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Marcus T. Pearce [5]Marcus Pearce [2]
  1.  97
    Auditory Expectation: The Information Dynamics of Music Perception and Cognition.Marcus T. Pearce & Geraint A. Wiggins - 2012 - Topics in Cognitive Science 4 (4):625-652.
    Following in a psychological and musicological tradition beginning with Leonard Meyer, and continuing through David Huron, we present a functional, cognitive account of the phenomenon of expectation in music, grounded in computational, probabilistic modeling. We summarize a range of evidence for this approach, from psychology, neuroscience, musicology, linguistics, and creativity studies, and argue that simulating expectation is an important part of understanding a broad range of human faculties, in music and beyond.
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  2.  13
    Predictive Uncertainty in Auditory Sequence Processing.Niels Chr Hansen & Marcus T. Pearce - 2014 - Frontiers in Psychology 5.
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  3.  13
    Generality and Specificity in the Effects of Musical Expertise on Perception and Cognition.Daniel Carey, Stuart Rosen, Saloni Krishnan, Marcus T. Pearce, Alex Shepherd, Jennifer Aydelott & Frederic Dick - 2015 - Cognition 137:81-105.
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  4.  7
    A Probabilistic Model of Meter Perception: Simulating Enculturation.Bastiaan van der Weij, Marcus T. Pearce & Henkjan Honing - 2017 - Frontiers in Psychology 8.
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  5.  44
    Music Cognition and the Cognitive Sciences.Marcus Pearce & Martin Rohrmeier - 2012 - Topics in Cognitive Science 4 (4):468-484.
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  6.  40
    Information‐Theoretic Properties of Auditory Sequences Dynamically Influence Expectation and Memory.Kat Agres, Samer Abdallah & Marcus Pearce - 2018 - Cognitive Science 42 (1):43-76.
    A basic function of cognition is to detect regularities in sensory input to facilitate the prediction and recognition of future events. It has been proposed that these implicit expectations arise from an internal predictive coding model, based on knowledge acquired through processes such as statistical learning, but it is unclear how different types of statistical information affect listeners’ memory for auditory stimuli. We used a combination of behavioral and computational methods to investigate memory for non-linguistic auditory sequences. Participants repeatedly heard (...)
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  7.  4
    Simultaneous Consonance in Music Perception and Composition.Peter M. C. Harrison & Marcus T. Pearce - forthcoming - Psychological Review.
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