In the present article I examine the influence of Grotius's works on English republican literature by focusing on the writings of Anthony Ascham. Ascham's interpretation of Grotius is set in the context of the multifaceted uses of the Dutch lawyer's works in the 1640s and in early 1650s, comparing it to Marchamont Nedham's use of Grotius in support of the republican regime. In order to explain the purposes behind Ascham's and Nedham's deployment of Grotian language, I seek to connect them (...) with the politics of propaganda carried on by political groupings within the Parliament between 1648 and 1650. Finally, by pointing to Ascham's use of Grotius, some considerations follow concerning Anglo-Dutch republicanism in mid-seventeenth century. (shrink)

Hugo Grotius and the Century of Revolution, 1613-1718 is a reconstruction of the way Hugo Grotius (1583-1645) was read and used by English political and religious writers in the seventeenth and early eighteenth centuries. Engaging with the reception of all of Grotius's key works and a wide range of topics, the volume has much to say about the search for peace in an age of religious conflict and about the cultural roots of the Enlightenment. Most of all, Marco Barducci aims (...) to deepen our understanding of the connections that made English political thought part of the history of European thought. To this end, it brings together a succinct account of Grotius's own thinking on key topics, mapping these accounts within English debates, to show why his ideas were seen to be relevant at key moments; shows awareness of the possibilities for the misappropriation inherent in reception; and adds something new to our understanding of why seventeenth-century Englishmen argued in the ways that they did. (shrink)

This work provides the first full-scale study of Anthony Ascham's political thought. During the crucial period between the Second Civil War and the aftermath of the abolition of monarchy and the establishment of the English Republic, when he served as official pamphleteer of the Parliament and the republican government, the arguments exposed in Ascham's works paved the way for much of contemporary political discussion. Ascham put forward a complex argument in support of Parliament's claims for obedience which drew on the (...) political thought of Grotius, Hobbes, Selden, Filmer and Machiavelli. He combined ideas taken from these authors and turned them into a powerful instrument of propaganda to be deployed to the service of the political agenda of his Independent patrons in Parliament. (shrink)

Grotius’s attempt to find a compromise both between reason and revelation, and between free will and predestination, his philological approach to the reading of Scripture, his refusal to engage in doctrinal disputes, and his insistence on ethics as the core of Christian teaching, were increasingly important in shaping a powerful strand of thinking about the Anglican church from the Great Tew circle to post-Restoration latitudinarianism. The references to Grotius’s apologetic work which appeared in moderate Anglican writing should be understood by (...) setting them in a broader context encompassing the settlement of Anglican Church, its religious doctrine, and its relations with civil authority. In order to recover the complexity of the political and ecclesiological context for the English translations of De Veritate , I will divide the period from 1632 to 1686 into three distinct phases: the initial phase goes back to the 1630s, when the members of the Great Tew circle at Oxford facilitated the circulation of the early translations and editions of De Veritate in England within the context of Caroline/Laudian religious policy. The second covers the 1650s, when a number of Grotius’s works were translated by the Anglican theologian Clement Barksdale in order to provide a new ideology for the post-Laudian Anglican Church. The third phase spans from the Restoration until 1686, when De Veritate converged in the complex political and intellectual background of ‘latitudinarianism’. (shrink)