32 found
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  1. The Expanded Epoché.Mario Perniola - 2011 - Iris 3 (6):157-170.
    The following essay argues that the Husserlian idea of the epoché could be expanded to cover all aspects of practical life. The first part summarizes the extensive debate developed on this issue in English speaking Phenomenology in the 1970s, one that focused on the relation between the notions of epoché and reduction. In fact, the notion of reduction seems to run counter to the idea of expanding the epoché, insofar as it confines the latter within the narrow horizon of a (...)
     
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  2. An Aesthetic of the "Grand Style": Guy Debord.Mario Perniola & Olga Vasile - 1999 - Substance 28 (3):89-101.
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  3. La società dei simulacri.Mario Perniola - 1980 - Bologna: Cappelli.
     
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  4. Arte e interpretazione.Mario Perniola - 1972 - Rivista di Estetica 17:222.
     
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  5. Aspetti e problemi della metaletteratura.Mario Perniola - 1966 - Rivista di Estetica 11:260.
     
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  6. Appunti per una storia dell'urbanistica labirintica.Mario Perniola - 1968 - Rivista di Estetica 2.
     
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  7.  7
    Becoming Deleuzian?Mario Perniola - 2019 - Deleuze and Guattari Studies 13 (4):482-494.
    Mario Perniola finds more than one cause in common with Deleuze, establishing a link between some aspects of Deleuze's theories and his own education, oriental philosophy, the situationists, but mostly Surrealism and Stoicism, two philosophical attitudes sharing the awareness that the threshold between actuality and virtuality is shifting and in constant transformation. The core element of the essay is notably the notion of becoming, to be taken strictly in relation to the notions of assemblage and plane of consistency. Together they (...)
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  8. Cultural Turns in Aesthetics and Anti-Aesthetics.Mario Perniola - 2004 - Filozofski Vestnik 25 (2).
    The paper intends to bridge the existing gap between aesthetic knowledge and contemporary society. The first part focuses on the cultural turn in aesthetics, the roots of which can already be found in the English criticism of the eighteenth century. This enterprise is inspired by a methodology that regards aesthetics as a "meeting place" of many disciplines and varying cultural traditions. A second type of cultural turn is carried out by writers (e.g. Baudelaire): the target of their polemic is the (...)
     
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  9.  7
    Die politische Bedeutung der pornografischen Kehre.Mario Perniola & Sara Fiona Maclaren - 2010 - Zeitschrift für Medien- Und Kulturforschung 1 (2):27-42.
    The text is looking for a political explanation of the turn in Western attitude to pornography which has taken place since the sixties and even more so since the seventies. More surprising than the liberalization of pornography itself appears the massive pornographic self-exposure even by minors since the turn of the millennium. In addition to the reasons for this extraordinary permissiveness, the paper questions the role of technical and audiovisual media in this social development.
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  10.  2
    Die politische Bedeutung der pornografischen Kehre.Mario Perniola & Sarah Fiona Maclaren - 2010 - Zeitschrift für Medien- Und Kulturforschung 1 (2):28-42.
    The text is looking for a political explanation of the turn in Western attitude to pornography which has taken place since the sixties and even more so since the seventies. More surprising than the liberalization of pornography itself appears the massive pornographic self-exposure even by minors since the turn of the millennium. In addition to the reasons for this extraordinary permissiveness, the paper questions the role of technical and audiovisual media in this social development.
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  11.  3
    De siste strømninger i italiensk estetikk.Mario Perniola - 2001 - Agora Journal for metafysisk spekulasjon 19 (2-3):243-266.
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  12. Estetica italiana contemporanea.Mario Perniola - 2017 - Firenze - Italia: Bompiani.
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  13. Funzionalismo e urbanistica.Mario Perniola - 1970 - Rivista di Estetica 15:254.
     
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  14. Feeling the Difference.Mario Perniola - 2002 - In James E. Swearingen & Joanne Cutting-Gray (eds.), Extreme Beauty: Aesthetics, Politics, Death. Continuum. pp. 4--16.
     
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  15. Grammatologia ed estetica.Mario Perniola - 1966 - Rivista di Estetica 3.
     
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  16.  12
    Il cattolicesimo culturale e il cinema.Mario Perniola - 2002 - Iride: Filosofia e Discussione Pubblica 15 (3):573-584.
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  17. Il settimo congresso internazionale di estetica.Mario Perniola - 1972 - Rivista di Estetica 17:394.
     
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  18.  11
    Impossible, yet Real!Mario Perniola - 2011 - Cultura 8 (1):187-212.
    In order to properly understand the period which begins at the end of the '60s last century, this must not be described anymore using the traditional categories of culture and politics. Facing events like those in May '68 in France, the Italian revolution in 1979, the fall of the Berlin wall in 1989, the attack against the Twin Towers from New York in September 2001, we are all tempted to say “impossible, yet real”. These events had immense consequences upon the (...)
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  19.  4
    Jenseits von Neo-Klassizismus und Primitivismus.Mario Perniola - 1995 - In Hans Ulrich Gumbrecht, Dietmar Kamper & Christoph Wulf (eds.), Ethik der Ästhetik. De Gruyter. pp. 43-52.
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  20.  6
    Knowledge, Power and Politic-Cultural Civilization.Mario Perniola - 2013 - Cultura 10 (2):41-48.
    What kind of relationship has modernity established between knowledge and power? What forms does such a relationship take in contemporary society? Theattempt here is to enter into the merits of its new formulations, focusing attention on the degradation to which power and knowledge have been subjected. The essay also indicates a solution that does not consist in a return to the past or escape into the future, but in the possibility of viewing the present as an opportunity for cultural emancipation.
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  21. L'arte espansa.Mario Perniola - 2015 - Torino: Giulio Einaudi editore.
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  22.  6
    L’esthétique italienne, du Novecento au XXIe siècle.Mario Perniola & Paolo Quintili - 2015 - Rue Descartes 87 (4):101.
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  23. La sociologia dell'arte di Jean Duvignaud.Mario Perniola - 1970 - Rivista di Estetica 15:396.
     
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  24.  20
    Remembering Derrida.Mario Perniola & Deborah Amberson - 2005 - Substance 34 (1):48-49.
  25.  9
    Ritual thinking: sexuality, death, world.Mario Perniola - 2001 - Amherst, N.Y.: Humanity Books.
    Perniola takes his inspiration from ancient Roman religion and its demystification of myth as ritual without myth. This demystification of ritual does not entail a process of secularization nor does it compromise the sacred character of myth. Instead, it is an attempt to establish a link or a transit between the sacred and the profane. The repetitive nature of ritual thinking is an attempt to relate the individual to the hard nuts of experience-sexuality, death, and the vast complexity of the (...)
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  26. Storia dell'arte e lotta di classe.Mario Perniola - 1973 - Rivista di Estetica 18:83.
     
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  27.  8
    20Th Century Aesthetics: Towards a Theory of Feeling.Mario Perniola - 2012 - New York: Continuum. Edited by Massimo Verdicchio & Hugh J. Silverman.
    Written by one of Italy's leading contemporary thinkers and available in English for the first time, this book surveys the key themes in Continental aesthetics.
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  28.  1
    The Italian Difference and the Politics of Culture.Mario Perniola - 1984 - Graduate Faculty Philosophy Journal 10 (1):117-122.
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  29.  16
    The difference of the italian philosophical culture.Mario Perniola - 1984 - Graduate Faculty Philosophy Journal 10 (1):103-116.
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  30. Emilio garroni, la crisi semantica Delle Arti, Roma, officina edizioni, 1964, pp. 342. Questo libro Del garroni, Che non vuole essere di estetica «specu-lativa» o, come anChe ama dirsi,«speculativistica», è provocato, più di quanto non si creda, da Una pregiudiziale filosofica. È questa, infatti, ad. [REVIEW]Mario Perniola - 1965 - Rivista di Estetica 10:102.
     
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  31. Irving Howe, politica E romanzo, Milano, lerici, 1961, pp. 268. Perché Uno scrittore, a cui interessi la situazione storico-sociale Del proprio tempo, scrive un romanzo, anziché un saggio O un libello? A que. [REVIEW]Mario Perniola - 1965 - Rivista di Estetica 10:279.
     
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  32. Jean-Jacques lebel, entretien avec le livìng theatre, parigi, editions Pierre belfond, 1969, pp. 380. Lebel raccoglie nella prima parte Del volume, la più interessante, sot-to il titolo di entretiens, Una serie di interviste agli attori, di discussioni fra questi ultimi, Che seguono la vicenda di creazione E rappresentazione. [REVIEW]Mario Perniola - 1970 - Rivista di Estetica 15:111.
     
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