Results for 'Maes Veronique'

493 found
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  1.  18
    Neuropeptide FF Receptors Are Implicated in Epileptic Seizures.Portelli Jeanelle, Meurs Alfred, Bihel Frederic, Hammoud Hassan, Schmitt Martine, De Kock Joery, Humbert Jean-Paul, Bertin Isabelle, Utard Valerie, Buffel Ine, Coppens Jessica, Tourwe Dirk, Maes Veronique, Vanhaecke Tamara, Massie Ann, Boon Paul, Michotte Yvette, Bourguignon Jean-Jacques, Simonin Frederic & Smolders Ilse - 2014 - Frontiers in Human Neuroscience 8.
  2.  31
    Conversations on Art and Aesthetics.Hans Maes - 2017 - Oxford, UK: Oxford University Press.
    What is art? What counts as an aesthetic experience? Does art have to beautiful? Can one reasonably dispute about taste? What is the relation between aesthetic and moral evaluations? How to interpret a work of art? Can we learn anything from literature, film or opera? What is sentimentality? What is irony? How to think philosophically about architecture, dance, or sculpture? What makes something a great portrait? Is music representational or abstract? Why do we feel terrified when we watch a horror (...)
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  3.  15
    Wat is sexy? Een oefening in feministische filosofie.Hans Maes - 2019 - Antwerp: Letterwerk.
    Wanneer ben je sexy, en wie bepaalt dat eigenlijk? Gelden dezelfde normen voor mannen en vrouwen? En hoe moeten we als maatschappij omgaan met de toenemende druk om er hot uit te zien? In dit boek zoekt filosoof Hans Maes een antwoord op deze vragen. Onderweg reflecteert hij over sekssymbolen, over de erotiserende werking van macht en rijkdom, en over de rol van kunst. Hij buigt zich over de notie van seksuele authenticiteit en lanceert ten slotte ook een oproep (...)
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  4.  56
    Portraits of Philosophers.Hans Maes - forthcoming - In Portraits and Philosophy. Routledge.
    This paper presents a close analysis of Steve Pyke’s famous series of portraits of philosophers. By comparing his photographs to other well-known series of portraits and to other portraits of philosophers we will seek a better understanding of the distinctiveness and fittingness of Pyke’s project. With brief nods to Roland Barthes, Jean Baudrillard, G.W.F. Hegel, and Arthur Schopenhauer and an extensive critical investigation of Cynthia Freeland’s ideas on portraiture in general and her reading of Steve Pyke’s portraits in particular, this (...)
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  5. The Aesthetics and Ethics of Sexiness.Hans Maes - 2017 - In David Goldblatt, Stephanie Partridge & Lee Brown (eds.), Aesthetics: A Reader in Philosophy (4th ed.). London:
    All too often women are considered sexy in accordance with an externally dictated and unduly narrow conception of sexiness – one that excludes large portions of the female population from being considered sexy. In response to this, some feminists have suggested that we should give up on sexiness altogether. Since the agency, subjectivity, and autonomy of a woman being judged sexy is generally ignored, they argue, we have, in effect, an equation of sexiness with objecthood. In a recent essay entitled (...)
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  6. Falling in Lust: Sexiness, Feminism, and Pornography.Hans Maes - 2017 - In Mari Mikkola (ed.), Beyond Speech. Oxford:
    Caffeine makes you sexy! This absurd slogan can be seen in the shop windows of a popular Brussels coffee chain – its bold pink lettering indicating how they are mainly targeting female customers. It is one of the silliest examples of something that is both very common and very worrisome nowadays, namely, the constant call on women to look ‘hot’ and conform to the standards of sexiness as they are projected in the media, entertainment industry, and advertising. But what exactly (...)
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  7.  14
    Sensorimotor Grounding of Musical Embodiment and the Role of Prediction: A Review.Pieter-Jan Maes - 2016 - Frontiers in Psychology 7.
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  8.  13
    You Talking to Me?Hans Maes - 2019 - Debates in Aesthetics 14 (1).
    In May 2017, my book ‘Conversations on Art and Aesthetics’ appeared. It contains conversations with, and photographic portraits of, ten prominent philosophers of art. They are Noël Carroll, Gregory Currie, Arthur Danto, Cynthia Freeland, Paul Guyer, Carolyn Korsmeyer, Jerrold Levinson, Jenefer Robinson, Roger Scruton, and Kendall Walton. The book has two main aims. One is to provide a broad and accessible overview of what aesthetics as a subfield of philosophy has to offer. The other is to stimulate new work in (...)
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  9.  9
    Stored Object Knowledge and the Production of Referring Expressions: The Case of Color Typicality.Hans Westerbeek, Ruud Koolen & Alfons Maes - 2015 - Frontiers in Psychology 6.
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  10. Different Kinds and Aspects of Bullshit.Hans Maes & Katrien Schaubroeck - 2006 - In Hardcastle Reisch (ed.), Bullshit and Philosophy. Open Court.
    In this paper, we aim to show that there is a particular kind of bullshit that is not dealt with in Harry Frankfurt’s and G.A. Cohen’s critiques of bullshit. We also point out the evaluative complexity of bullshit. Frankfurt and Cohen both stress its negative and possibly destructive aspects, but one might wonder whether bullshit need always and necessarily be reprehensible. We will argue that there are positive or at least neutral aspects to some kinds of bullshit.
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  11. A Phenomenological Study of Thinking.E. Babbie, A. Giorgi, A. Barton & C. Maes - forthcoming - Duquesne Studies in Phenomenological Psychology.
  12.  42
    How Cognitive Load Influences Speakers' Choice of Referring Expressions.Jorrig Vogels, Emiel Krahmer & Alfons Maes - 2015 - Cognitive Science 39 (6):1396-1418.
    We report on two experiments investigating the effect of an increased cognitive load for speakers on the choice of referring expressions. Speakers produced story continuations to addressees, in which they referred to characters that were either salient or non-salient in the discourse. In Experiment 1, referents that were salient for the speaker were non-salient for the addressee, and vice versa. In Experiment 2, all discourse information was shared between speaker and addressee. Cognitive load was manipulated by the presence or absence (...)
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  13.  11
    Towards a New Classification of Stable Phase Schizophrenia Into Major and Simple Neuro-Cognitive Psychosis: Results of Unsupervised Machine Learning Analysis.Buranee Kanchanatawan, Sira Sriswasdi, Supaksorn Thika, Drozdstoy Stoyanov, Sunee Sirivichayakul, André F. Carvalho, Michel Geffard & Michael Maes - 2018 - Journal of Evaluation in Clinical Practice 24 (4):879-891.
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  14.  38
    The End Of Art: A Real Problem Or Not Really A Problem?Hans Maes - 2004 - Postgraduate Journal of Aesthetics 1 (2):59-68.
    In 1984, Arthur Danto wrote an article with the telling title ‘The End of Art.’ Just a few years earlier, Richard Rorty had declared the end of philosophy and Michel Foucault, the end of politics. A few years later, Francis Fukuyama was to declare the end of history. So, on the face of it, Danto’s thesis fits in nicely with the ‘endism’ that was popular in the 1980s. In important ways, however, I believe it also stands out.
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  15.  16
    Lowered Quality of Life in Mood Disorders is Associated with Increased Neuro-Oxidative Stress and Basal Thyroid-Stimulating Hormone Levels and Use of Anticonvulsant Mood Stabilizers.Caroline Sampaio Nunes, Michael Maes, Chutima Roomruangwong, Juliana Brum Moraes, Kamila Landucci Bonifacio, Heber Odebrecht Vargas, Decio Sabbatini Barbosa, George Anderson, Luiz Gustavo Piccoli de Melo, Stoyanov Drozdstoj, Estefania Moreira, André F. Carvalho & Sandra Odebrecht Vargas Nunes - 2018 - Journal of Evaluation in Clinical Practice 24 (4):869-878.
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  16. Art or Porn: Clear Division or False Dilemma?Hans Maes - 2011 - Philosophy and Literature 35 (1):51-64.
    Jerrold Levinson conveniently summarizes the main argument of his essay "Erotic Art and Pornographic Pictures" in the following way:Erotic art consists of images centrally aimed at a certain sort of reception R1.Pornography consists of images centrally aimed at a certain sort of reception R2.R1 essentially involves attention to form/vehicle/medium/manner, and so entails treating images as in part opaque.R2 essentially excludes attention to form/vehicle/medium/manner, and so entails treating images as wholly transparent.R1 and R2 are incompatible.Hence, nothing can be both erotic art (...)
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  17.  57
    What Is a Portrait?Hans R. V. Maes - 2015 - British Journal of Aesthetics 55 (3):303-322.
    What I will aim for in answering the title question is extensional adequacy, that is, I will try to formulate an account that captures as much of the extension as possible of what we ordinarily think counts as a portrait. Two philosophers have recently and independently from one another embarked on the same project. Cynthia Freeland’s theory of portraiture, as it is developed in her book, Portraits and Persons, is discussed in Sections 1 and 2 of this paper. Sections 3 (...)
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  18.  18
    The End Of Art Revisited: A Response To Kalle Puolakka.Hans Maes - 2005 - Postgraduate Journal of Aesthetics 2 (3).
    In ‘The End of Art: A Real Problem or Not Really a Problem?’ I raised some questions about Arthur Danto’s famous ‘end of art’ thesis. A largely polemical paper, it was intended as an invitation to further discussion, and Kalle Puolakka has now taken up this invitation in ‘Playing The Game After The End of Art’. I thank him for his many insightful remarks. Critical comments are typically more interesting and helpful than simple praise, and Puolakka’s comments are no exception. (...)
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  19. Art and Pornography.Hans Maes - 2009 - Journal of Aesthetic Education 43 (3):pp. 107-116.
    This paper provides an in-depth review of Jerrold Levinson’s most recent work in aesthetics, focusing especially on his account of the incompatibility of art and pornography. The author argues that this account does not fit well with Levinson’s own intentional-historical definition of art and his Wollheimian account of depiction.
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  20. Review of On Images. Their Structure and Content. [REVIEW]Hans Maes - 2007 - Tijdschrift Voor Filosofie 69 (4):780-781.
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  21. Modesty, Asymmetry, and Hypocrisy.Hans Maes - 2004 - Journal of Value Inquiry 38 (4):485-497.
    Numerous philosophers have tried to define modesty, but none of them succeeds in articulating the necessary and sufficient conditions for this virtue. Moreover, all existing accounts ignore the striking self-other asymmetry that is at the heart of modesty. Drawing on the analogy with the practice of giving presents, I clarify and further investigate this self-other asymmetry. In the process, I show why Bernard Williams is right in pointing out the notorious truth that a modest person does not act under the (...)
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  22.  40
    Wat is een afbeelding?Hans Maes - 2011 - Esthetica: Tijdschrift Voor Kunst En Filosofie 3.
    This paper addresses what is arguably ?? one of the most fundamental questions in the debate on depiction, What is a Picture? It offers a critical discussion of traditional theories of pictorial representation, such as the Resemblance Theory, Conventionalism, and the Illusion Theory; it introduces and analyses the crucial notions of ‘seeing as’ and ‘seeing in’, and concludes by presenting some of the most recent accounts of depiction defended by Kendall Walton, Dominic Lopes, Robert Hopkins, and John Hyman.
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  23. Drawing the Line: Art Versus Pornography.Hans R. V. Maes - 2011 - Philosophy Compass 6 (6):385-397.
    Art and pornography are often thought to be mutually exclusive. The present article argues that this popular view is without adequate support. Section 1 looks at some of the classic ways of drawing the distinction between these two domains of representation. In Section 2, it is argued that the classic dichotomies may help to illuminate the differences between certain prototypical instances of pornography and art, but will not serve to justify the claim that pornography and art are fundamentally incompatible. Section (...)
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  24.  66
    Truly, Madly, Deeply.Hans Maes - 2017 - The Philosophers' Magazine 78:53-57.
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  25.  82
    Pornographic Art and the Aesthetics of Pornography.Hans Maes (ed.) - 2013 - Palgrave-Macmillan.
  26.  38
    Evidence for the Role of Shape in Mental Representations of Similes.Lisanne Weelden, Joost Schilperoord & Alfons Maes - 2014 - Cognitive Science 38 (2):303-321.
    People mentally represent the shapes of objects. For instance, the mental representation of an eagle is different when one thinks about a flying or resting eagle. This study examined the role of shape in mental representations of similes (i.e., metaphoric comparisons). We tested the prediction that when people process a simile they will mentally represent the entities of the comparison as having a similar shape. We conducted two experiments in which participants read sentences that either did (experimental sentences) or did (...)
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  27. Intention, Interpretation and Contemporary Visual Art.Hans Maes - 2010 - British Journal of Aesthetics 50 (2):121-138.
    The role of the artist's intention in the interpretation of art has been the topic of a lively and ongoing discussion in analytic aesthetics. First, I sketch the current state of this debate, focusing especially on two competing views: actual and hypothetical intentionalism. Secondly, I discuss the search for a suitable test case, that is, a work of art that is interpreted differently by actual and hypothetical intentionalists, with only one of these interpretations being plausible. Many examples from many different (...)
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  28. Art and Pornography: Philosophical Essays.Hans Maes & Jerrold Levinson (eds.) - 2012 - Oxford University Press UK.
    Art and Pornography presents a series of essays which investigate the artistic status and aesthetic dimension of pornographic pictures, films, and literature, and explores the distinction, if there is any, between pornography and erotic art. Is there any overlap between art and pornography, or are the two mutually exclusive? If they are, why is that? If they are not, how might we characterize pornographic art or artistic pornography, and how might pornographic art be distinguished, if at all, from erotic art? (...)
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  29. Communicative Gestures and Memory Load.Lisette Mol, Emiel Krahmer, Alfons Maes & Marc Swerts - 2009 - In N. A. Taatgen & H. van Rijn (eds.), Proceedings of the 31st Annual Conference of the Cognitive Science Society.
  30.  91
    Challenging Partial Intentionalism.Hans Maes - 2008 - Journal of Visual Arts Practice 7 (1):85-94.
    Paisley Livingston claims that an artist’s intentions are successfully realized and hence determinate of the meaning of a work if and only if they are compatible and “mesh” with the linguistic and conventional meanings of the text or artefact taken in its target or intended context. I argue that this specific standard of success is not without its difficulties. First, I show how an artist’s intention can sometimes be constitutive of a work’s meaning even if there is no significant meshing (...)
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  31.  23
    The American Association of Advertising Agencies (4as) Standards of Practice: How Far Does This Professional Association's Code of Ethics' Influence of Reach. [REVIEW]Jeanne D. Maes, Arthur Jeffery & Tommy V. Smith - 1998 - Journal of Business Ethics 17 (11):1155-1161.
    In a national survey, members of 4As agencies were contrasted with non-member agencies to determine awareness and influence of the 4As Standards of Practice, the Professional Code of Ethics for 4As members. The 4As Code was selected because the 4As represents the principle professional association of the support service industry, advertising.
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  32.  14
    Boekbesprekingen.P. C. Beentjes, Bart J. Koet, Jan Lambrecht, A. van Dijk, Ad van der Helm, Th Bell, Heleen van de Reep, Freda Dröes, J. Besemer, Marieke Maes, Johan G. Hahn & Joh G. Hahn - 1992 - Bijdragen 53 (3):323-344.
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  33.  46
    Misattribution of Agency in Schizophrenia: An Exploration of Historical First-Person Accounts.Jpma Maes & A. R. Van Gool - 2008 - Phenomenology and the Cognitive Sciences 7 (2):191-202.
    This paper provides a concise description and discussion of bottom–up and top–down approaches to misattribution of agency in schizophrenia. It explores if first-person accounts of passivity phenomena can provide support for one of these approaches. The focus is on excerpts in which the writers specifically examine their experiences of external influence. None of the accounts provides arguments that fit easily with only one of the possible approaches, which is in line with current attempts to theoretical integration.
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  34.  1
    Edith Franke, Christoph Kleine und Heinz Mürmel, Hg.: Devianz und Dynamik. Festschrift für Hubert Seiwert zum 65. Geburtstag. Critical Studies in Religion/ Religionswissenschaft , Band 8 , 263 S., ISBN 978-3-525-54037-4, € 100,00. [REVIEW]Eric Maes - 2019 - Zeitschrift für Religionswissenschaft 27 (2):321-323.
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  35.  1
    Jochen Schmidt: Religion und Sexualität. Übers. Albert Gerhards, Manfred Hutter, Kinzig Wolfram und Mathias Schmoeckel. Studien des Bonner Zentrums für Religion und Gesellschaft, Band 13 , 237 S., ISBN 978-3-95650-150-0, € 45,00. [REVIEW]Eric Maes - 2019 - Zeitschrift für Religionswissenschaft 27 (2):324-325.
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  36.  81
    Elephants, Microscopes and Free Beauty: Reply to Davies.Hans Maes - 2009 - Philosophical Quarterly 59 (235):332-336.
    According to Stephen Davies, there is no such thing as free beauty. Using actual and imaginary examples, he tries to show that our aesthetic evaluations of objects inevitably pay heed to the kinds to which they belong or in which we judge them to belong. His examples are not as compelling as he thinks, however. Furthermore, nature looked at through a microscope (or a telescope) provides us with a particular class of counter-examples which have not been dealt with by Davies (...)
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  37.  8
    Cover Image.Buranee Kanchanatawan, Sira Sriswasdi, Supaksorn Thika, Drozdstoy Stoyanov, Sunee Sirivichayakul, André F. Carvalho, Michel Geffard & Michael Maes - 2018 - Journal of Evaluation in Clinical Practice 24 (4):879-891.
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  38.  25
    Talking About Relations: Factors Influencing the Production of Relational Descriptions.Adriana Baltaretu, Emiel J. Krahmer, Carel van Wijk & Alfons Maes - 2016 - Frontiers in Psychology 7.
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  39.  60
    On Sticking Labels.Jan Pieter M. A. Maes - 2005 - Behavioral and Brain Sciences 28 (4):503-504.
    Steels & Belpaeme (S&B) are clearly interested in the possible test their models may provide for human language theories. However, they only superficially address the assumptions underlying their own agent architecture, while these are of crucial relevance to the topic of human language. These assumptions fit an Augustinian picture of language, which Wittgenstein challenges in his Philosophical Investigations. It is too early to draw conclusions regarding human language evolution from such models.
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  40.  8
    Erotic Art.Hans Maes - 2014 - Stanford Encyclopaedia of Philosophy.
    What is erotic art? Do all paintings with a sexual theme qualify as erotic? How to distinguish between erotica and erotic art? In what way are aesthetic experiences related to, or different from, erotic experiences and are they at all compatible? Both people and works of art can be sensually appealing, but is the beauty in each case substantially the same? How helpful is the distinction between the nude and the naked? Can we draw a strict line between erotic art (...)
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  41.  22
    Review of Aesthetics and the Philosophy of Art. The Analytic Tradition by Peter Lamarque & Stein H. Olsen. [REVIEW]H. R. V. Maes - 2005 - Tijdschrift Voor Filosofie 67 (3):601-602.
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  42. The Arts Vs Art with a Capital "A": Interview with Noël Carroll.Hans Maes - 2012 - Esthetica.
     
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  43.  22
    Boekbesprekingen.Archibald L. H. M. Van Wieringen, P. C. Beentjes, Bart J. Koet, Marcel Poorthuis, Martin Parmentier, O. S. A. Schrama, H. Rikhof, G. Rouwhorst, C. Donders, Marcel Sarot, Arie Leijen & Marieke Maes - 1996 - Bijdragen 57 (2):211-235.
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  44.  13
    Different but the Same: Mental Representations of Negated Similes.Lisanne van Weelden, Joost Schilperoord & Alfons Maes - 2017 - Metaphor and Symbol 32 (1):19-29.
    When people comprehend language, they mentally represent object shape. Previous research has shown that objects that are mentioned in a simile construction are represented as similarly shaped. The present study examined object shape in mental representations of negated similes. In our experiment participants read negated similes or control sentences without a comparison structure. After having read the sentence, they judged whether two presented objects, which were either similarly or dissimilarly shaped, were previously mentioned. Our findings showed that for the negated (...)
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  45.  15
    Occupational Coping Self-Efficacy Explains Distress and Well-Being in Nurses Beyond Psychosocial Job Characteristics.Renato Pisanti, Margot van der Doef, Stan Maes, Caterina Lombardo, David Lazzari & Cristiano Violani - 2015 - Frontiers in Psychology 6.
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  46. Een treffende gelijkenis. Over grappen en kunst.Hans Maes - 2007 - Algemeen Nederlands Tijdschrift voor Wijsbegeerte 99 (4):281-296.
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  47.  19
    Review of Philosophy and Conceptual Art by Peter Goldie and Elisabeth Schellekens. [REVIEW]H. R. V. Maes - 2007 - Tijdschrift Voor Filosofie 69 (3):612-613.
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  48.  28
    Referent Ontology and Centering in Discourse.A. Maes - 1997 - Journal of Semantics 14 (3):207-235.
    This article describes three production experiments in which the role of the ontology of referents is investigated with respect to establishing and maintaining local coherence in discourse. The experiments claborate on the basic claims put forward by Centering Theory. Subjects were asked to complete sentences or fill in the most adequate anaphoric device in two– or three– sentence sequences in which concrete and abstract referents were manipulated along the lines of variables which in centering theory are claimed to determine the (...)
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  49.  14
    Bescheidenheid En Asymmetrie.Hans Maes - 2001 - Algemeen Nederlands Tijdschrift voor Wijsbegeerte 93 (2):117-135.
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  50.  13
    Review of The Philosophy of Art by Stephen Davies. [REVIEW]H. R. V. Maes - 2007 - Tijdschrift Voor Filosofie 69 (2):381-383.
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