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Margot E. Fassler [3]Margot Fassler [2]
  1. Helgaud of Fleury and the liturgical arts : the magnification of Robert the Pious.Margot E. Fassler - 2010 - In C. Stephen Jaeger (ed.), Magnificence and the sublime in Medieval aesthetics: art, architecture, literature, music. New York: Palgrave-Macmillan.
     
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    Mary's nativity, Fulbert of Chartres, and the Stirps Jesse: liturgical innovation circa 1000 and its afterlife.Margot Fassler - 2000 - Speculum 75 (2):389-434.
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  3.  13
    The Role of the Parisian Sequence in the Evolution of Notre-Dame Polyphony.Margot E. Fassler - 1986 - Speculum 62 (2):345-374.
    In his discussion of rhythmic poetry the ninth-century theorist Aurelian of Réôme said that “meter is system with measure , but rhythm is measure without system and is discerned through the number of syllables.” For Aurelian rhythm pertained to a particular type of Latin poetry, one which bore a certain similarity to metric poetry but did not scan by the system of metrics. In rhythmic poetry the number of syllables per line and the “judgment of the ear” determine the structure (...)
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    The Role of the Parisian Sequence in the Evolution of Notre-Dame Polyphony.Margot E. Fassler - 1987 - Speculum 62 (2):345-374.
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