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  1.  34
    Jacques Derrida: Opening Lines.Marian Hobson - 1998 - Routledge.
    This book explores the language and arguments Jacques Derrida uses in his writings, and how this is at the core of his work. Marian Hobson explores the French language in which Derrida's philosophy is written in, and the ways his ideas are organized, to suggest that this has an overriding affect on how his translated work affects our understanding of his thought.
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  2.  39
    Hostilities and Hostages : On Some Part of Derrida’s Reception.Marian Hobson - 2006 - Epoché: A Journal for the History of Philosophy 10 (2):303-314.
    This piece asks a simple question, one simply obvious after the New York Times obituary of Jacques Derrida: how is it, why is it, that his work has been attacked in act and in words? And why more violently than the other great contemporaries of that period, of whom only Kristeva is still alive: Deleuze, Foucault, Lyotard, Lacan? It tries out various possibilities: envy, power struggles among various intellectual groupings of the same generation, the location of philosophy in the present (...)
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  3.  7
    The Final Seminars of Jacques Derrida: ‘The Beast and the Sovereign’The Beast and the Sovereign, Volume I, 2001–2, Edited by Michel Lisse, Marie-Louise Mallet and Ginette Michaud, Translated by Geoffrey Bennington , 349 Pp.The Beast and the Sovereign, Volume II, 2002–3, Edited by Michel Lisse, Marie-Louise Mallet and Ginette Michaud, Translated by Geoffrey Bennington , 293 Pp. [REVIEW]Marian Hobson - 2012 - Paragraph 35 (3):435-450.
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  4.  22
    Laws and Universality, Laws and History.Marian Hobson - 2010 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 23 (3):265-281.
    The article begins by examining two arguments used by Derrida in work published in 1967. The first claims against Lévi-Strauss that an empirical pattern of events cannot be injected into or superimposed onto an historical pattern claiming universality, for then there can be no disconfirmation of what is said. (This argument is used against Marxian history by some who write in the wake of Existentialism, Paul Roubiczek for instance.) The second claims against Foucault that he does not distinguish between reason (...)
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  5.  6
    Apparitions of 'Freedom' (the Word).Marian Hobson - 2012 - Derrida Today 5 (1):39-54.
    Derrida thematises his writing through a change of perspective which moves from very detailed examination of an argument to more general statements. This paper is a consideration of how Derrida anchors his close attention to the detail of an argument in a wider philosophical-historical and indeed social framework. In this paper, the word in question is ‘freedom’, discussed with the philosopher and psychoanalyst Elisabeth Roudinesco; this paper moves back chronologically to Force of Law, and finally to a passage in Of (...)
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  6.  33
    The Purest of Bastards: Works of Mourning, Art, and Affirmation in the Thought of Jacques Derrida. [REVIEW]Marian Hobson - 2003 - International Studies in Philosophy 35 (1):147-149.
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  7. The Problem of Genesis in Husserl's Philosophy.Marian Hobson (ed.) - 2003 - University of Chicago Press.
    Derrida's first book-length work, _The Problem of Genesis in Husserl's Philosophy_, was originally written as a dissertation for his _diplôme d'études supérieures_ in 1953 and 1954. Surveying Husserl's major works on phenomenology, Derrida reveals what he sees as an internal tension in Husserl's central notion of genesis, and gives us our first glimpse into the concerns and frustrations that would later lead Derrida to abandon phenomenology and develop his now famous method of deconstruction. For Derrida, the problem of genesis in (...)
     
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  8.  22
    The Object of Art: The Theory of Illusion in Eighteenth-Century France.Marian Hobson - 1982 - Cambridge University Press.
  9. Jacques Derrida: Opening Lines.Dr Marian Hobson & Marian Hobson - 1998 - Routledge.
    In _Jacques Derrida: Opening Lines_, Marian Hobson gives us a thorough and elegant analysis of this controversial and seminal contemporary thinker. Looking closely at the language and the construction of some of Derrida's philosophy, Hobson suggests the way he writes, indeed the fact he writes in another language, affects how he can be understood by English speakers. This superb study on the question of language will make illuminating reading for anyone studying or engaged with Derrida's philosophy.
     
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  10.  30
    Pantomime, spasme et parataxe : « Le Neveu de Rameau ».Marian Hobson - 1984 - Revue de Métaphysique et de Morale 89 (2):197 - 213.
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  11.  10
    Malcolm, Mallarmé and Music.Marian Hobson - 2009 - Paragraph 32 (2):129-139.
    Starting with a very brief account of the way language's relation to music was conceived before the nineteenth century, Malcolm Bowie's relation to music is considered by close textual analysis of two passages from his work on Mallarmé. I argue that it is through reference to music that Bowie is able to suggest non-closure even in Mallarmé’s use of the archetypal closed form, the sonnet; and through reference to music that Mallarmé’s non-trivial triviality can be handled in a new way. (...)
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  12.  8
    In Memory of C. M. Johnson.Marian Hobson - 2018 - Paragraph 41 (2):129-131.
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  13.  20
    Derrida and Representation: Mimesis, Presentation, and Representation.Marian Hobson - 2001 - In Tom Cohen (ed.), Jacques Derrida and the Humanities: A Critical Reader. Cambridge University Press. pp. 132--151.
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  14.  36
    Review: Rousseau. [REVIEW]Marian Hobson - 2004 - Mind 113 (452):771-774.
  15. Diderot's Encyclopédie and the French Enlightenment: Summarizing Knowledge and Questioning Knowledge.Marian Hobson - 2013 - Frontiers of Philosophy in China 8 (2):215-229.
     
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  16.  17
    Sensibilité et spectacle : le contexte médical du « Paradoxe sur le comédien » de Diderot.Marian Hobson - 1977 - Revue de Métaphysique et de Morale 82 (2):145 - 164.
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  17. History Traces.Marian Hobson - 1987 - In Derek Attridge, Geoffrey Bennington & Robert Young (eds.), Post-Structuralism and the Question of History. Cambridge University Press. pp. 105--115.
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  18.  5
    Geoffrey Bennington, Not Half No End: Militantly Melancholic Essays in Memory of Jacques Derrida , Xiv+169 Pp.Marian Hobson - 2012 - Oxford Literary Review 34 (1):155-158.
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  19.  5
    Some Things About Jacques Derrida That Surprised Me.Marian Hobson - 2014 - Oxford Literary Review 36 (2):216-218.
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  20.  7
    Derrida Et Frege.Marian Hobson - 2016 - Rue Descartes 89 (2):38.
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  21.  4
    Derrida and Frege.Marian Hobson - 2018 - Paragraph 41 (2):184-195.
    Derrida, for reasons which he never made clear publicly, published his mémoire for the diplôme d'études supérieures only in 1990, some thirty-five years after it had been written. Had it been published much earlier, some of the dispiritingly ill-informed remarks about his work might have been avoided. The mémoire, entitled The Problem of Genesis in Husserl's Philosophy, reveals that he is, when required, perfectly able to write a standard thesis in straightforward French. And that, in particular, he is aware of (...)
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  22.  4
    Jacques Derrida, La Vérité En Peinture,.Marian Hobson - 1981 - Oxford Literary Review 4 (3):94-102.
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  23.  7
    Certains étonnements que j'ai pu avoir à propos de Jacques Derrida.Marian Hobson - 2005 - Rue Descartes 48 (2):79.
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  24.  10
    Le point et le rétroviseur : Diderot ou comment figurer le temps.Marian Hobson - 2008 - Archives de Philosophie 1 (1):37-51.
    De son vivant comme après sa mort, Diderot a été accusé de manque de suite dans les idées. Jean-Claude Bourdin, refusant de lui accorder l’épithète de ‘sceptique’, a suggéré que l’insécurité et le questionnement ne seraient pas la marque de sa philosophie, qui est matérialiste, mais tiendraient à sa manière d’écrire. Pourtant ces caractéristiques portent également une signification philosophique parfaitement cohérente : le temps serait irréel, au sens philosophique ; nous ne pourrions jamais justifier un propos sur le passé sans (...)
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  25.  7
    Le Temps de la Couleur: Le "Salon de 1763" de Diderot.Marian Hobson - 2007 - Diderot Studies 30:113 - 123.
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  26.  4
    La Lettre Sur Les Sourds Et Muets de Diderot: Labyrinthe Et Langage.Marian Hobson - 1976 - Semiotica 16 (4).
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  27.  5
    Quelques Références dans la "Lettre sur les sourds et muets".Marian Hobson - 1975 - Diderot Studies 18:111 - 119.
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  28.  1
    Malcolm MacNaughtan Bowie 1943-2007.Marian Hobson - 2009 - In Proceedings of the British Academy, Volume 161, Biographical Memoirs of Fellows, VIII. pp. 41.
    Malcolm MacNaughtan Bowie, a Fellow of the British Academy, was appointed from an assistant lectureship at the University of East Anglia to one in the University of Cambridge in 1969. At Cambridge, he worked as a specialist in difficult poets in French beginning with ‘M’, particularly Henri Michaux and Stephane Mallarmé. These are writers of involuted complexity, to read whom both a sensitivity to how word play plays and to how French prosody in poetry or prose works were essential. These (...)
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  29. Diderot and Rousseau: Networks of Enlightenment.Marian Hobson - 2011 - Voltaire Foundation.
     
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  30. ‘Derridas’: Hostilities and Hostages.Marian Hobson - 2005 - Paragraph 28 (3):79-84.
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  31. Derrida's Irony? : Or, In Order That Homeland Security Do Not Come Too Early to the Case.Marian Hobson - 2008 - In Robert Eaglestone & Simon Glendinning (eds.), Derrida's Legacies: Literature and Philosophy. Routledge.
  32. ‘Give Us Back Our Eleven Days’: Brexit or Breaksit?Marian Hobson - 2020 - Paragraph 43 (1):71-83.
    A major adjustment to the British calendar occurred in 1752. This was the passage from the Julian calendar to the Gregorian, inaugurated in the sixteenth century by command of Pope Gregory XIII in...
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  33. In Memoriam Malcolm McNaughtan Bowie 1943–2007.Marian Hobson - 2007 - Paragraph 30 (2):117-119.
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  34. Measuring Statues, or, Special Neutrality.Marian Hobson - 2004 - Paragraph 27 (1):33-49.
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  35. Obituary.Marian Hobson - 1999 - Paragraph 22 (3):332-333.
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  36. Rousseau. [REVIEW]Marian Hobson - 2004 - Mind 113 (452):771-774.
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  37. Rousseau & the Eighteenth Century Essays in Memory of R. A. Leigh.Marian Hobson, J. T. A. Leigh, Robert Wokler & R. A. Leigh - 1992
     
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  38. Thus It Ever Was? This is How It Should Be?Marian Hobson - 2014 - Oxford Literary Review 36 (1):157-158.
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  39. The Object of Art. The Theory of Illusion in Eighteenth-Century France.Marian Hobson - 1987 - Revue de Métaphysique et de Morale 92 (1):106-106.
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