In lieu of an abstract, here is a brief excerpt of the content:Zen and the Art of DeathMaja Milcinski*When reflecting on immortality, longevity, death, and suicide, or taking into consideration some of the central concepts of the Sino-Japanese philosophical tradition, such as impermanence (Chinese: wuchang; Japanese: mujo), we see that the philosophical methods developed in the Graeco-Judeo-Christian tradition might not be very suitable. On the other hand it is instructive to contrast them with the similar themes developed in the Graeco-Judeo-Christian (...) tradition, since these problems present a challenge for a redefinition of philosophy, which has traditionally regarded itself as a European (and in an even less acceptable variation as a Western) phenomenon. As such the very borders of philosophical discourse known in European history as philosophia are today being reconsidered. Although the notion of philosophy (love of wisdom) is distinctly Greek in origin, this does not mean that Asia failed to cultivate activities similar to that. The absence of this notion in China and Japan does not necessarily imply a lack of the cultivation of wisdom within their traditions. Could this mean that, paradoxically, the “philo-“ limits this complex activity primarily to rationally mastered undertakings?By rethinking the history of philosophy as a single narrative, one might come closer to the movements related to the levels of consciousness that were activated in philosophical undertakings in various Asian philosophical schools. In this regard Japanese and Chinese Buddhist philosophical traditions might be instructive since, through the various stages of their development, they have attempted to put the inexpressible into words. The awareness of the insufficiency of words resulted in many original solutions. In the Song dynasty, for instance, China produced a variety of diagrams (tu), by which philosophers and practitioners represented their theories. These formulations, often arose on the basis of meditation techniques and could not therefore be fully transmitted by means of language alone. The illustration of the nine-step process (known in [End Page 385] Japan as kuso) is one such representation, and it is taken here as a point of departure for approaching the concept of impermanence and death in the Japanese philosophical context.One possible means of approaching the discussed topic is to contrast it with the ways in which impermanence, particularly with the phenomenon of death as one of its aspects, has been perceived in the European tradition. It would be naive to generalize and stress the impression that fear of death is much more central and influential in the Euro-American life style than in the Asian one, since it is rooted in human biological and subconscious mechanisms. This paper, however, tries to point at the subtle difference which exists in the spiritual realm.Europe and ImpermanenceThe European Middle Ages developed the so-called ars moriendi, the art of dying. It was this tradition which produced sayings such as “My Lord, it is a great art to die well, and one to be learned by men in health” 1 and the many variations of the dance of death (danse macabre). This awareness of human mortality was also spread by texts, of which the following inspired thought is characteristic: “The one who has not learned how to die, will die against his will. Learn how to die and you will know how to live, since nobody will learn how to live, who has not learned how to die. He shall be y-cleped a wretch that cannot live and dare not die.” 2 These undertakings, however, did not succeed in building any kind of permanent discipline in Europeans connected with the idea of impermanence and death. Rather, it left them caught up in the dizziness of everyday life. The ars moriendi vanished from their consciousness and only became manifest when actual circumstances provoked it, if indeed at all, since often at the moment of impending death people are completely terrified in the light of the prospect of losing their Ego. Although in Christianity there is a tradition of seeing death as a new beginning, some Christians remain skeptical of this “new beginning.” Beginning of what? Is it an illusion of “heaven,” a reflection of this world without suffering and frustrations? In this respect the ars moriendi was cultivating something else: impermanence... (shrink)

The article deals with the problem of death and certainty as reflected in Daoism and Japanese Buddhist philosophy. In the Buddhist context, the Japanese Pure Land theory is discussed. The Buddhist theories are illustrated with the quotations of Daoist philosophers, Zhuang Zi and Lao Zi {Dan dejing), which illuminate the problem of certainty related to the theory of body and its transformations through the mental and physical techniques used in visualizations that were used on the Buddhist path to truth and (...) certainty. (shrink)

Članek obravnava problem odsotnosti jaza v japonski budistični filozofiji. Dogcvi in Nishida, oba zagovornika budistične vadbe zazen, sta svoji filozofiji gradila na odsotnosti jaza in dala tudi originalni toeriji telesa. Filozofija odsotnosti jaza, ki se veže na problem praznine v budizmu, pomeni tudi izziv sodobni evropski filozofiji, ker zahteva preverjanje predpostavk racionalnosti in mišljenja.

This paper discusses the notions of impermanence and death as treated in the Chinese and Japanese philosophical traditions, particularly in connection with the Buddhist concept of emptiness and void and the original Daoist answers to the problem. Methodological problems are mentioned and two ways of approaching the theme are proposed: the logically discursive and the meditative mystical one, with the two symbols of each, Uroboros and the open circle. The switch of consciousness is suggested as an essential condition for liberation (...) of the Ego and its illusions. Rational logic as well as the sophisticated meditative ways of selflessness and detachment are suggested when treating the Chinese and Japanese philosophical notions, and examples of the discussed topics from the texts given. The instructive seventh chapter of the classical Daoist work, Lie Zi, is analyzed in detail and put into contrast with the answers given to that problem in the Greco-Judeo-Christian tradition. (shrink)

Glavna tema knjige je problem razmejevanja med religijo in filozofijo na Kitajskem in Japonskem, predvsem v odnosu na problem minljivosti in mistične izkušnje.

Članek obravnava korejsko in japonsko filozofijo v luči njunih filozofskih tradicij in ob prihodu filozofije kot znanosti, kot so jo razvijali v Evropi. Med pomembnimi korejskimi filozofi sta predstavljena Yi I in Yi Hwang. Slednji predvsem zaradi vpliva njegove filozofije Najvišjega Poslednjega in problematizacije neizrekljivega na področju psihofizičnega zavedanja, ki ostaja centralna točka azijskih filozofij. Od začetkov japonske filozofije prehaja članek na skupino tako imenovanih duhovnih intelektualcev, postmoderne filozofije in na teorije kultivacije telesa-duha Yuasa Yasua.

Članek obravnava Leibnizov odnos do kitajske filozofije, ki ga je oblikoval na poznavanju Yijinga in neokonfucijanske filozofije. Njegov glavni vir so bila dela figuristov, jezuitov zgodnjega osemnajstega stoletja, ki so gradila na prepričanju o skupnem izvoru človeštva. Leibnizova teorija monad ima mnogo skupnega s kitajsko korelativistično filozofijo, poleg tega pa je tudi v analizi trigramov klasičnega kitajskega filozofskega dela Yijing odkril potrditev za svoj binarni sistem. Dejstvo, da so Kitajci že vsaj pred 4500 leti imeli matematični sistem in gojili disciplino (...) racionalnosti in logike, je Leibniza pripeljalo tudi do teze, da bi naj že stari Kitajci imeli naravno religijo, ki jo je Leibnizov učenec Christian Wolff razumel kot ateizem. Z Leibnizom in Wolffom se je v zgodovini evropske filozofije za dve stoletji prekinil odprt in sprejemljiv odnos do neevropskih filozofskih tradicij, in končalo se je kratko obdobje srečanja evropskih filozofov s kitajskimi filozofskimi deli. V Evropi pa se je filozofija vzpostavila kot »zahodna« filozofska tradicija. (shrink)

Sestavek prikazuje logično-diskurzivni in meditativno-mistični pristop k vprašanjem človeškega obstoja in minljivosti. Avtorica obravnava odgovore, kijih v zvezi s problemom človeške minljivosti ponujajo azijske filozofske in religiozne tradicije, in jih primeija z odklonilno držo evropske znanstvene in filozofske tradicije do meditativnih in mističnih dimenzij v spoznavnem procesu, ki je pogosto označen kot »neznanstven« in neustrezen, v okviru azijskih filozofskih prizadevanj pa je nepogrešljiv.

Chinese, Japanese and Korean spirituality; compare attitudes to nature, philosophy, religion and death in Western and Eastern cultures.

The Buddhist and Daoist influences on the origins of the Taijitu and their influences on T’oegye’s philosophy are discussed. The notion of ji (tranquillity) is taken as an example on which the Neo-Confucianism debate and the limits of verbal representations are shown. T'oegye adherence to Zhu Xi in relying to the doctrine of mindfulness is taken into consideration as one of the central ones in the Ten diagrams, in contrast to Zhou Dunyi's emphasis on tranquillity. He followed the Zhu Xi's (...) line in a direction of commenting the commentaries or a form. He strongly relayed on words, although as a supplement to the diagrams. By this hediminished the force of the cartography of spirit so central in Chinese Song Neo-Confucianism. In T’oegye is not calm and tranquillity per se, but a conscious and wakeful state of absolute mental quiescence - one of the polar conditions of consciousness. (shrink)