La primera comprensión husserliana de la evidencia en cuanto “vivencia de la verdad”, se ve reformulada en las Investigaciones lógicas con la consideración de la vivencia como mención –que implica una gradualidad de la dación y del cumplimiento– por la que es dada una objetividad. La reducción fenomenológica y los análisis noético-noemáticos que de ella resultan en Ideas I , manifiestan la remisión necesaria de toda conciencia modificada a la que da originariamente como fundamento primitivo de su legitimidad. Esta originariedad (...) del cumplimiento se ve determinada por una clase y estilo de evidencia propios de cada región de objetos. (shrink)
Este trabajo indaga las resemantizaciones del mito de Venus en tres poetas latinoamericanos: Julián del Casal, Rubén Darío y José Lezama Lima teniendo en cuenta la intertextualidad y las poéticas correspondientes. This paper analyses the Venus myth appropiation into the poetry of Julián del Casal, Rubén Darío and José Lezama Lima considering their poetry and intertextuality.
Este trabajo indaga las resemantizaciones del mito de Venus en tres poetas latinoamericanos: Julián del Casal, Rubén Darío y José Lezama Lima teniendo en cuenta la intertextualidad y las poéticas correspondientes. This paper analyses the Venus myth appropiation into the poetry of Julián del Casal, Rubén Darío and José Lezama Lima considering their poetry and intertextuality.
En Fenicias resultan dignos de destacar los cambios substanciales que Eurípides introdujo al tratamiento del mito en sus versiones tradicionales. De modo particular, en el análisis filológico-literario de prólogo y párodos se pone de manifiesto una evidente integración de espacios y tiempos teatrales y el ensamble de los dos ámbitos trágicos estructurales significa una expresión clara de los límites entre "lo propio" y "lo ajeno". Nos proponemos demostrar que el diseño espacio-temporal de prólogo y párodos construye una suerte de agón (...) en el nivel espacial que se evidencia en el trazado de los personajes de Yocasta, Antígona y el Pedagogo en el prólogo y de las mujeres fenicias en la párodos. De modo que también resulte agonal la confrontación entre propio y ajeno, ya mencionada, como característica de la composición teatral euripidea, acorde con las realidades comunicativas de la época de representación de la tragedia y con la propuesta poética del autor. In 'Phoenician Women' it is interesting to point out the substantial changes that Euripides introduced to the treatment of the myth in his traditional versions. In a singular manner, in the literary-philological analysis of the prologue and párodos it does depict an evident integration of theatrical times and spaces and the assembly of the limits between ´the foreign´ and ´the self´. We will try to show that the temporal-space design of the prologues and párodos builds a chance of agón at the spatial level that gives evidence to the outline of the characters in Yocasta, Antigone and in the Pedagogue in the prologue and the Phoenician women in the párodos. Furthermore, the confrontation between the foreign and the self is also agonistic, already mentioned, is a characteristic of the theatrical Euripidean composition, according to communicative realities of the time of the representation of the tragedy and the poetic proposal of its author. (shrink)
El vínculo particular que el coro protagónico y el resto de los personajes mantienen con el espacio teatral revela la admirable coherencia entre texto y espectáculo en la composición de Suplicantes de Esquilo. Por un lado, el hecho de que actores y coro compartan una única área en este drama, la orchéstra, nos obliga a revisar la organización de un espacio regularmente exclusivo del coro. Por otro lado, la presencia ininterrumpida del protagonista colectivo en escena y la dinámica de llegadas (...) y regresos de los personajes secundarios nos invitan a analizar la dimensión somática de la “sintaxis espacial”, según los términos de Ruth Padel, reflexionando acerca de los lugares que ocupa cada personaje durante cada coyuntura del drama. El objetivo de este artículo es demostrar que el dramaturgo alteró y maximizó las alternativas de uso del espacio escénico para construir un espacio dramático consistente con el replanteo del rol de los recursos disponibles. The particular link that the leading chorus and the rest of the characters maintain with the theatrical space reveals the remarkable coherence between text and spectacle in the composition of theSuppliants of Aeschylus. On the one hand, the fact that actors and chorus share a single area in this drama, the orchestra, forces us to revise the organization of a space regularly dedicated to the chorus. On the other hand, the uninterrupted presence of the collective protagonist on the scene and the dynamics of arrivals and returns of the supporting characters encourage us to analize the somatic dimension of “spatial syntax”, according to Ruth Padel’s expression, considering the places that each character occupies during each conjuncture of the play. The aim of this article is to demonstrate that the dramatist altered and maximized the alternatives of use of the theatrical space in order to construct a dramatic space consistent with the redesign of the role of its available resources. (shrink)
Este trabajo se propone estudiar las características de los paralogismos de composición y división (Retórica II 24.II, 1401a), de la consecuencia (Retórica II 24.VI, 1401b20-30) y de la causa aparente (Retórica II 24.VII, 1401b30-34), de modo de analizar si Eurípides los utiliza en el agón de Andrómaca de los versos 577 a 746 This paper intends to study the characteristics of paralogisms due to composition and division (Rhetoric II 24.II, 1401a), due to consequent (Rhetoric II 24.VI, 1401b20-30), and due to (...) false cause (Rhetoric II 24.VII, 1401b30-34), in order to analyze if Euripides uses them in the agon in Andromache (577-746). (shrink)
As Social Economy financial institutions, credit unions have traditionally been considered less efficient than traditional banking entities. However, like banks and savings banks, they have to be as efficient and competitive as possible to survive in today’s business environment, especially at times of crisis. To date, there have been very few studies on their efficiency and practically none for the crisis period. Moreover, almost all the existing studies assess only financial efficiency, without considering their social function. This study examines the (...) levels of both financial and social efficiency in Spanish credit unions as well as their main determinants during the recent crisis. We apply the two-stage double bootstrap data envelopment analysis methodology based on panel data corresponding to all the credit unions active in Spain between 2008 and 2013. The empirical results indicate that financial and social efficiency achieved an acceptable level, although on average the former was slightly greater than the latter. We also find that both age and merger and acquisition activity were positively influential on the financial efficiency of credit unions but had a significant negative effect on their social efficiency. Moreover, the regional location of such entities and the financial crisis were also crucial determinants of both types of efficiency. Our findings are therefore useful for all the stakeholders of credit unions to know if these entities have been efficient according to a double bottom line accounting in the crisis period and hence to maintain successful social management that is compatible with satisfactory financial efficiency. (shrink)
Review of Maria del Guadaloupe Davidson, Kathryn T. Gines, and Donna-Dale L. Marcano (eds), Convergences: Black Feminism and Philosophy (Albany: SUNY, 2010).
El presente artículo tiene como objetivo invitar a reflexionar sobre la obra de una filósofa que representa uno de los pensamientos más originales del quehacer filosófico español: María Zambrano. Sus planteamientos en torno a la crítica cultural y género, la crítica al pensamiento moderno, son en sí, una clara crítica a la razón patriarcal. Repensar el quehacer político-práctico de María Zambrano como una figura de la emancipación nos permitirá entender nuestro propio presente.
Abuso sexual en la infancia es el libro escrito por María Beatriz Müller con el objetivo de dar una explicación del éxito judicial que ha tenido a lo largo de los años el Síndrome de Alienación Parental, propuesto por el médico Richar Gardner en la década de los 80. A lo largo de la lectura del libro se verá cómo la postulación de este supuesto síndrome en ámbitos médicos, psicológicos y judiciales, así como otras propuestas carentes de evidencia científica, (...) han generado un contexto claramente perverso en la prevención del abuso sexual, donde “todo se vuelve patas para arriba, no se cree en la palabra de y en los síntomas de los niños y las niñas, las madres protectoras son consideradas instigadoras y promotoras de mentiras, el abuso sexual queda invisibilizado, las víctimas se convierten en victimarios y el depredador en el “pobre padre que no puede ver a sus hijos””. Con este aterrador panorama de la situación actual de muchos países en relación con la prevención del abuso sexual de niños, niñas y adolescentes, la licenciada Müller realiza una exposición muy bien documentada y de fluida lectura sobre los distintos mitos, construcciones e injusticias alrededor de este tema. Para citar esta reseña / To cite this review / Para citar esta resenha Rosas-Jiménez CA. María Beatriz Müller. Abuso sexual en la infancia. Mitos, construcciones e injusticias: el éxito judicial del falso síndrome de alienación parental. Buenos Aires: Editorial Maipue, 2015. 192 p.. Pers Bioet. 2019;23:266-268. DOI: https://doi.org/10.5294/pebi.2019.23.2.8. (shrink)
La resiliencia como vivencia del Reino de Dios es el título del libro escrito por María Stella Rodríguez Arenas, publicado en el 2015 por la editorial de la Pontificia Universidad Javeriana en Colombia. De cierta manera novedosa, la autora vincula la lógica que subyace a las parábolas del Reino de Dios, a los relatos de sanación y a las actitudes de Jesús, con la lógica de los procesos resilientes, presentando a Jesús como tutor de resiliencia.
La obra lírica de María Rosa Lojo constituye un verdadero proyecto de indagación ontológica, es decir, un modo de explorar la relación del hombre con su propio ser/ estar en el mundo y con lo trascendente. En sus primeros dos libros, Visiones y Forma oculta del mundo, el hablante lírico toma la forma de un poetamédium que se asienta entre dos mundos, asume el rol de nexo con el misterio y da forma a una serie de visiones que oscilan (...) entre el kairós de la revelación momentánea y la impotencia final, estado que signa el tono de ambas antologías. (shrink)
A poco più di cinque anni dal Colloquio, vengono adesso pubblicati gli Atti. Questi 5 anni hanno segnato un'ulteriore cammino per la ‘questione’ di Santa Maria Antiqua e tra i fatti positivi segnalo subito il restauro della cappella dei Santi Medici, a maggior ragione perché è l'unico ambiente cui non ha rivolto l'attenzione nessuno dei saggi del libro che qui presentiamo. Anche la storiografia ha segnato ulteriori tappe, in primis con il saggio di Beat Brenk, apparso negli Atti spoletini del (...) 2003, con un approfondimento talora sostanziale di quanto esposto in prima battuta in questo volume, ma anche con il saggio di Maria Andaloro sulle icone romane dove offre un secondo caso di quanto la studiosa chiama «l'approfondimento delle individualità materiche e delle specificità esecutive» dei dipinti. (shrink)
El delirio ha sido estudiado por la psiquiatría, la psicología y el psicoanálisis como una patología de la mente que puede tratarse clínicamente. Sin embargo, las raíces del delirio arrancan de la filosófica: autores como Spinoza, Schopenhauer o María Zambrano han profundizado sus bases metafísicas. El presente trabajo amplía el campo actual de análisis de esta entidad desde la óptica de la metafísica y explica cómo además de constituir un problema psíquico conforma un revulsivo que ayuda al desarrollo de (...) la identidad.Delirium has been studied as a treatable mental illness by psychiatry, psychology and psychoanalysis. However, delirium roots belong to philosophy: authors as Spinoza, Schopenhauer or María Zambrano have gone deep into its metaphysical groundings. This article broadens current delirium field through a metaphysical view. Here, it is explained how delirium is a psychological problem and a salutary lesson for developing personal identity. (shrink)
Nella tradizione agostiniana del XII secolo compaiono temi e linguaggi che suggeriscono la presenza, accanto al discorso teologico, di un discorso dell'uomo sull'uomo. Si analizza la figura di Maria Maddalena in alcuni autori del XII secolo e l'allegoria nuziale nei Sermones super Cantica di Bernardo di Clairvaux. La lettura viene condotta sulla base di categorie concettuali di carattere psicoanalitico, in quanto tali categorie trovano la propria origine, prima ancora che nel pensiero, nella più concreta e profonda esperienza umana. Ed è (...) proprio il collocarsi all'interno di questa viva esperienza umana che consente di cogliere in modo più diretto la dimensione antropologica che pare emergere dagli scrittori monastici di questo periodo. (shrink)
La recepción durante el siglo XX se preguntó si la filosofía nietzscheana era a-, im- o anti-política, es decir, si podía ser asimilada por la democracia, o si era antimoderna, elitista y reaccionaria. El italiano Roberto Esposito ha propuesto leerla como formando e informando el paradigma de la biopolítica. Se discuten cuatro lecturas de esa biopolítica: como formadora del paradigma de la inmunidad, como tanatopolítica, como liberal y neoliberal, y como biopolítica afirmativa. Twentieth-century readers wondered if Nietzschean philosophy was apolitical, (...) impolitic, or anti-political; that is, if it could be assimilated by democracy or if it was antimodern, elitist, and reactionary. The Italian philosopher Robert Esposito has proposed reading Nietzsche's philosophy as forming and informing the biopolitical paradigm. Four readings of these biopolitics are discussed: as part of the paradigm of immunity, as thanatopolitics, as liberal and neoliberal, and as affirmative biopolitics. (shrink)
In the past, Schiller has often been underestimated as a philosopher in his own right. Fortunately, this has been changing, beginning with the bicentennial commemoration of his death in 2005, which has since then produced a fair number of volumes, mostly in French, German, Italian, and Spanish. Unfortunately, Frederick Beiser's 2005 Schiller the Philosopher: A Re-Examination, one of the still rare book-length treatments by a single author, has failed to lead to a similar "new wave" in the English-speaking world. Thus, (...) it is heartening to have here a volume of essays focusing on his philosophical writings and bringing together titans of the fields of philosophical Schiller-studies, German early romantic... (shrink)
María Zambrano art critic presents the special space that painting was for her. Transcribing her contemplations, she reveals an appropriate way to enter in the pictures: the poetic reason, which constitutes a new aesthetic based on fidelity to original reality and on the revelation of a presence. Zambrano defines painting as a creative act that bursts out of the artist odyssey towards his entrails and to the revelation always incomplete of the original reality. We want to understand the expression (...) of the enigmatic presence by the art of painting and by the poetic reason, through the analysis of the coherence between the principles of Zambrano aesthetic and her own art critic. The auroral motives of painting and the auroral metaphors of poetic reason take up the challenge of the ineffable presence receiving it in a form that becomes promise of transcendence and of revelation for the contemplator and the reader. The motif of the fire in Saint Barbara by the Master of Flemalle and its contemplation transcribed by Zambrano accompany us with the same intensity. Poetic reason constitutes an aesthetic because it stands in a radical plane of liberty-obedience, opening the door of the human paradox, centre of revelation and of creation. (shrink)
Se propone un examen crítico de la última obra de J.-L. Marion titulada, dedicada a la unión de alma y cuerpo, y cuya tesis principal es: los problemas que esta unión suscita confunden dos términos, cuerpo y mi cuerpo. Esta confusión lleva a que se apliquen al primero categorías propias del segundo. Se examinan las "paradojas ónticas" que mi cuerpo (la carne) inaugura (a); se despeja la tesis de dos interpretaciones de las meditaciones primera y sexta (b); se discute la (...) "excepción a la metafísica" instaurada por el conocimiento de mi cuerpo (c); se arriesga, siguiendo una indicación del autor, la apertura a una dimensión ética que exige examinar ya no la unión de cuerpo y alma, sino la unión por el amor a un semejante y a la comunidad de semejantes (d). The article carries out a critical examination of J.-L. Marion's latest work, "Sur la pensée passive de Descartes", whose main thesis is that the problems posed by the union of body and soul confuse two terms: body and my body. This confusion leads to the application to the former of categories inherent to the latter. The paper examines the "ontic paradoxes" that my body (the flesh) gives rise to (a); it clarifies the thesis of two interpretations of the First and Sixth Meditations (b); it discusses the "exception to metaphysics" established by the knowledge of my body (c); and, following an indication by the author, it proposes an opening to the ethical dimension, which demands an examination of the union, through love, with a fellow human being and with the community of human beings, rather than of the union of body and soul (d). Neste artigo, propõe-se um exame crítico da última obra de J.-L. Marion, intitulada "Sur la pensée passive de Descartes", dedicada à união de alma e corpo, e cuja tese principal é: os problemas que essa união suscita confundem dois termos, corpo e meu corpo. Essa confusão leva a que se apliquem ao primeiro categorias próprias do segundo. Examinam-se os "paradoxos ônticos" que meu corpo (a carne) inaugura; a tese de duas interpretações das medita ccedil;ões primeira e sexta é esclarecida; arrisca-se, seguindo uma indicação do autor, a abertura a uma dimensão ética que exige examinar já não a união de corpo e alma, mas sim a união pelo amor a um semelhante e à comunidade de semelhantes. (shrink)
María Zambrano art critic presents the special space that painting was for her. Transcribing her contemplations, she reveals an appropriate way to enter in the pictures: the poetic reason, which constitutes a new aesthetic based on fidelity to original reality and on the revelation of a presence. Zambrano defines painting as a creative act that bursts out of the artist odyssey towards his entrails and to the revelation always incomplete of the original reality. We want to understand the expression (...) of the enigmatic presence by the art of painting and by the poetic reason, through the analysis of the coherence between the principles of Zambrano aesthetic and her own art critic. The auroral motives of painting and the auroral metaphors of poetic reason take up the challenge of the ineffable presence receiving it in a form that becomes promise of transcendence and of revelation for the contemplator and the reader. The motif of the fire in Saint Barbara by the Master of Flemalle and its contemplation transcribed by Zambrano accompany us with the same intensity. Poetic reason constitutes an aesthetic because it stands in a radical plane of liberty-obedience, opening the door of the human paradox, centre of revelation and of creation. (shrink)
