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  1. The Art Instinct: Beauty, Pleasure, and Human Evolution.Mara Miller - 2009 - Journal of Aesthetics and Art Criticism 67 (3):333-336.
  2.  58
    The Garden as an Art.Mara Miller - 1993 - State University of New York Press.
    In this book Miller challenges contemporary aesthetic theory to include gardens in an expanded definition of art.
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  3. Japanese Aesthetics - Ch. 23.Mara Miller - 2010 - In Jay Garfield, William Edelglass & Koji Tanaka (eds.), Oxford Handbook of World Philosophy. Oxford University Press. pp. 317-333.
  4.  64
    Canons and the Challenge of Gender.Mara Miller - 1993 - The Monist 76 (4):477-493.
    Examines the role of the gender of philosopher-contributors in the constitution of a philosophical canon. Effects of the inclusion of women's voices within the canon; Development of a Japanese philosophical canon as a case in point.
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  5. Four Approaches to Emotion in Japanese Visual Arts.Mara Miller - 2004 - In Paolo Santangelo (ed.), Emotion in Asia. Universita degli Studi di Napoli "L'Orientale.
  6. Genji’s Gardens: From Symbolism to Personal Expression and Emotion: Gardens and Garden Design in The Tale of Genji.Mara Miller - 2012 - In Giusi Paolo (ed.), States of Mind in Asia. Santangelo, Paolo & Giusi Tamburello. pp. 105-141.
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  7. Identity, Identification, and Temperament in Emblematic Portraits of in Edo Japanese Literati Artists Taiga & Gyokuran: A Philosophical and Theoretical Analysis of the Ming-Qing Legacy.Mara Miller - 2007 - MingQing Yanjiu (MingQing Studies):65-116.
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  8. Terrible Knowledge And Tertiary Trauma, Part II: Suggestions for Teaching about the Atomic Bombings, with Particular Attention to Middle School.Mara Miller - 2013 - The Clearing House 86 (05):164-173.
    In a companion article, “Terrible Knowledge And Tertiary Trauma, Part I: Japanese Nuclear Trauma And Resistance To The Atomic Bomb” (this issue), I argue that we need to teach about the atomic bombings of Hiroshima and Nagasaki, even though the material is difficult emotionally as well as intellectually. Because of the nature of the information, this topic can be as difficult for graduate students (and their professors!) as for younger students. Teaching about the atomic bombings, however, demands special treatment if (...)
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  9. Terrible Knowledge And Tertiary Trauma, Part I: Teaching About Japanese Nuclear Trauma And Resistance To The Atomic Bomb.Mara Miller - 2013 - The Clearing HouseHouse 86 (05):157-163.
    This article discusses twelve reasons that we must teach about the 1945 American atomic bombings of Hiroshima and Nagasaki. As with Holocaust studies, we must teach this material even though it is both emotionally and intellectually difficult—in spite of our feelings of repugnance and/or grief, and our concerns regarding students’ potential distress (“tertiary trauma”). To handle such material effectively, we should keep in mind ten objectives: 1) to expand students' knowledge about the subject along with the victims’ experience of it; (...)
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  10.  48
    Varieties of Ethical Reflection: New Directions for Ethics in a Global Context.Stephen C. Angle, Michael Barnhart, Carl B. Becker, Purushottama Bilimoria, Samuel Fleischacker, Alan Fox, Damien Keown, Russell Kirkland, David R. Loy, Mara Miller & Kirill Ole Thompson (eds.) - 2002 - Lexington Books.
    Varieties of Ethical Reflection brings together new cultural and religious perspectives—drawn from non-Western, primarily Asian, philosophical sources—to globalize the contemporary discussion of theoretical and applied ethics.
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  11. Gardens as Art.”.Mara Miller - 1998 - In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press. pp. 274--280.
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  12.  66
    Gardens as works of art: The problem of uniqueness.Mara Miller - 1986 - British Journal of Aesthetics 26 (3):252-256.
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  13. Japanese Aesthetics and the Disruptions of Identity after the Atomic Bombings.Mara Miller - forthcoming - Kritische Berichte. Zeitschrift für Kunst- Und Kulturwissenschaften:73--82.
     
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  14.  13
    Time and Temporality in the Garden.Mara Miller - 2010-09-24 - In Fritz Allhoff & Dan O'Brien (eds.), Gardening ‐ Philosophy for Everyone. Wiley‐Blackwell. pp. 178–191.
    This chapter contains sections titled: Chronos and Kairos Chronos and Scientific Time Climate and Garden Aesthetics Subjective Time Objective or Shared Time Cyclical Time The Garden's Times Moving Through the Garden Experiences of Time in the Garden Notes.
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  15.  12
    Landscape Appreciation: Theories since the Cultural Turn.Mara Miller - 2023 - Journal of Aesthetics and Art Criticism 81 (1):113-116.
    The history of landscape appreciation in the West, and especially in the English-speaking world, has been bound up with the concept of taste. For good reason: t.
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  16.  19
    A Philosophy of Gardens.Mara Miller - 2007 - Journal of Aesthetics and Art Criticism 65 (4):430-432.
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  17. .Mara Miller - 2007 - Maahenki Oy.
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  18. Ainu Aesthetics.Mara Miller & Koji Yamasaki - forthcoming - In Minh Nguyen (ed.), New Studies in Japanese Aesthetics. Lexington Books.
    Ainu artists were invited to make “replicas” of traditional Ainu arts held in an important museum collection and describe their choices, process and results. The resulting Ainu aesthetics challenges—and changes—our understanding of aesthetics and the philosophy of art, on four levels: descriptive aesthetics, categorical aesthetics (the categories through which the Ainu understand aesthetic value), implications of these aesthetics for a variety of human activities such as museum practice and daily life, and the implications of the first three for our broader (...)
     
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  19. Aesthetics as Investigation of Self, Subject, and Ethical Agency under Trauma in Kawabata's Post-War Novel The Sound of the Mountain.Mara Miller - forthcoming - Philosophy and Literature.
    Yasunari Kawabata’s 1952 novel The Sound of the Mountain is widely praised for its aesthetic qualities, from its adaptation of aesthetics from the Tale of Genji, through the beauty of its prose and the patterning of its images, to the references to arts and nature within the text. This article, by contrast, shows that Kawabata uses these features to demonstrate the effects of the mass trauma following the Second World War and the complicated grief it induced, on the psychology of (...)
     
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  20.  14
    Aesthetics as Investigation of Self, Subject, and Ethical Agency in Postwar Trauma in Kawabata's The Sound of the Mountain.Mara Miller - 2015 - Philosophy and Literature 39 (1A):122-141.
    It is widely assumed that, with a few notable exceptions, Japanese literature, and especially the work of novelist Yasunari Kawabata, focuses on beauty, emotion, and psychology, and that this focus is at the expense of moral or ethical exploration.Kawabata was Japan’s first winner of the Nobel Prize in Literature, so to misunderstand his work so fundamentally is not just a matter for aficionados of arcana. The mistake deprives the international reading public of an important philosophical resource for understanding the modern (...)
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  21. Agricultural as the Image of Aesthetics and Ethics: A Comparative View.Mara Miller - forthcoming - Pursuit of Comparative Aesthetics.
     
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  22. Aesthetics in our Lives and Our World.Mara Miller - 1995 - In Kathleen Higgins (ed.). Harcourt Brace.
     
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  23.  20
    “A Matter of Life and Death”: Kawabata on the Value of Art after the Atomic Bombings.Mara Miller - 2014 - Journal of Aesthetics and Art Criticism 72 (3):261-275.
    This article explores the possible interpretations—and the implications of those interpretations—of a comment about the importance of art made by Yasunari Kawabata (1899–1972), later the first Japanese Nobel laureate for literature: that “looking at old works of art is a matter of life and death.” (In 1949, Kawabata visited Hiroshima in his capacity as president of the Japan literary society P.E.N. to inspect the damage caused by the atomic bombing of Hiroshima that helped end World War II. On his way (...)
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  24.  31
    A philosophy of gardens by Cooper, David E.Mara Miller - 2007 - Journal of Aesthetics and Art Criticism 65 (4):430–432.
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  25.  9
    A Philosophy of Gardens by cooper, david e.Mara Miller - 2007 - Journal of Aesthetics and Art Criticism 65 (4):430-432.
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  26. Between Architecture and Landscape.Mara Miller - 1999 - In Jan Birksted (ed.). Chapman & Hall.
  27. Culture and Self: Philosophical and Religious Perspectives, East and West.Mara Miller - 1997 - In Douglas Allen (ed.). Westview Press.
     
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  28. Comparative Informatics: A New Information Science in the Service of Crisis Containment and Trauma Prevention and Recovery.Mara Miller - unknown
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  29. Comparative Informatics: Disaster Management, Trauma, and Information Science.Mara Miller - unknown
     
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  30. Crossing the Bridge.Mara Miller - 2000 - In Cynthia Ho & Barbara Stevenson (eds.). St. Martins Press.
     
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  31. Discovery and Praxis: Essays in Asian Studies.Mara Miller - 2011 - In David Jones & Michele Marion (eds.), The Dynamics of Cultural Counterpoint in Asian Studies. Suny Press.
     
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  32.  7
    Denis Dutton’s The Art Instinct and the Recovery of Ainu Aesthetics.Mara Miller - 2014 - Philosophy and Literature 38 (1A):A48-A59.
    Denis Dutton’s The Art Instinct provides a useful framework for analyzing the aesthetics of the Ainu, a small-scale society in northern Japan. In a recent study at Hokkaido University, Ainu artists replicated old, museum-quality Ainu works and reported on their selection, study of the works, replication processes, and discussions with other artists. The replication illustrates the importance of intention in determining the authenticity of works of art, while the artists’ comments demonstrate the applicability of all twelve of Dutton’s “twelve characteristics (...)
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  33. East Asian Aesthetics.Mara Miller - forthcoming - Teaching Asian Art.
     
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  34. Exhibition and Symposium Review of Literati Modern: Bunjinga from Late-Edo to Twentieth-Century Japan.Mara Miller - forthcoming - College Art Association on-Line Reviews.
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  35. Emotion in Asia.Mara Miller - 2004 - In Paolo Santangelo (ed.). Universita Degli Studi di Napoli L’Orientale. pp. 265--313.
  36. Estetyka negatywna w sztuce, środowisku i życiu codziennym: teoria Arnolda Berleanta a powieści Kirino Natsuo.Mara Miller - 2010 - Sztuka I Filozofia (Art and Philosophy) 37.
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  37. Engaged or Enraged.Mara Miller - forthcoming - Honolulu Civil Beat.
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  38. Estetyka W Swiecie: Wybor tekstow, vol V.Mara Miller - 1997 - In Maria Golaszewskiej (ed.). Jagiellonian University Press.
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  39. Early Feminist Aesthetics in Japan: Murasaki Shikibu, Sei Shonagon, and A Thousand Years of the Female Voice.Mara Miller - 2013 - In Ryan Musgrave (ed.), Feminist Aesthetics and Philosophy of Art: Critical Visions, Creative Engagements. Springer Press.
  40. Front Edge of Environmental Aesthetics.Mara Miller - 2010 - In Chen Wangheng (ed.). University of Wuhan Press.
     
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  41. Agency, Identity, and Aesthetic Experience in Three Post-Atomic Japanese Narratives: Yasunari Kawabata’s The Sound of the Mountain, Rio Kushida’s Thread Hell, and the Anime Film Barefoot Gen.Mara Miller - 2014 - In Nguyen Minh (ed.), New Essays in Japanese Aesthetics. Lexington Books.
    Since World War II Japanese artists have employed two seemingly contradictory ways of working, using aesthetics, materials, artistic methods technologies, and approaches that are either radically innovative and wildly experimental, or traditional/classical. Many other artists, however, in a move that seems paradoxical. have combined the two to explore the new themes of the post-atomic period. Three narrative works dealing with the effects of the World War II war effort and the atomic bombings that ended them, Yasunari Kawabata’s novel The Sound (...)
     
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  42. Japanese Gardens as Texts and Contexts.Mara Miller - 2008 - East-West Connections 7 (1):85-106.
  43. Japanese Literary Aesthetics Today: Rewriting the Traditional in the Post-Atomic World.Mara Miller - 2012 - Apa Newsletter on Asian and Asian-American Philosophers and Philosophies 11 (2).
     
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  44.  9
    Language and World View.Mara Miller - 1988 - Philosophie Et Culture: Actes du XVIIe Congrès Mondial de Philosophie 3:214-218.
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  45. Making Historic Terror Tolerable to Children: Barefoot Gen and Grave of the Fireflies.Mara Miller - unknown
     
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  46. Negative Aesthetics in Art, Environment, and Everyday Life: Arnold Berleant's Theory and the Novels of Kirino Natsuo.Mara Miller - 2010 - Sztuka I Filozofia (Art and Philosophy) (10):90--117.
     
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  47. New Dictionary of the History of Ideas.Mara Miller - 2005 - In Maryanne Kline Horowitz (ed.). Charles Scribner’s Sons.
     
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  48. No real reason to let social studies and civics fall down.Mara Miller - forthcoming - The Hawaii Independent.
     
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  49. Oxford Companion to World Philosophy.Mara Miller - 2010 - In Jay Garfield & William Edelglass (eds.). Oxford University Press.
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  50. Oxford Handbook of Japanese Philosophy.Mara Miller - 2014 - In Bret Davis (ed.). Oxford University Press.
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