Results for 'Maria E. Reicher'

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  1. Experience and Analysis.Johann C. Marek Maria E. Reicher (ed.) - 2005 - HPT&ÖBV.
     
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  2. Austrian Aesthetics.Maria E. Reicher - 2006 - In Markus Textor (ed.), The Austrian contribution to analytic philosophy. New York: Routledge. pp. 293–323.
    Thinking of problems of aesthetics has a long and strong tradition in Austrian Philosophy. It starts with Bernard Bolzano (1781-1848); it is famously represented by the critic and musicologist Eduard Hanslick (1825-1904); and it is continued within the school of Alexius Meinong (1853-1920), in particular by Christian von Ehrenfels (1859-1932) and Stephan Witasek (1870-1915). Nowadays the aesthetic writings of Bolzano, Ehrenfels, and Witasek are hardly known, particularly not in the Anglo-Saxon world. Austrian aesthetics is surely less known than Austrian contributions (...)
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  3.  26
    Value Facts and Value Experiences in Early Phenomenology.Maria E. Reicher - 2009 - In W. Huemer & B. Centi (eds.), Value and Ontology. Ontos-Verlag. pp. 105–135.
    The topic of this paper is the relationship between value facts (e.g., that this is good) and value experiences (e.g., appreciation). Its aim is, first, to give a concise account of the value theories of some important early phenomenologists (Franz Brentano, Christian von Ehrenfels, Alexius Meinong), second, to show that they raise questions and put forward arguments that are still worthy of note, and, third, to critically assess these arguments. Among others, the following questions are discussed: Can past and other (...)
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  4. Kommunikative Absichten und die Ontologie des literarischen Werks.Maria E. Reicher - 2015 - In Jan Borkowski, Stefan Descher, Felicitas Ferder & Philipp David Heine (eds.), Literatur interpretieren: Interdisziplinäre Beiträge zur Theorie und Praxis. Mentis. pp. 191-217.
    In diesem Beitrag werden drei Thesen verteidigt: 1. Interpretationen literarischer Werke (im Sinne von Aussagen über die Bedeutung literarischer Werke) können richtig oder falsch sein. 2. Werke haben eine objektive Bedeutung, unabhängig von Interpretationen. 3. Die Bedeutung eines Werks wird wesentlich durch die kommunikativen Absichten der Autorin determiniert. Die Position, dass Werk- und Textbedeutungen durch tatsächliche Autorabsichten des echten Autors konstituiert werden – die Position des aktualen Intentionalismus – wird gegen eine Reihe von Einwänden und konkurrierenden Theorien verteidigt, nämlich gegen (...)
     
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  5. Zur Metaphysik der Kunst. Eine logisch-ontologische Untersuchung des Werkbegriffs.Maria E. Reicher - 1998 - Graz: dbv-Verlag für die Technische Universität Graz.
    Thema der Arbeit ist der ontologische Status von Werken sowie die Beziehung zwischen Werken einerseits und Aufführungen, Manuskripten, Partituren, Schallplatten, Gemälden, Gebäuden, Drucken etc. andererseits. Es wird angeknüpft an den phänomenologischen Ansatz von Roman Ingarden (aber auch an den von Alexius Meinung). Diese Ansätze werden unter Verwendung moderner logischer Hilfsmittel weiterentwickelt und, wo notwendig, revidiert. Im ersten Kapitel wird ausführlich begründet, warum Werke (und zwar Werke aller Gattungen) abstrakte, typenartige Gegenstände sein müssen, die in konkreten Einzeldingen (z. B. Aufführungen) realisiert (...)
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  6.  72
    Ontological commitment and contextual semantics.Maria E. Reicher - 2002 - Grazer Philosophische Studien 63 (1):141-155.
    Terence Horgan's "contextual semantics" is supposed to be a means to avoid unwanted ontological commitments, in particular commitments to non-physical objects, such as institutions, theories and symphonies. The core of contextual semantics is the claim that truth is correct assertibility, and that there are various standards of correct assertibility, the standards of "referential semantics" being only one among others. I am investigating the notions of correct assertibility,assertibility norms and indirect reference. I argue that closer inspection reveals that contextual semantics ultimately (...)
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  7.  18
    (1 other version)Können wir aus Fiktionen lernen?Maria E. Reicher - 2014 - In Ingrid Vendrell Ferran & Christoph Demmerling (eds.), Wahrheit, Wissen und Erkenntnis in der Literatur. Philosophische Beiträge. Berlin: De Gruyter. pp. 73-95.
    In diesem Beitrag geht es um die Frage, ob wir aus fiktionalen literarischen Werken etwas lernen können. Können fiktionale literarische Werke uns Wissen vermitteln? Wenn ja, wie ist das möglich, und welche Art von Wissen vermitteln uns fiktionale Werke? Es wird argumentiert, dass fiktionale literarische Werke in der Tat Wissen vermitteln können, und zwar, unter anderem, propositionales Wissen über die “wirkliche Welt”.
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  8. Experience and Analysis, The Proceedings of the 27th International Wittgenstein Symposium.Maria E. Reicher & Johan C. Marek (eds.) - 2005 - Öbv&hpt.
     
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  9. 10 Austrian aesthetics.Maria E. Reicher - 2006 - In Markus Textor (ed.), The Austrian contribution to analytic philosophy. New York: Routledge. pp. 1--293.
     
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  10.  22
    Bausteine einer Kunstontologie in Ehrenfels’ Ästhetik und Gestalttheorie.Maria E. Reicher - 2017 - In Jutta Valent & Ulf Höfer (eds.), Christian von Ehrenfels: Philosophie – Gestalttheorie – Kunst: Österreichische Ideengeschichte Im Fin de Siècle. De Gruyter. pp. 101-116.
    Eine ausgearbeitete Kunstontologie findet sich bei Ehrenfels nicht, wohl aber Bausteine zu einer solchen. Diese herauszuarbeiten ist das Anliegen des vorliegenden Beitrags. Dabei geht es um die Frage nach dem ontologischen Status von Kunstwerken, um mögliche kategoriale Einteilungen derselben, um Bestandteile und Identitätsbedingungen. Ehrenfels vertritt die Auffassung, dass nicht materielle Entitäten, sondern „Vorstellungskomplexe“ Träger ästhetischer Eigenschaften sind. Ich argumentiere, dass Ehrenfels die Auffassung zugeschrieben werden kann, dass Kunstwerke nicht mit materiellen Gegenständen, sondern mit Vorstellungskomplexen zu identifizieren sind. Im Weiteren wird (...)
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  11. Introduction.Maria E. Reicher - 2009 - In Maria Elisabeth Reicher (ed.), States of Affairs. Heusenstamm: Ontos. pp. 7-38.
    States of affairs raise, among others, the following questions: What kind of entity are they (if there are any)? Are they contingent, causally efficacious, spatio-temporal and perceivable entities, or are they abstract objects? What are their constituents and their identity conditions? What are the functions that states of affairs are able to fulfil in a viable theory, and which problems and prima facie counterintuitive consequences arise out of an ontological commitment to them? Are there merely possible (non-actual, non-obtaining) states of (...)
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  12. Wie aus Gedanken Dinge werden. Eine Philosophie der Artefakte.Maria E. Reicher - 2013 - Deutsche Zeitschrift für Philosophie 61 (2):219-232.
    The aim of this paper is an ontological clarification of the concept of artefact. The following questions are addressed: 1. Do artefacts constitute an ontological category of objects in its own right, and if so, how could this category be characterized? 2. How do artefacts come into existence? 3. What kind of artefacts are there, and in which relations do they stand to each other? It is argued that artefacts are characterized essentially through their genesis and that they owe their (...)
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  13. Two Interpretations of “According to a Story”.Maria E. Reicher - 2006 - In Andrea Bottani & Richard Davies (eds.), Modes of Existence: Papers in Ontology and Philosophical Logic. Ontos Verlag. pp. 153-172.
    The general topic of this paper is the ontological commitment to so-called "fictitious objects", that is, things and characters of fictional stories, like Sherlock Holmes and Pegasus. Discourse about fiction seems to entail an ontological commitment to fictitious entities, a commitment that is often deemed inconsistent with empirical facts. For instance, "Pegasus is a flying horse" seems to entail "There are flying horses" as well as "Pegasus exists" (according to some widely accepted logical principles). I discuss two solutions that have (...)
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  14.  26
    (2 other versions)Gibt es unvollständige Gegenstände?Maria E. Reicher - 1995 - Grazer Philosophische Studien 50 (1):217-232.
    In Über Möglichkeit und Wahrscheinlichkeit entwickelt Meinong seine Theorie der unvollständigen Gegenstände. Der Begriff der Unvollständigkeit wird eingeführt mittels expliziter Bezugnahme auf den Satz vom ausgeschlossenen Dritten: Ein Gegenstand ist unvollständig genau dann, wenn für ihn der Satz vom ausgeschlossenen Dritten nicht gilt. M. a. W.: x ist unvollständig, wenn nicht für jede Eigenschaft P gilt, daß x P hat oder daß x P nicht hat. Alle existierenden und bestehenden Gegenstände sind vollständig; Gegenstände wie das Dreieck in abstracto oder der (...)
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  15.  30
    (1 other version)Negative Facts, Ideal Meanings, and Intentionality.Maria E. Reicher - 2002 - Southern Journal of Philosophy 40 (S1):181-191.
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  16.  67
    The Nonexistent. By Anthony Everett. (Oxford: OUP, 2013. Pp. viii + 246.) (Book Review).Maria E. Reicher - 2015 - Philosophical Quarterly 65 (261):870-872.
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  17.  21
    Alexander Piecha: Die Begründbarkeit ästhetischer Werturteile. Paderborn: Mentis, 2002. [REVIEW]Maria E. Reicher - 2002 - Grazer Philosophische Studien 65 (1):256-262.
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  18. Erfahrung Und Analyse. Beiträge des 27. Internationalen Wittgenstein-Sym­Posiums.Johann C. Marek & Maria E. Reicher (eds.) - 2004 - Ilwg.
     
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  19. Experience and analysis: proceedings of the 27th International Wittgenstein Symposium, 8th to 14th August 2004, Kirchberg am Wechsel (Austria).Maria E. Reicher & Johann Christian Marek (eds.) - 2005 - Vienna: ÖBV & HPT.
     
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  20.  34
    Dean W. Zimmerman (ed.), Oxford Studies in Metaphysics. Volume 1. Oxford: Oxford University Press, 2004. [REVIEW]Maria E. Reicher - 2004 - Grazer Philosophische Studien 68 (1):224-227.
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  21.  15
    Bolzano & Kant.Johannes L. Brandl, Marian David, Maria E. Reicher & Leopold Stubenberg (eds.) - 2012 - Brill Rodopi.
    Inhaltsverzeichnis/Table of Contents Themenschwerpunkt/Special Topic: Bolzano & Kant Gastherausgeber/Guest Editor: Sandra Lapointe Sandra Lapointe: Introduction Sandra Lapointe: Is Logic Formal? Bolzano, Kant and the Kantian Logicians Nicholas F. Stang: A Kantian Reply to Bolzano¿s Critique of Kant¿s Analytic-Synthetic Distinction Clinton Tolley: Bolzano and Kant on the Place of Subjectivity in a Wissenschaftslehre Timothy Rosenkoetter: Kant and Bolzano on the Singularity of Intuitions Waldemar Rohloff: From Ordinary Language to Definition in Kant and Bolzano Weitere Artikel/Further Articles Christian Damböck: Wilhelm Diltheys empirische (...)
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  22. Nonexistent objects.Maria Reicher - 2019 - Stanford Encyclopedia of Philosophy.
    Are there nonexistent objects, i.e., objects that do not exist? Some examples often cited are: Zeus, Pegasus, Sherlock Holmes, Vulcan (the hypothetical planet postulated by the 19th century astronomer Le Verrier), the perpetual motion machine, the golden mountain, the fountain of youth, the round square, etc. Some important philosophers have thought that the very concept of a nonexistent object is contradictory (Hume) or logically ill-formed (Kant, Frege), while others (Leibniz, Meinong, the Russell of Principles of Mathematics) have embraced it wholeheartedly. (...)
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  23. Gibt es Gegenstände, die nicht existieren?Maria Reicher & Maria Elisabeth Reicher - 2000 - Metaphysica 1 (2):135–162.
    Those who are – in the tradition of Meinong – willing to accept the claim that there are objects that do not exist usually argue that the ontological commitment to nonexistent objects allows to resolve a variety of problems of reference and intentionality, such as: the problem of singular negative existential statements, the problem of discourse on past and future objects, the problem of discourse on fictitious objects, the problem of counterfactual existentials, the problem of allegedly necessary truths on nonexistent (...)
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  24.  72
    States of Affairs.Maria Elisabeth Reicher (ed.) - 2009 - Heusenstamm: Ontos.
    States of affairs raise, among others, the following questions: What kind of entity are they (if there are any)? Are they contingent, causally efficacious, spatio-temporal and perceivable entities, or are they abstract objects? What are their constituents and their identity conditions? What are the functions that states of affairs are able to fulfil in a viable theory, and which problems and prima facie counterintuitive consequences arise out of an ontological commitment to them? Are there merely possible (non-actual, non-obtaining) states of (...)
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  25.  49
    Werk und Autorschaft. Eine Ontologie der Kunst.Maria Elisabeth Reicher - 2019 - Paderborn: Mentis.
    In this book, a general type ontology of works is defended and developed in detail. A wide concept of “work” is used here, such that “work” roughly corresponds to “artefact”. Though the focus is on works of art, the theory is meant to be applicable, in principle, to works of science and technology and to everyday items of all sorts as well. Among others, the following questions are discussed: To what ontological category or categories do works belong? Is there a (...)
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  26. Die Begrundbarkeit asthetischer Werturteile. Paderborn: Mentis, 2002 (Maria E. REICHER).A. Piecha - forthcoming - Grazer Philosophische Studien.
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  27.  25
    Amie L. Thomas son, fiction and metaphysics. Cambridge: Cambridge university press 1999, pp. 187. Isbn: 0-521-64080-6. £35.00. [REVIEW]Maria Elisabeth Reicher - 1999 - Grazer Philosophische Studien 57 (1):325-344.
    The aim of this book is to investigate the nature and ontological status of fictional characters on the one hand (i. e., entities like Sherlock Holmes, Hamlet, or Anna Karenina) and literary works on the other. The overall question is: What kinds of objects are fictional characters and literary works, and how are they related to our everyday world? Thomasson advocates a realist, non-reductionist theory of fictitious objects whose main principles are: Fictional characters exist – just as literary works exist. (...)
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  28.  38
    Review of Maria Elisabeth Reicher (ed.), States of Affairs[REVIEW]E. J. Lowe - 2009 - Notre Dame Philosophical Reviews 2009 (10).
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  29. Dean W. ZIMMERMAN , Oxford Studies in Metaphysics. Volume 1. Oxford: Oxford University Press 2004.M. E. Reicher - 2005 - Grazer Philosophische Studien 68 (1):224.
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  30. Tristan- rodowód namiętności ( Denis de\' Rougemont, \"Miłość a świat kultury zachodniej\", PAX 1968, wyd.I. s.308).Maria E. Cybulska - 1968 - Człowiek I Światopogląd 6 (6):138-143.
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  31. Kommentar - Analogie in welcher Hinsicht: Echt, formal, nur bildhaft oder schlicht zu schwach?Maria E. Kronfeldner - 2005 - Erwã¤Gen, Wissen, Ethik 16:400-402.
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  32.  8
    3.16 Satirische Groteske und ironische Schreibweisen.Maria E. Müller - 2017 - In Hans-Gerd Winter, Inge Stephan & Julia Freytag (eds.), J.M.R.-Lenz-Handbuch. De Gruyter. pp. 456-466.
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  33. Kommentar - Über kleine und große Meilensteine: wie wir finden, was wir suchen.Maria E. Kronfeldner - 2008 - Erwã¤Gen, Wissen, Ethik 19:177-178.
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  34. Acerca del alcance de la "Aísthesis " en "Teeteto" 184B-186C.María E. Díaz & Graciela E. Marcos - 2004 - Revista Latinoamericana de Filosofia 30 (1):165-173.
  35.  10
    Some Notes on the First Edition of the Utopia.Maria E. Kronenberg - 1967 - Moreana 4 (Number 15-4 (3):134-136.
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  36. Von Macbeth bis Machwerk: Kreativität und Abgrenzung.Maria E. Kronfeldner - 2008 - In Akademie Schloss Solitude (ed.), Von Etwas, Das Nie Aufhã¶Rt. Merz & Solitude. pp. 100-102.
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  37. Zum Begriff der psychologischen Kreativität als Basis einer naturalistischen Kreativitätstheorie: Eine kompatibilistische Rekonstruktion von Originalität und Spontaneität.Maria E. Kronfeldner - 2005 - In G. Abel (ed.), Kreativitã¤T: Sektionsbeitrã¤Ge / Xx. Deutscher Kongress Fã¼r Philosophie, 26. - 30. September 2005 in Berlin. Univ.-Verl. Der Tu. pp. 19-30.
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  38.  9
    Obedience as “Engaged Followership”: A Review and Research Agenda.Megan E. Reicher Birney - 2024 - Philosophia Scientiae 28-2 (28-2):91-105.
    Les études sur l’Obéissance à l’Autorité (OtA) de Milgram ont depuis longtemps été comprises comme démontrant que les gens ont une tendance à suivre aveuglément les ordres de l’autorité. Plus récemment, nous avons proposé un modèle d’obéissance basé sur le suivisme engagé (engaged followership), qui suggère que la décision d’une personne d’accepter les requêtes d’une figure d’autorité est basée sur son identification avec cette personne et/ou la cause qu’elle représente. Dans cet article, nous présentons nos raisons de soutenir cette perspective (...)
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  39.  18
    The Context-Variable Self and Autonomy: Exploring Surveillance Experience, recognition, and Action at Airport Security Checkpoints.Meghan E. McNamara & Stephen D. Reicher - 2019 - Frontiers in Psychology 10.
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  40. Darwinian 'blind' hypothesis formation revisited.Maria E. Kronfeldner - 2010 - Synthese 175 (2):193--218.
    Over the last four decades arguments for and against the claim that creative hypothesis formation is based on Darwinian ‘blind’ variation have been put forward. This paper offers a new and systematic route through this long-lasting debate. It distinguishes between undirected, random, and unjustified variation, to prevent widespread confusions regarding the meaning of undirected variation. These misunderstandings concern Lamarckism, equiprobability, developmental constraints, and creative hypothesis formation. The paper then introduces and develops the standard critique that creative hypothesis formation is guided (...)
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  41.  30
    Citrate transport and metabolism in mammalian cells.Maria E. Mycielska, Ameet Patel, Nahit Rizaner, Maciej P. Mazurek, Hector Keun, Anup Patel, Vadivel Ganapathy & Mustafa B. A. Djamgoz - 2009 - Bioessays 31 (1):10-20.
    Citrate, an organic trivalent anion, is a major substrate for generation of energy in most cells. It is produced in mitochondria and used either in the Krebs' cycle or released into cytoplasm through a specific mitochondrial carriers. Citrate can also be taken up from blood through different plasma membrane transporters. In the cytoplasm, citrate can be used ultimately for fatty acid synthesis, which is increased in cancer cells. Here, we review the ways in which citrate can be transported and discuss (...)
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  42. Der andere Faust. Melancholie and Individualität in der Historia von D. Johann Fausten.Maria E. MUller - 1986 - Deutsche Vierteljahrsschrift für Literaturwissenschaft Und Geistesgeschichte 60 (4):572-608.
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  43. Is cultural evolution Lamarckian?Maria E. Kronfeldner - 2007 - Biology and Philosophy 22 (4):493-512.
    The article addresses the question whether culture evolves in a Lamarckian manner. I highlight three central aspects of a Lamarckian concept of evolution: the inheritance of acquired characteristics, the transformational pattern of evolution, and the concept of directed changes. A clear exposition of these aspects shows that a system can be a Darwinian variational system instead of a Lamarckian transformational one, even if it is based on inheritance of acquired characteristics and/or on Lamarckian directed changes. On this basis, I apply (...)
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  44. (1 other version)Genetic Determinism and the Innate-Acquired Distinction in Medicine.Maria E. Kronfeldner - 2009 - Medicine Studies (2):167-181.
    This article illustrates in which sense genetic determinism is still part of the contemporary interactionist consensus in medicine. Three dimensions of this consensus are discussed: kinds of causes, a continuum of traits ranging from monogenetic diseases to car accidents, and different kinds of determination due to different norms of reaction. On this basis, this article explicates in which sense the interactionist consensus presupposes the innate?acquired distinction. After a descriptive Part 1, Part 2 reviews why the innate?acquired distinction is under attack (...)
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  45.  74
    Meme, Meme, Meme: Darwins Erben und die Kultur.Maria E. Kronfeldner - 2009 - Philosophia Naturalis 46 (1):36-60.
    Charles Darwin und seine Erben wendeten die Theorie der Evolution biologischer Arten auch auf Kultur an. Kultur evolviere wie die Natur auf Darwinistische Weise. Die sog. Memtheorie, vertreten von verschiedenen Autoren auf der Basis des Darwinistischen Genselektionismus, ist eine Spielart einer solchen analogen Anwendung. Dieser Artikel kritisiert drei zentrale Aussagen der Memtheorie: (i) dass es Einheiten der Kultur – Meme – gibt, die analog zu Genen zu verstehen sind, (ii) dass Meme, in Analogie zu Genen, Replikatoren sind, und (iii) dass (...)
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  46.  18
    Logos et croyance religieuse chez Héraclite.Maria E. Koutlouka - 1991 - Kernos 4:259-263.
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  47.  41
    Elementary constructive theory of Henselian local rings.María E. Alonso, Henri Lombardi & Hervé Perdry - 2008 - Mathematical Logic Quarterly 54 (3):253-271.
    We give an elementary theory of Henselian local rings and construct the Henselisation of a local ring. All our theorems have an algorithmic content.
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  48.  18
    Critical Science Literacy for Science Majors: Introducing Future Scientists to the Communicative Arts.Maria E. Gigante - 2014 - Bulletin of Science, Technology and Society 34 (3-4):77-86.
    The concept of “critical science literacy” advanced by Susanna Priest is significant to how citizens approach scientific knowledge, but the concept is also relevant to undergraduate students majoring in the sciences, who are not necessarily becoming “critically literate” in their own disciplines. That is, future scientists are not learning how arguments are structured, meaning is made, and facts are agreed upon—specifically through communicative practices—both within and outside of the scientific community. This gap in the curriculum can be addressed through collaborative (...)
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  49.  26
    Seema Arora-Jonsson: Gender, development and environmental governance—theorizing connections: Routlege, New York, NY and Oxon, UK, 2013, 272 pp, ISBN: 978-0-415-89037-3 and 978-0-203-10680.Maria E. Fernandez - 2014 - Agriculture and Human Values 31 (4):683-684.
  50.  12
    “If there is nothing beyond the organic...”: Heredity and Culture at the Boundaries of Anthropology in the Work of Alfred L. Kroeber. [REVIEW]Maria E. Kronfeldner - 2009 - NTM Zeitschrift für Geschichte der Wissenschaften, Technik und Medizin 17 (2):107-133.
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