates the interrelations of humans and environment through soil. In focus is how craft practitioners use their material sensitivity to reflect the idea of interdependency in the context of the contemporary environmental discourse. This is done through presenting an artistic research project in which craft is used to explore the human imprint in a particular geological environment, the Venice Lagoon. The case study Traces (...)
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