86 found
Order:
  1. The Acquaintance Principle.Malcolm Budd - 2003 - British Journal of Aesthetics 43 (4):386-392.
    The Acquaintance Principle maintains that aesthetic knowledge must be acquired through first-hand experience of the object of knowledge and cannot be transmitted from person to person. This implies that aesthetic knowledge of an object cannot be acquired either from an accurate description of the non- aesthetic features of the object or from reliable testimony of its aesthetic character. The question I address is whether there is any sound argument in support of the Principle. I give scant consideration to the possibility (...)
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography   9 citations  
  2. The Aesthetic Appreciation of Nature: Essays on the Aesthetics of Nature.Malcolm Budd - 2002 - Oxford University Press.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Everyone delights in the beauty of flowers, and some are thrilled by the immensity of mountains or of the night sky. But what is involved in serious aesthetic appreciation of the natural world? Malcolm Budd presents four interlinked studies in the aesthetics of nature, (...)
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography   7 citations  
  3.  65
    Wittgenstein's Philosophy of Psychology.Malcolm Budd - 1989 - Routledge.
    I INTRODUCTION WITTGENSTEIN'S CONCEPTION OF THE PHILOSOPHY OF PSYCHOLOGY What did Wittgenstein understand by the philosophy of psychology? ...
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography   13 citations  
  4. Music and the Emotions: The Philosophical Theories.Malcolm Budd - 1985 - Routledge & Kegan Paul.
    The most fundamental debate in the philosophy of music involves the question of whether there is an artistically important connection between music and the ...
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography   12 citations  
  5. The Characterization of Aesthetic Qualities by Essential Metaphors and Quasi-Metaphors.Malcolm Budd - 2006 - British Journal of Aesthetics 46 (2):133-143.
    My paper examines a vital but neglected aspect of Frank Sibley's pioneering account of aesthetic concepts. This is the claim that many aesthetic qualities are such that they can be characterized adequately only by metaphors or ‘quasi-metaphors’. Although there is no indication that Sibley embraced it, I outline a radical, minimalist conception of the experience of perceiving an item as possessing an aesthetic quality, which, I believe, has wide application and which would secure Sibley's position for those aesthetic qualities that (...)
    Direct download (6 more)  
     
    Export citation  
     
    My bibliography   4 citations  
  6. Aesthetic Judgements, Aesthetic Principles and Aesthetic Properties.Malcolm Budd - 1999 - European Journal of Philosophy 7 (3):295–311.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography   5 citations  
  7. Aesthetic Essays.Malcolm Budd - 2008 - Oxford University Press.
    Introduction -- Aesthetic judgements, aesthetic principles, and aesthetic properties -- Aesthetic essence -- The acquaintance principle -- The intersubjective validity of aesthetic judgements -- The pure judgement of taste as an aesthetic reflective judgement -- Understanding music -- The characterization of aesthetic qualities by essential metaphors and quasi-metaphors -- Musical movement and aesthetic metaphors -- Aesthetic realism and emotional qualities of music -- On looking at a picture -- The look of a picture -- Wollheim on correspondence, projective properties, and (...)
    Direct download  
     
    Export citation  
     
    My bibliography   2 citations  
  8. The Aesthetic Appreciation of Nature.Malcolm Budd - 1996 - British Journal of Aesthetics 36 (3):207-222.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Just as nature offers aesthetic experiences beyond the reach of art, so the aesthetics of nature raises issues not contained within the philosophy of art. -/- Malcolm Budd presents four interlinked essays addressing all the main problems about the aesthetics of nature. These include: (...)
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  9.  67
    Values of Art: Pictures, Poetry, and Music.Malcolm Budd - 1996 - Penguin Books.
    Direct download  
     
    Export citation  
     
    My bibliography   4 citations  
  10. The Pure Judgement of Taste as an Aesthetic Reflective Judgement.Malcolm Budd - 2001 - British Journal of Aesthetics 41 (3):247-260.
  11. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature Part III: The Sublime in Nature.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (3):233-250.
  12. Aesthetic Realism and Emotional Qualities of Music.Malcolm Budd - 2005 - British Journal of Aesthetics 45 (2):111-122.
    Roger Scruton appears to have been the first to argue for and articulate an anti-realist theory of aesthetic properties. In the case of emotional qualities of music, his principal argument against realism is unsound and cannot, I believe, be repaired. Nevertheless an anti-realist view of emotional qualities of music is in my view correct and I defend Scruton's insight against a rival realist conception. However, I prefer a rather different form of anti-realism to Scruton's.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  13. The Intersubjective Validity of Aesthetic Judgements.Malcolm Budd - 2007 - British Journal of Aesthetics 47 (4):333-371.
    All aesthetic judgements, whether descriptive, evaluative or some combination of the two, and whatever they might be about, whether works of art, artefacts of other kinds, or natural things, declare themselves to be, not mere announcements or expressions of personal responses to the objects of judgement, but claims meriting the agreement of others. Despite the frequent appeal in everyday life to the nihilistic interpretation of the saying ‘It's all a matter of taste’, the doctrine of aesthetic nihilism—the view that such (...)
    Direct download (6 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  14.  63
    Musical Movement and Aesthetic Metaphors.Malcolm Budd - 2003 - British Journal of Aesthetics 43 (3):209-223.
    Roger Scruton's extraordinarily rich and impressive book The Aesthetics of Music has not received the attention it deserves. In this paper I take issue with one of its most striking claims, namely that the basic perceptions of music are informed by spatial concepts understood metaphorically. To evaluate this claim it is necessary to grasp Scruton's theory of metaphor, which has largely been neglected. I sketch his theory and derive from it the essence of his claim about the fundamental role of (...)
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography   2 citations  
  15. Wittgenstein on Seeing Aspects.Malcolm Budd - 1987 - Mind 96 (January):1-17.
  16. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part II: Natural Beauty and Morality.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (2):117-126.
  17. Wittgenstein on Meaning, Interpretation and Rules.Malcolm Budd - 1984 - Synthese 58 (March):303-324.
  18.  54
    Music and the Communication of Emotion.Malcolm Budd - 1989 - Journal of Aesthetics and Art Criticism 47 (2):129-138.
  19.  15
    Real Beauty.Malcolm Budd & Eddy M. Zemach - 1999 - Philosophical Review 108 (1):100.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  20. Review of 'Mimesis as Make-Believe'. [REVIEW]Malcolm Budd - 1992 - Mind 101:195-198.
    No categories
     
    Export citation  
     
    My bibliography   2 citations  
  21. Motion and Emotion in Music: How Music Sounds.Malcolm Budd - 1983 - British Journal of Aesthetics 23 (3):209-221.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  22.  61
    Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part I: Natural Beauty.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (1):1-18.
  23.  96
    The Repudiation of Emotion: Hanslick on Music.Malcolm Budd - 1980 - British Journal of Aesthetics 20 (1):29-43.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  24.  35
    Book Reviews. [REVIEW]Malcolm Budd - 1989 - British Journal of Aesthetics 29 (4):94-95.
    Direct download (7 more)  
     
    Export citation  
     
    My bibliography  
  25.  22
    Music and the Emotions.Malcolm Budd - 1987 - Philosophical Review 96 (4):594-596.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  26.  84
    Motion and Emotion in Music: A Reply.Malcolm Budd - 1987 - British Journal of Aesthetics 27 (1):51-54.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  27.  83
    Response to Christopher Peacocke's 'the Perception of Music: Sources of Significance'.Malcolm Budd - 2009 - British Journal of Aesthetics 49 (3):289-292.
    My response consists essentially of an attempt to throw light on (and encourage further elucidation of) Peacocke's basic proposal as to how musical expressiveness should be understood by a comparison and contrast with a somewhat similar suggestion of mine.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  28.  78
    Objectivity and the Aesthetic Value of Nature: Reply to Parsons.Malcolm Budd - 2006 - British Journal of Aesthetics 46 (3):267-273.
    The Aesthetic Appreciation of Nature I advance a view of the aesthetic value of nature that Glenn Parsons seeks to contest. Here I attempt to show three things. The first is that his critique of my view of the aesthetic value of a natural thing is malfounded. The second is that his proposed alternative, which is intended to vindicate the claim to objectivity of certain judgements of the aesthetic value of a natural thing, is unconvincing. And the third is that, (...)
    Direct download (6 more)  
     
    Export citation  
     
    My bibliography  
  29.  11
    Books Reviews.Malcolm Budd - 1992 - Mind 101 (401):195-198.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography   2 citations  
  30.  28
    Recent Books in the Philopshy of MusicMusic Alone: Philosophical Reflections on the Purely Musical Experience.Sound and Semblance: Reflections on Musical Representation.The Fine Art of Repetition: Essays in the Philosophy of Music.Music, Art and Metaphysics: Essays in Philosophical Aesthetics.Music and the Emotions: The Philosophical Theories.Language, Music and Mind.The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. [REVIEW]Roger Scruton, Peter Kivy, Jerrold Levinson, Malcolm Budd, Diana Raffman & Lydia Goehr - 1994 - Philosophical Quarterly 44 (177):503.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  31.  23
    Morality, Society, and the Love of Art.Malcolm Budd - 2014 - Estetika: The Central European Journal of Aesthetics 51 (2):170-207.
    The principal focus of the essay is the idea of artistic value, understood as the value of a work of art as the work of art it is, and the essay explores the connections, if any, between artistic value and a variety of other values in human life. I start with a series of observations about social values and then turn to moral values. Beginning from Goethe’s claim that ‘music cannot affect morality, nor can the other arts, and it would (...)
    Direct download  
     
    Export citation  
     
    My bibliography  
  32.  65
    Sibley's Aesthetics. [REVIEW]Malcolm Budd - 2002 - Philosophical Quarterly 52 (207):237–246.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  33.  35
    The Musical Expression of Emotion: Metaphorical-As Versus Imaginative-As Perception.Malcolm Budd - 2012 - Estetika 49 (2):131-147.
    The paper begins with an overview of various well-known accounts of the musical expression of emotion that have been proposed in recent years. But rather than proceeding to assess the merits and faults of these accounts the paper examines whether a radically new theory by Christopher Peacocke is superior to all of them. The theory, which certainly has a number of attractive features, is based on the idea of metaphorical-as perception. The notion of metaphorical-as perception needs to be elucidated and (...)
    Direct download  
     
    Export citation  
     
    My bibliography  
  34.  26
    Artistic Merit.Malcolm Budd - 2014 - Journal of Aesthetic Education 48 (1):10-24.
    If you are interested in art, you engage in artistic evaluation, thinking of one work as being better than another; one artist as being better than another; some works and some artists as being great, mediocre, or poor; and, perhaps, thinking of some forms or genres of art as being superior to others in that works within the favored form or genre have achieved or can aspire to a higher artistic value than is possible for those less favored. The greatest (...)
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  35.  27
    Understanding Music.Michael Tanner & Malcolm Budd - 1985 - Aristotelian Society Supplementary Volume 59 (1):215 - 248.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  36.  64
    Wittgenstein on Sensuous Experiences.Malcolm Budd - 1986 - Philosophical Quarterly 36 (April):174-195.
  37.  56
    Book Review. Aesthetics and the Environment Allen Carlson. [REVIEW]Malcolm Budd - 2001 - Mind 110 (438):448-452.
  38.  23
    Philosophies of Arts.Malcolm Budd - 2000 - Philosophy and Phenomenological Research 60 (3):726-729.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  39. Artistic Value.Malcolm Budd - 2004 - In Peter Lamarque & Stein Haugom Olsen (eds.), Aesthetics and the Philosophy of Art: The Analytic Tradition: An Anthology. Blackwell. pp. 262--273.
     
    Export citation  
     
    My bibliography  
  40. Wittgenstein on Aesthetics.Malcolm Budd - 2011 - In Marie McGinn & Oskari Kuusela (eds.), The Oxford Handbook of Wittgenstein. Oxford University Press.
     
    Export citation  
     
    My bibliography  
  41.  41
    Book Reviews. [REVIEW]Malcolm Budd - 1991 - British Journal of Aesthetics 31 (2):94-95.
    Direct download (7 more)  
     
    Export citation  
     
    My bibliography  
  42.  28
    Hume's Tragic Emotions.Malcolm Budd - 1991 - Hume Studies 17 (2):93-106.
  43.  41
    Book Reviews. [REVIEW]Malcolm Budd - 1985 - British Journal of Aesthetics 25 (4):94-95.
    Direct download (7 more)  
     
    Export citation  
     
    My bibliography  
  44.  27
    Book Reviews. [REVIEW]Malcolm Budd - 1986 - British Journal of Aesthetics 26 (3):94-95.
    Direct download (7 more)  
     
    Export citation  
     
    My bibliography  
  45.  11
    Nussbaum’s Virtual Musical Space.Malcolm Budd - 2015 - Estetika: The Central European Journal of Aesthetics 52 (1):60-77.
    A review essay on Charles O. Nussbaum´s The Musical Representation: Meaning, Ontology, and Emotion ; Cambridge, MA: MIT Press, 2013, xii + 388 pp. ISBN 978-0-262-51745-4 ).
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  46.  27
    Book-Reviews.Malcolm Budd - 1988 - British Journal of Aesthetics 28 (1):94-95.
    Direct download (7 more)  
     
    Export citation  
     
    My bibliography  
  47. Music Alone: Philosophical Reflections on the Purely Musical Experience.Peter Kivy, Jerrold Levinson, Malcolm Budd & Diana Raffman - 1994 - Philosophical Quarterly 44 (177):503-518.
    No categories
     
    Export citation  
     
    My bibliography   1 citation  
  48. Wittgenstein's Philosophy of Psychology.Malcolm Budd - 1992 - Journal of Philosophy 89 (8):433-436.
    No categories
    Direct download  
     
    Export citation  
     
    My bibliography   1 citation  
  49.  10
    Music and the Expression of Emotion.Malcolm Budd - 1989 - Journal of Aesthetic Education 23 (3):19.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  50.  21
    The Realistic Spirit: Wittgenstein, Philosophy, and the Mind. [REVIEW]Malcolm Budd - 1993 - Philosophical Books 34 (1):21-22.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
1 — 50 / 86