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  1.  27
    Iconoclasm and Iconophobia: Four Historical Case Studies.Madeline H. Caviness - 2003 - Diogenes 50 (3):99-114.
    Iconophobia, literally the fear of religious images, usually occurs in proportion to the powers attributed to them by their believers. In the worst cases, these fears have led to, or coincide with, a cycle of violence that may involve the actual destruction of images (iconoclasm) and of human life. Semiotics helps interpret the interconnectedness of these seemingly separate events. Most iconoclasm involves confusion between the image or sign (such as a statue) and its referent (the actual subject), and a re-encoding (...)
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  2.  17
    Proceedings of the Annual Meeting of the Medieval Academy of America, 2005.Richard K. Emmerson, Barbara A. Shailor, Susan Mosher Stuard, Madeline H. Caviness, Edward Peters, Thomas J. Heffernan, Constance Brittain Bouchard, Lawrence M. Clopper, Jeffrey F. Hamburger, Bruce W. Holsinger, Carol Symes, Paul Edward Dutton, David N. Klausner, Nancy van Deusen, William Chester Jordan & Vickie Ziegler - 2005 - Speculum 80 (3):1022-1034.
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  3.  17
    Proceedings of the Annual Meeting of the Medieval Academy of America, 2004.Richard K. Emmerson, Barbara A. Shailor, Susan Mosher Stuard, Madeline H. Caviness, Thomas J. Heffernan, Bernard McGinn, Constance Brittain Bouchard, Jeffrey F. Hamburger, Kathryn L. Lynch, Paul Dutton, Bruce Holsinger, Marcia Kupfer, David Klausner, Nancy van Deusen, William Chester Jordan & Vickie Ziegler - 2004 - Speculum 79 (3):871-882.
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  4.  16
    The Garden of Delights: Reform and Renaissance for Women in the Twelfth Century. Fiona J. Griffiths.Madeline H. Caviness - 2008 - Speculum 83 (4):996-997.
  5.  15
    Proceedings of the Annual Meeting of the Medieval Academy of America, 2006.Richard K. Emmerson, Barbara A. Shailor, Susan Mosher Stuard, William Mahrt, Edward Peters, Madeline H. Caviness, Susan Boynton, Lawrence M. Clopper, Constance Brittain Bouchard, Thomas E. A. Dale, Carol Symes, Bruce W. Holsinger, David N. Klausner, Robert E. Bjork, William Chester Jordan & Vickie Ziegler - 2006 - Speculum 81 (3):958-971.
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  6.  21
    Patron or Matron? A Capetian Bride and a Vade Mecum for Her Marriage Bed.Madeline H. Caviness - 1993 - Speculum 68 (2):333-362.
    This contribution to feminist studies provides a new decoding of the imagery in the Hours of Jeanne d'Evreux. I propose layered readings, registering a modern woman's critical perceptions, informed by knowledge of the historical context, to reconstruct the impression these images might have made on the original female owner.
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  7.  12
    Iconoclasme et iconophobie : quatre études de cas historiques.Madeline H. Caviness - 2002 - Diogène 199 (3):119.
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  8.  8
    Féminisme, Gender Studies et études médiévales.Madeline H. Caviness - 2009 - Diogène 225 (1):33.
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  9.  6
    Stained Glass in Thirteenth-Century Burgundy. Virginia Chieffo Raguin.Madeline H. Caviness - 1985 - Speculum 60 (2):454-456.
  10.  6
    Sur la reproduction des?uvres d'art conservées dans les musées.Madeline H. Caviness - 2005 - Diogène 211 (3):56.
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  11. Hildegard of Bingen: Some Recent Books.Madeline H. Caviness - 2002 - Speculum 77 (1):113-120.
  12.  4
    Hildegard of Bingen: Some Recent BooksHildegard of Bingen, 1098-1179: A Visionary Life. Sabina FlanaganDie Miniaturen im "Liber Scivias" der Hildegard von Bingen: Die Wucht der Vision und die Ordnung der Bilder. Lieselotte E. Saurma-JeltschBildgewordene Visionen oder Visionserzählungen: Vergleichende Studie über die Visionsdarstellungen in der Rupertsberger "Scivias"-Handschrift und im Luccheser "Liber divinorum operum"-Codex der Hildegard von Bingen. Keiko Suzuki. [REVIEW]Madeline H. Caviness - 2002 - Speculum 77 (1):113-120.
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  13.  4
    Learning From Forest Lawn.Madeline H. Caviness - 1994 - Speculum 69 (4):963-992.
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  14. Rüdiger Becksmann, with the Assistance of Fritz Herz and on the Basis of Material Prepared by Hans Wentzel (†) and Ferdinand Werner, Die Mittelalterlichen Glasmalereien in Schwaben von 1350 Bis 1530 Ohne Ulm.(Corpus Vitrearum Medii Aevi, Deutschland, 1/2.) Berlin: Deutscher Verlag Für Kunstwissenschaft, 1986. Pp. Lix, 423; 14 Color Plates, Many Black-and-White Plates and Figures. [REVIEW]Madeline H. Caviness - 1990 - Speculum 65 (1):118-119.
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