Many writers often generalise about mysticism without a sufficiently close analysis of texts. Consequently the generalisations are often invalid. My present aim is to analyse one text and, in the light of this analysis, to offer some observations concerning mysticism in general and Christian mysticism in particular.
Perennialists regarding the phenomenology of mysticism, like Walter Stace, feel that all Christian mystical experiences are fundamentally similar to each other and to experiences described by mystics across religious traditions, cultures and ages. In his seminal work, Mystic Union: An Essay in the Phenomenology of Mysticism, Nelson Pike convincingly argues that this extreme position is inadequate for capturing the breadth of experiences described by the canonical Medieval Christian mystics. However, Pike may have leaned too far away from (...) perennialism in claiming that all the experiences of (Christian) mystic union are essentially theistic. Here, I argue that Pike did not successfully establish this point and that union without distinction, often described as the pinnacle of union by Christian mystics, remains a viable candidate for an instance of a trans-traditionally type-identical mystical experience. (shrink)
The question of whether or not God exists is endlessly fascinating and profoundly important. Now two articulate spokesmen--one a Christian, the other an atheist--duel over God's existence in a lively and illuminating battle of ideas. In God?, William Lane Craig and Walter Sinnott-Armstrong bring to the printed page two debates they held before live audiences, preserving all the wit, clarity, and immediacy of their public exchanges. With none of the opaque discourse of academic logicians and divinity-school theologians, the (...) authors make claims and comebacks that cut with precision. Their arguments are sharp and humorous, as each philosopher strikes quickly to the heart of his opponent's case. For example, Craig claims that we must believe in God to explain objective moral values, such as why rape is wrong. Sinnott-Armstrong responds that what makes rape wrong is the harm to victims of rape, so rape is immoral even if there is no God. From arguments about the nature of infinity and the Big Bang, to religious experience and divine action, to the resurrection of Jesus and the problem of evil, the authors treat us to a remarkable display of intelligence and insight--a truly thought-provoking exploration of a classic issue that remains relevant to contemporary life. (shrink)
Resumen: El presente artículo se propone examinar la clausura del concepto benjaminiano de aura como noción válida para pensar la experiencia estética contemporánea. En este sentido, un primer objetivo consiste en rehabilitar tal concepto, cotejando su definición en el famoso ensayo sobre la reproductibilidad técnica con las diversas formulaciones que el mismo Benjamin elabora al respecto en otros ensayos, en los que la gravitación del aura se desplaza desde una cualidad objetiva, anidada en la obra misma, hacia una facultad perceptual (...) y memoriosa que organiza su experiencia histórica. A partir de lo anterior, un segundo objetivo consiste en pesquisar las huellas de un presunto modelo de historiografía del arte que Benjamin esboza en una carta dirigida a Florens Christian Rang y que afina en su ensayo sobre Eduard Fuchs. Establecidos los lineamientos de este modelo, el artículo concluye que el concepto de aura no remite tanto a una datación de origen de la obra de arte, circunscribiendo exclusivamente sus condiciones de producción, sino a las coordenadas variables en las que cada época recupera para sí una obra de arte determinada. Esta recuperación, imantada por el mecanismo de las correspondances, donde la singularidad de una obra de arte hace sistema con una situación histórica determinada, permite comprender finalmente el aura como un modo de experiencia de las imágenes del arte.: The following work attempts to examine Walter Benjamin’s concept of aura as a valid notion for thinking about contemporary aesthetic experience. In this regard, our first goal is to rehabilitate this concept, comparing its definition in the famous essay on technical reproducibility with other formulations developed by Benjamin in essays such as a “A short history of photography”, “The storyteller”, and “On some motifs in Baudelaire”, in which aura is not understood as an objective quality pertaining to the work of art itself, but as the perceptive and mnemonic faculty organizing its historical experience. Our second goal is to locate the traces of a model for the historiography art, which Benjamin outlines in a letter written to Florens Christian Rang and which he refines in his essay on Eduard Fuchs. Within this context, the article concludes that the concept of aura does not refer to a work of art’s time of origin, but to the variable coordinates that allow each epoch to make its own experience of that work of art. Through the mechanism of correspondences, by which a work of art’s singularity matches with a specific historical situation, we are able understand aura as a mode of experience of the images of art. (shrink)
This chapter argues that Levinas's positive relation to the Western philosophical tradition is far more complex than his interpreters have allowed. At the same time, Levinas's relation to Judaism is far more complex than Levinas and his interpreters suggest. Analyzing Levinas's messianic claims for philosophy in the context of the historically religious roots and aspirations of modern German philosophy, the chapter considers some broad affinities between Levinas's philosophy and Christian theology, in terms of both form and content. Drawing on (...) the recent work of intellectual historians Ian Hunter and Walter Sparn, it argues that the development of modern metaphysics historically transformed what had been the social function of Christian theology. In this sense, Levinas's positive use of the term metaphysics is akin to the historical function of Christian theology, as well as to the historical function of what became post-Christian metaphysics. To make this argument, the chapter reconsiders Levinas's interpretation of Rosenzweig to shed light on Levinas's conceptions of “philosophy” generally, and his conception of “incarnation” in particular. (shrink)
Between 1910 and 1917, Walter Benjamin composed a range of philosophical works and fragmented texts all of which touch upon the concept of youth and its intersection with issues of modernity and theology, faith and political action, religion and secularization, God, and the world. Yet, while scholars have rather extensively discussed Benjamin’s early works on language, literature, and esthetics, less attention has been given to his work on youth. This paper focuses on Benjamin’s writings on youth from these early (...) years. Its aim is to demonstrate how these writings were intended as contributions to the composition of a comprehensive theory of youth, which itself was to combine philosophical discussion with theological imagination. More concretely, by using the example of Meister Eckhart, who is rarely discussed in connection to Benjamin’s thought, the paper shows how Benjamin draws on Christian mystical notions of time, transcendence, and divinity, albeit in a secularized and therefore transformed guise, and how Benjamin’s intellectual endeavor can hence be labeled a modern-mystical theory of youth. (shrink)
Who Are You, Mrs Walter Shandy, Aberratio Naturae? The aim of this paper is to examine the critically unacknowledged aspect of the canonical Tristram Shandy by Laurence Sterne: the authorial delineation and narrative management of the character of Mrs Shandy, who is a silent presence in the background even though the pivotal personal events for the narrator of this spoof-autobiography are his conception and birth. The novel, otherwise thoroughly structurally and thematically experimental, seems to be fossilized in the ancient (...) and Christian philosophers' assumptions about the physical incompleteness of the "weaker vessel" and the malign influence of her disturbing physiology, which for centuries fed into the ontological concept of a woman as Nature's aberration, aberratio naturae. Mrs Shandy's muteness, a striking contrast to her husband's verbosity, her absence and exclusion from the affairs of the male dominated household seem to run counter to the novel's progressive form and linguistic audacity, the sociological shifts slowly taking root and medical discoveries made before and during this age of paradoxes. (shrink)
This article identifies principles for global journalism ethics in speeches and essays by the early 20th century journalist and founder of the first American journalism school, Walter Williams. Williams is not known as a media ethicist, nor is he a prominent figure in ongoing scholarly work on global journalism ethics. However, his nascent ethical principles offer an important foreshadowing of current discussions on how journalism ethics might work in a global context. The global perspective he brought to journalism was (...) formulated at a critical period in the development of American journalism and codes of ethics. Tracing the evolution of global journalism ethics is important because the search for universal ethical principles in journalism has intensified today. That is because “media technologies are increasingly and dramatically global. Our work in media ethics should be commensurate with them” (Christians, 2005, p. 3). A century ahead of current attempts to develop principles for global journalism ethics, Williams was confronted with pluralism and globalization, just as he and other key figures in American journalism's history were shaping journalism into a profession and an academic discipline. While Williams discussed such principles as global responsibility and awareness of difference, he also contended that a specifically Christian, American, pastoral model should set the global standard. This paradoxical, unwieldy stance is discussed in the context of the Progressive Era. Implications for current scholarship on global journalism ethics are explored. (shrink)
Walter Conn's theory of Christian Conversion (1986) provides an illuminating lens for understanding Dorothy Day's conversion experience. Day's story, conversely, offers an opportunity to test selected features of Conn's theory, specifically the affective, cognitive, moral, and religious categories of analysis. The dialectic is a fruitful one, yielding insight into both Day's story and Conn's theory, while at the same time raising provocative questions about and contributing to the current debate regarding an "ethic of care" as distinct from an (...) "ethic of justice.". (shrink)
This article examines the role of the mediaeval theory of the propositio in re, as proposed by Walter Burley and others, which bears a striking resemblance to the theory of the “proposition” advocated by G. E. Moore and B. Russell. Burley’s proposition composed of real things has the function of an ultimate significate for every sentence of natural language. The main problems of such a theory are on the one hand absurdities like a bird flying between the subject and (...) predicate of a sentence, on the other hand Burley’s assumption that a relation of identity holds between subject and predicate, which might render propositiones in re tautological. Moreover, the particular nature of this relation is left unexplained. But these difficulties can be solved: The former by applying objective being, being as being cognized, to the terms of a propositio, as did Scotus and Franciscus de Prato, the latter by specifying multiple forms of real predication as being or being-in-something apart from a mere identity-relation. (shrink)
There has been a great deal of talk recently among historians of Christian reflection about the problem and the possibility of a ‘plurality of theologies’. Directives from such eminent spokesmen as Karl Rahner have underscored the need for a rationale by which to demonstrate that the presence of different orientations does not necessarily violate the unitary character of a Christian tradition. Other Catholic thinkers have offered arguments for ascribing a relative status to the ‘Thomistic style’ of theology, and (...) cases have been made for the inclusion of additional schematic frameworks. Beyond all of this, there are elegant suggestions in the writings of Bernard Lonergan that there is sufficient theoretical, even metaphysical, basis to justify plurality in theology. The claim would seem to be that different theological orientations are expressive of distinct fields of vision which are not necessarily mutually exclusive. (shrink)
This essay is an attempt to analyze an important decision Brzozowski took at the end of his life, i.e. his late turn towards Catholicism, which, despite his own objections, we should nonetheless call a religious conversion. The main reason why Brzozowski resisted the traditional rhetoric of conversion lies in his often repeated conviction that faith cannot invalidate life, because “what is not biographical, does not exist at all.” Brzozowski, therefore, rejects conversion understood as a radical and abrupt revolution of the (...) soul, which annuls everything that happened before, and turns to a model of religiosity (“Catholicism, undoubtedly”) which preserves his entire biographical past. In this manner, Brzozowski seeks his own formula of faith, more adequate to the “situation” of the modern man who lives in and through History. I argue that the model of “conversion without conversion” Brzozowski chose as representative of modern man is typically, though avant la lettre , post-secular: closer to the Jewish sources of past-oriented tschuva than to the mystical timelessness of traditionally Christian metanoia . The idea that redemption consists not in a liberation of a pure spirit but in a patient working-through of the universal history of creation is an implicit credo of the whole modern age, first fully articulated by Brzozowski and only later in the writings of Hermann Cohen, Franz Rosenzweig, and Walter Benjamin. Brzozowski emerges as a relatively early precursor of the future post-secular option whose advocates, like the author of The Diary , will not allow themselves to “lose a single moment,” either of their lives or the world’s history. (shrink)
Well-versed in contemporary social science and in alternative views of theology and metaphysics, Walter Muelder has remained a practicing idealistic thinker for many years. The subtitle of this substantial volume is: “Forty Years of Communitarian Personalism.” Commencing with a brilliant forty-two page autobiographical statement, the volume contains nineteen essays, dating from 1939–1979, on various theoretical and practical themes. Without being combative or even polemical, Muelder straightforwardly deals with controversial issues and significant religious implications of philosophical Personalism, showing affinity with, (...) if not reliance upon, Ritschl, Bowne, Knudson, and Brightman. While not directly philosophical in character, one finds a philosophical perspective underlying every essay. They constitute a remarkable series of insights into the social nature of human personality and the ethical requirements laid upon society, the nation, and the church. They represent the practical outworkings of a technically trained mind, whose eminent leadership in the most forward areas of religious and social thought has not been duly appreciated. (shrink)
