Results for 'Malcom Budd'

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  1.  5
    VII—The Aesthetics of Nature.Malcom Budd - 2000 - Proceedings of the Aristotelian Society 100 (2):137-157.
    I begin by demonstrating the inadequacy of the idea that the aesthetic appreciation of nature should be understood as the appreciation of nature as if it were art. This leads to a consideration of three theses: from the aesthetic point of view natural items should be appreciated under concepts of the natural things or phenomena they are, what aesthetic properties a natural item really possesses is determined by the right categories of nature to experience the item as falling under, and (...)
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  2. The Aesthetic Appreciation of Nature: Essays on the Aesthetics of Nature.Malcolm Budd - 2002 - Oxford University Press.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Everyone delights in the beauty of flowers, and some are thrilled by the immensity of mountains or of the night sky. But what is involved in serious aesthetic appreciation of the natural world? Malcolm Budd presents four interlinked studies in the aesthetics of (...)
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  3. Wittgenstein's Philosophy of Psychology.Malcolm Budd - 2013 - Routledge.
    First published in 1989, this book tackles a relatively little-explored area of Wittgenstein’s work, his philosophy of psychology, which played an important part in his late philosophy. Writing with clarity and insight, Budd traces the complexities of Wittgenstein’s thought, and provides a detailed picture of his views on psychological concepts. A useful guide to the writings of Wittgenstein, the book will be of value to anyone concerned with his work as a whole, as well as those with a more (...)
     
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  4. The Aesthetic Appreciation of Nature.Malcolm Budd - 1996 - British Journal of Aesthetics 36 (3):207-222.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Just as nature offers aesthetic experiences beyond the reach of art, so the aesthetics of nature raises issues not contained within the philosophy of art. -/- Malcolm Budd presents four interlinked essays addressing all the main problems about the aesthetics of nature. These (...)
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  5.  3
    Reply to Budd.Charles Nussbaum - 2015 - Estetika 52 (2):190-202.
    Charles Nussbaum´s reply to Malcom Budd´s review essay on Nussbaum´s book, The Musical Representation.
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  6.  3
    The Aesthetic Appreciation of Nature.Malcolm Budd - 2003 - Oxford University Press UK.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Everyone delights in the beauty of flowers, and some are thrilled by the immensity of mountains or of the night sky. But what is involved in serious aesthetic appreciation of the natural world? Malcolm Budd presents four interlinked studies in the aesthetics of (...)
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  7. The Acquaintance Principle.Malcolm Budd - 2003 - British Journal of Aesthetics 43 (4):386-392.
    The Acquaintance Principle maintains that aesthetic knowledge must be acquired through first-hand experience of the object of knowledge and cannot be transmitted from person to person. This implies that aesthetic knowledge of an object cannot be acquired either from an accurate description of the non- aesthetic features of the object or from reliable testimony of its aesthetic character. The question I address is whether there is any sound argument in support of the Principle. I give scant consideration to the possibility (...)
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  8.  74
    Wittgenstein's Philosophy of Psychology.Malcolm Budd - 1989 - Routledge.
    I INTRODUCTION WITTGENSTEIN'S CONCEPTION OF THE PHILOSOPHY OF PSYCHOLOGY What did Wittgenstein understand by the philosophy of psychology? ...
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  9. Music and the Emotions: The Philosophical Theories.Malcolm Budd - 1985 - Routledge & Kegan Paul.
    The most fundamental debate in the philosophy of music involves the question of whether there is an artistically important connection between music and the ...
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  10. The Characterization of Aesthetic Qualities by Essential Metaphors and Quasi-Metaphors.Malcolm Budd - 2006 - British Journal of Aesthetics 46 (2):133-143.
    My paper examines a vital but neglected aspect of Frank Sibley's pioneering account of aesthetic concepts. This is the claim that many aesthetic qualities are such that they can be characterized adequately only by metaphors or ‘quasi-metaphors’. Although there is no indication that Sibley embraced it, I outline a radical, minimalist conception of the experience of perceiving an item as possessing an aesthetic quality, which, I believe, has wide application and which would secure Sibley's position for those aesthetic qualities that (...)
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  11. Aesthetic Judgements, Aesthetic Principles and Aesthetic Properties.Malcolm Budd - 1999 - European Journal of Philosophy 7 (3):295–311.
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  12.  87
    Values of Art: Pictures, Poetry, and Music.Malcolm Budd - 1996 - Penguin Books.
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  13. The Pure Judgement of Taste as an Aesthetic Reflective Judgement.Malcolm Budd - 2001 - British Journal of Aesthetics 41 (3):247-260.
  14.  8
    Does Evolution in Body Patterning Genes Drive Morphological Change-or Vice Versa?Graham E. Budd - 1999 - Bioessays 21 (4):326-332.
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  15. Aesthetic Realism and Emotional Qualities of Music.Malcolm Budd - 2005 - British Journal of Aesthetics 45 (2):111-122.
    Roger Scruton appears to have been the first to argue for and articulate an anti-realist theory of aesthetic properties. In the case of emotional qualities of music, his principal argument against realism is unsound and cannot, I believe, be repaired. Nevertheless an anti-realist view of emotional qualities of music is in my view correct and I defend Scruton's insight against a rival realist conception. However, I prefer a rather different form of anti-realism to Scruton's.
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  16. Homo Sacer.Christopher Budd - 1999 - The Philosophers' Magazine 7 (7):55-55.
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  17. The Intersubjective Validity of Aesthetic Judgements.Malcolm Budd - 2007 - British Journal of Aesthetics 47 (4):333-371.
    All aesthetic judgements, whether descriptive, evaluative or some combination of the two, and whatever they might be about, whether works of art, artefacts of other kinds, or natural things, declare themselves to be, not mere announcements or expressions of personal responses to the objects of judgement, but claims meriting the agreement of others. Despite the frequent appeal in everyday life to the nihilistic interpretation of the saying ‘It's all a matter of taste’, the doctrine of aesthetic nihilism—the view that such (...)
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  18. Aesthetic Essays.Malcolm Budd - 2008 - Oxford University Press.
    Introduction -- Aesthetic judgements, aesthetic principles, and aesthetic properties -- Aesthetic essence -- The acquaintance principle -- The intersubjective validity of aesthetic judgements -- The pure judgement of taste as an aesthetic reflective judgement -- Understanding music -- The characterization of aesthetic qualities by essential metaphors and quasi-metaphors -- Musical movement and aesthetic metaphors -- Aesthetic realism and emotional qualities of music -- On looking at a picture -- The look of a picture -- Wollheim on correspondence, projective properties, and (...)
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  19.  82
    Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part 1: Natural Beauty.M. Budd - 1998 - British Journal of Aesthetics 38 (1):1-18.
  20. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature Part III: The Sublime in Nature.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (3):233-250.
  21. Values of Art: Pictures, Poetry and Music.Malcolm Budd - 1997 - Philosophical Quarterly 47 (187):246-248.
     
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  22.  58
    Music and the Communication of Emotion.Malcolm Budd - 1989 - Journal of Aesthetics and Art Criticism 47 (2):129-138.
  23.  68
    Musical Movement and Aesthetic Metaphors.Malcolm Budd - 2003 - British Journal of Aesthetics 43 (3):209-223.
    Roger Scruton's extraordinarily rich and impressive book The Aesthetics of Music has not received the attention it deserves. In this paper I take issue with one of its most striking claims, namely that the basic perceptions of music are informed by spatial concepts understood metaphorically. To evaluate this claim it is necessary to grasp Scruton's theory of metaphor, which has largely been neglected. I sketch his theory and derive from it the essence of his claim about the fundamental role of (...)
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  24. Music Alone: Philosophical Reflections on the Purely Musical Experience.Peter Kivy, Jerrold Levinson, Malcolm Budd & Diana Raffman - 1994 - Philosophical Quarterly 44 (177):503-518.
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  25. Wittgenstein on Meaning, Interpretation and Rules.Malcolm Budd - 1984 - Synthese 58 (March):303-324.
  26. Wittgenstein on Seeing Aspects.Malcolm Budd - 1987 - Mind 96 (January):1-17.
  27. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part II: Natural Beauty and Morality.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (2):117-126.
  28. Review of 'Mimesis as Make-Believe'. [REVIEW]Malcolm Budd - 1992 - Mind 101:195-198.
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  29. Self-Examination: The Present and Future of Librarianship.John Budd - 2008 - Libraries Unlimited.
    Genealogy of the profession -- Place and identity -- Being informed about informing -- What's the right thing to do? -- In a democracy -- The information society -- Optimistic synthesis.
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  30. The Aesthetic Appreciation of Nature: Essays on the Aesthetics of Nature.Malcolm Budd & Emily Brady - 2005 - Philosophical Quarterly 55 (218):106-113.
     
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  31. The Repudiation of Emotion: Hanslick on Music.Malcolm Budd - 1980 - British Journal of Aesthetics 20 (1):29-43.
  32.  97
    The Love of Art: More Than a Promise of Happiness.M. Budd - 2011 - British Journal of Aesthetics 51 (1):81-88.
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  33.  2
    Music and the Emotions: The Philosophical Theories.Malcolm Budd - 1986 - Philosophical Quarterly 36 (144):434-438.
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  34.  70
    Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part I: Natural Beauty.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (1):1-18.
  35. Motion and Emotion in Music: How Music Sounds.Malcolm Budd - 1983 - British Journal of Aesthetics 23 (3):209-221.
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  36. Artistic Value.Malcolm Budd - 2004 - In Peter Lamarque & Stein Haugom Olsen (eds.), Aesthetics and the Philosophy of Art: The Analytic Tradition: An Anthology. Blackwell. pp. 262--273.
     
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  37.  1
    Values of Art: Pictures, Poetry, and Music.Malcolm Budd - 1999 - Journal of Aesthetics and Art Criticism 57 (1):76-78.
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  38.  40
    Friedrich Nietzsche & Daniel Dennett.Christopher Budd, Guy Douglas & Stewart Saunders - 1998 - The Philosophers' Magazine 4:30-31.
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  39.  32
    Understanding Music.Michael Tanner & Malcolm Budd - 1985 - Aristotelian Society Supplementary Volume 59 (1):215 - 248.
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  40.  88
    Motion and Emotion in Music: A Reply.Malcolm Budd - 1987 - British Journal of Aesthetics 27 (1):51-54.
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  41.  17
    Real Beauty.Malcolm Budd & Eddy M. Zemach - 1999 - Philosophical Review 108 (1):100.
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  42.  85
    Response to Christopher Peacocke's 'the Perception of Music: Sources of Significance'.Malcolm Budd - 2009 - British Journal of Aesthetics 49 (3):289-292.
    My response consists essentially of an attempt to throw light on (and encourage further elucidation of) Peacocke's basic proposal as to how musical expressiveness should be understood by a comparison and contrast with a somewhat similar suggestion of mine.
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  43.  36
    Book Reviews. [REVIEW]Malcolm Budd - 1989 - British Journal of Aesthetics 29 (4):94-95.
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  44.  81
    Objectivity and the Aesthetic Value of Nature: Reply to Parsons.Malcolm Budd - 2006 - British Journal of Aesthetics 46 (3):267-273.
    The Aesthetic Appreciation of Nature I advance a view of the aesthetic value of nature that Glenn Parsons seeks to contest. Here I attempt to show three things. The first is that his critique of my view of the aesthetic value of a natural thing is malfounded. The second is that his proposed alternative, which is intended to vindicate the claim to objectivity of certain judgements of the aesthetic value of a natural thing, is unconvincing. And the third is that, (...)
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  45.  23
    Music and the Emotions.Malcolm Budd - 1987 - Philosophical Review 96 (4):594-596.
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  46.  11
    Books Reviews.Malcolm Budd - 1992 - Mind 101 (401):195-198.
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  47.  53
    Aesthetic Attitude.M. Budd - unknown
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  48.  24
    Basic Molecular Evolution Workshop–A Trans‐African Virtual Training Course.Sheila Ommeh, Aidan Budd, Mtakai Vald Ngara, Isaac Njaci & Etienne P. de Villiers - 2011 - Bioessays 33 (4):243-247.
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  49.  30
    Playing by The Rawls.Christopher Budd - 1999 - The Philosophers' Magazine 5 (5):57-57.
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  50.  26
    Morality, Society, and the Love of Art.Malcolm Budd - 2014 - Estetika 51 (2):170-207.
    The principal focus of the essay is the idea of artistic value, understood as the value of a work of art as the work of art it is, and the essay explores the connections, if any, between artistic value and a variety of other values in human life. I start with a series of observations about social values and then turn to moral values. Beginning from Goethe’s claim that ‘music cannot affect morality, nor can the other arts, and it would (...)
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