87 found
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  1. The Acquaintance Principle.Malcolm Budd - 2003 - British Journal of Aesthetics 43 (4):386-392.
    The Acquaintance Principle maintains that aesthetic knowledge must be acquired through first-hand experience of the object of knowledge and cannot be transmitted from person to person. This implies that aesthetic knowledge of an object cannot be acquired either from an accurate description of the non- aesthetic features of the object or from reliable testimony of its aesthetic character. The question I address is whether there is any sound argument in support of the Principle. I give scant consideration to the possibility (...)
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  2. Wittgenstein's Philosophy of Psychology.Malcolm Budd - 2013 - Routledge.
    First published in 1989, this book tackles a relatively little-explored area of Wittgenstein’s work, his philosophy of psychology, which played an important part in his late philosophy. Writing with clarity and insight, Budd traces the complexities of Wittgenstein’s thought, and provides a detailed picture of his views on psychological concepts. A useful guide to the writings of Wittgenstein, the book will be of value to anyone concerned with his work as a whole, as well as those with a more general (...)
     
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  3.  92
    Wittgenstein's Philosophy of Psychology.Malcolm Budd - 1989 - Routledge.
    I INTRODUCTION WITTGENSTEIN'S CONCEPTION OF THE PHILOSOPHY OF PSYCHOLOGY What did Wittgenstein understand by the philosophy of psychology? ...
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  4. Aesthetic Essays.Malcolm Budd - 2008 - Oxford University Press.
    Introduction -- Aesthetic judgements, aesthetic principles, and aesthetic properties -- Aesthetic essence -- The acquaintance principle -- The intersubjective validity of aesthetic judgements -- The pure judgement of taste as an aesthetic reflective judgement -- Understanding music -- The characterization of aesthetic qualities by essential metaphors and quasi-metaphors -- Musical movement and aesthetic metaphors -- Aesthetic realism and emotional qualities of music -- On looking at a picture -- The look of a picture -- Wollheim on correspondence, projective properties, and (...)
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  5. The Aesthetic Appreciation of Nature: Essays on the Aesthetics of Nature.Malcolm Budd - 2002 - Oxford University Press.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Everyone delights in the beauty of flowers, and some are thrilled by the immensity of mountains or of the night sky. But what is involved in serious aesthetic appreciation of the natural world? Malcolm Budd presents four interlinked studies in the aesthetics of nature, (...)
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  6. Music and the Emotions: The Philosophical Theories.Malcolm Budd - 1985 - Routledge.
    It has often been claimed, and frequently denied, that music derives some or all of its artistic value from the relation in which it stands to the emotions. This book presents and subjects to critical examination the chief theories about the relationship between the art of music and the emotions.
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  7. Values of Art: Pictures, Poetry, and Music.Malcolm Budd - 1996 - Penguin Books.
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  8. The Aesthetic Appreciation of Nature.Malcolm Budd - 1996 - British Journal of Aesthetics 36 (3):207-222.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Just as nature offers aesthetic experiences beyond the reach of art, so the aesthetics of nature raises issues not contained within the philosophy of art. -/- Malcolm Budd presents four interlinked essays addressing all the main problems about the aesthetics of nature. These include: (...)
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  9. Wittgenstein's Philosophy of Psychology.Malcolm Budd - 1991 - Behavior and Philosophy 19 (2):87-89.
     
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  10. Values of Art: Pictures, Poetry and Music.Malcolm Budd - 1997 - Philosophical Quarterly 47 (187):246-248.
     
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  11. Wittgenstein's Philosophy of Psychology.Malcolm Budd - 1994 - Inquiry: An Interdisciplinary Journal of Philosophy 37:103.
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  12.  11
    The Aesthetic Appreciation of Nature.Malcolm Budd - 2003 - Oxford University Press UK.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Everyone delights in the beauty of flowers, and some are thrilled by the immensity of mountains or of the night sky. But what is involved in serious aesthetic appreciation of the natural world? Malcolm Budd presents four interlinked studies in the aesthetics of nature, (...)
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  13. The Intersubjective Validity of Aesthetic Judgements.Malcolm Budd - 2007 - British Journal of Aesthetics 47 (4):333-371.
    All aesthetic judgements, whether descriptive, evaluative or some combination of the two, and whatever they might be about, whether works of art, artefacts of other kinds, or natural things, declare themselves to be, not mere announcements or expressions of personal responses to the objects of judgement, but claims meriting the agreement of others. Despite the frequent appeal in everyday life to the nihilistic interpretation of the saying ‘It's all a matter of taste’, the doctrine of aesthetic nihilism—the view that such (...)
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  14. The Characterization of Aesthetic Qualities by Essential Metaphors and Quasi-Metaphors.Malcolm Budd - 2006 - British Journal of Aesthetics 46 (2):133-143.
    My paper examines a vital but neglected aspect of Frank Sibley's pioneering account of aesthetic concepts. This is the claim that many aesthetic qualities are such that they can be characterized adequately only by metaphors or ‘quasi-metaphors’. Although there is no indication that Sibley embraced it, I outline a radical, minimalist conception of the experience of perceiving an item as possessing an aesthetic quality, which, I believe, has wide application and which would secure Sibley's position for those aesthetic qualities that (...)
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  15.  85
    Musical Movement and Aesthetic Metaphors.Malcolm Budd - 2003 - British Journal of Aesthetics 43 (3):209-223.
    Roger Scruton's extraordinarily rich and impressive book The Aesthetics of Music has not received the attention it deserves. In this paper I take issue with one of its most striking claims, namely that the basic perceptions of music are informed by spatial concepts understood metaphorically. To evaluate this claim it is necessary to grasp Scruton's theory of metaphor, which has largely been neglected. I sketch his theory and derive from it the essence of his claim about the fundamental role of (...)
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  16.  44
    Music and the Emotions.Malcolm Budd - 1987 - Philosophical Review 96 (4):594-596.
  17. The Aesthetic Appreciation of Nature: Essays on the Aesthetics of Nature.Malcolm Budd & Emily Brady - 2005 - Philosophical Quarterly 55 (218):106-113.
     
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  18. Aesthetic Judgements, Aesthetic Principles and Aesthetic Properties.Malcolm Budd - 1999 - European Journal of Philosophy 7 (3):295–311.
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  19. The Pure Judgement of Taste as an Aesthetic Reflective Judgement.Malcolm Budd - 2001 - British Journal of Aesthetics 41 (3):247-260.
  20. The Love of Art: More Than a Promise of Happiness: Articles.Malcolm Budd - 2011 - British Journal of Aesthetics 51 (1):81-88.
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  21. Wittgenstein on Seeing Aspects.Malcolm Budd - 1987 - Mind 96 (January):1-17.
  22. VII The Aesthetics of Nature.Malcolm Budd - 2000 - Proceedings of the Aristotelian Society 100:137-158.
    I begin by demonstrating the inadequacy of the idea that the aesthetic appreciation of nature should be understood as the appreciation of nature as if it were art. This leads to a consideration of three theses: from the aesthetic point of view natural items should be appreciated under concepts of the natural things or phenomena they are, what aesthetic properties a natural item really possesses is determined by the right categories of nature to experience the item as falling under, and (...)
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  23. Wittgenstein on Meaning, Interpretation and Rules.Malcolm Budd - 1984 - Synthese 58 (March):303-324.
  24. Wittgenstein on Aesthetics.Malcolm Budd - 2011 - In Marie McGinn & Oskari Kuusela (eds.), The Oxford Handbook of Wittgenstein. Oxford University Press.
     
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  25. Response to Christopher Peacocke's ‘The Perception of Music: Sources of Significance’: Symposium.Malcolm Budd - 2009 - British Journal of Aesthetics 49 (3):289-292.
    My response consists essentially of an attempt to throw light on Peacocke's basic proposal as to how musical expressiveness should be understood by a comparison and contrast with a somewhat similar suggestion of mine.
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  26. Aesthetic Realism and Emotional Qualities of Music.Malcolm Budd - 2005 - British Journal of Aesthetics 45 (2):111-122.
    Roger Scruton appears to have been the first to argue for and articulate an anti-realist theory of aesthetic properties. In the case of emotional qualities of music, his principal argument against realism is unsound and cannot, I believe, be repaired. Nevertheless an anti-realist view of emotional qualities of music is in my view correct and I defend Scruton's insight against a rival realist conception. However, I prefer a rather different form of anti-realism to Scruton's.
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  27. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature Part III: The Sublime in Nature.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (3):233-250.
  28.  76
    Music and the Communication of Emotion.Malcolm Budd - 1989 - Journal of Aesthetics and Art Criticism 47 (2):129-138.
  29. Artistic Value.Malcolm Budd - 2004 - In Peter Lamarque & Stein Haugom Olsen (eds.), Aesthetics and the Philosophy of Art: The Analytic Tradition: An Anthology. Blackwell. pp. 262--273.
     
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  30. Review of 'Mimesis as Make-Believe'. [REVIEW]Malcolm Budd - 1992 - Mind 101:195-198.
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  31. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part II: Natural Beauty and Morality.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (2):117-126.
  32.  22
    Nussbaum’s Virtual Musical Space.Malcolm Budd - 2015 - Estetika 52 (1):60-77.
    A review essay on Charles O. Nussbaum´s The Musical Representation: Meaning, Ontology, and Emotion ; Cambridge, MA: MIT Press, 2013, xii + 388 pp. ISBN 978-0-262-51745-4 ).
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  33. The Aesthetic Appreciation of Nature.Malcolm Budd - 2004 - Journal of Aesthetics and Art Criticism 62 (1):76-77.
     
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  34.  6
    The Aesthetic Appreciation Of Nature.Malcolm Budd - 1996 - British Journal of Aesthetics 36 (3):207-222.
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  35. The Repudiation of Emotion: Hanslick on Music.Malcolm Budd - 1980 - British Journal of Aesthetics 20 (1):29-43.
  36. Understanding Music.Michael Tanner & Malcolm Budd - 1985 - Proceedings of the Aristotelian Society, Supplementary Volumes( 59:215-248.
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  37. Objectivity and the Aesthetic Value of Nature: Reply to Parsons.Malcolm Budd - 2006 - British Journal of Aesthetics 46 (3):267-273.
    The Aesthetic Appreciation of Nature I advance a view of the aesthetic value of nature that Glenn Parsons seeks to contest. Here I attempt to show three things. The first is that his critique of my view of the aesthetic value of a natural thing is malfounded. The second is that his proposed alternative, which is intended to vindicate the claim to objectivity of certain judgements of the aesthetic value of a natural thing, is unconvincing. And the third is that, (...)
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  38.  5
    Aesthetic Judgements, Aesthetic Principles and Aesthetic Properties.Malcolm Budd - 1999 - European Journal of Philosophy 7 (3):295-311.
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  39.  5
    Analysing Love.Malcolm Budd - 1989 - Religious Studies 25 (3):407-408.
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  40.  32
    Real Beauty.Malcolm Budd - 1999 - Philosophical Review 108 (1):100.
    The principal aim of Eddy Zemach’s book is to articulate and demonstrate the correctness of a realistic understanding of aesthetic sentences, sentences the surface grammar of which consists in the attribution of an aesthetic property to an item. Zemach is content to represent realism in aesthetics as the view that aesthetic sentences have genuine truth values, describe or misdescribe matters of fact, are objectively true or false depending on whether they correspond to reality, are true if and only if the (...)
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  41. Motion and Emotion in Music: How Music Sounds.Malcolm Budd - 1983 - British Journal of Aesthetics 23 (3):209-221.
  42.  4
    The Legacy of Wittgenstein.Malcolm Budd - 1987 - Journal of Philosophy 84 (1):42-45.
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  43.  91
    Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part I: Natural Beauty.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (1):1-18.
  44.  4
    Philosophies of Arts: An Essay in Differences.Malcolm Budd - 1997 - Philosophical and Phenomenological Research 60 (3):726-729.
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  45.  11
    Music and Conceptualization.Malcolm Budd - 1998 - Philosophical and Phenomenological Research 58 (3):732-735.
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  46.  19
    Books Reviews.Malcolm Budd - 1992 - Mind 101 (401):195-198.
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  47.  49
    Understanding Music.Michael Tanner & Malcolm Budd - 1985 - Aristotelian Society Supplementary Volume 59 (1):215 - 248.
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  48. Motion and Emotion in Music: A Reply.Malcolm Budd - 1987 - British Journal of Aesthetics 27 (1):51-54.
  49.  56
    Hume's Tragic Emotions.Malcolm Budd - 1991 - Hume Studies 17 (2):93-106.
  50.  44
    Book Reviews. [REVIEW]Malcolm Budd - 1989 - British Journal of Aesthetics 29 (4):94-95.
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