27 found
Order:
  1.  17
    Wittgenstein's Shakespeare.Marjorie Perloff - 2014 - Wittgenstein-Studien 5 (1).
    Name der Zeitschrift: Wittgenstein-Studien Jahrgang: 5 Heft: 1 Seiten: 259-272.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  2.  20
    Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary.Marjorie Perloff - 1996 - University of Chicago Press.
    Marjorie Perloff, among our foremost critics of twentieth-century poetry, argues that Ludwig Wittgenstein provided writers with a radical new aesthetic, a key to recognizing the inescapable strangeness of ordinary language. Taking seriously Wittgenstein's remark that "philosophy ought really to be written only as a form of poetry," Perloff begins by discussing Wittgenstein the "poet." What we learn is that the poetics of everyday life is anything but banal. "This book has the lucidity and the intelligence we have come to expect (...)
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  3.  6
    Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary.Willard Bohn & Marjorie Perloff - 1996 - Substance 26 (2):142.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  4.  13
    Two Lives: Gertrude and Alice.Marjorie Perloff - 2009 - Common Knowledge 15 (1):93-95.
    No categories
    Direct download (7 more)  
     
    Export citation  
     
    My bibliography  
  5.  7
    Writing Poetry/Writing About Poetry: Some Problems of Affiliation.Marjorie Perloff - 1999 - Symploke 7 (1):21-29.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  6.  7
    " The Shibboleth of Liberation": Calinescu's Postmodernism.Marjorie Perloff - 2009 - Symploke 17 (1):277-280.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  7.  7
    Anarchist Modernism: Art, Politics, and the First American Avant-Garde.Marjorie Perloff - 2004 - Common Knowledge 10 (1):153-154.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  8.  16
    How Avant-Gardes Rise, Fall, and Mutate.Marjorie Perloff - 2006 - Journal of Philosophy: A Cross-Disciplinary Inquiry 2 (4):30-46.
    No categories
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  9.  6
    Response to Marsha Bryant, Edward Brunner, Carter Revard, Robert Dale Parker, and Michael Thurston.Marjorie Perloff - 2001 - Symploke 9 (1):187-192.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  10.  9
    Whose New American Poetry?: Anthologizing in the Nineties.Marjorie Perloff - 1996 - Diacritics 26 (3):104-123.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  11.  9
    Language Poetry and the Lyric Subject: Ron Silliman's Albany, Susan Howe's Buffalo.Marjorie Perloff - 1999 - Critical Inquiry 25 (3):405-434.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  12.  12
    Postmodernism/Fin De Siecle.Marjorie Perloff - 2006 - Journal of Philosophy: A Cross-Disciplinary Inquiry 2 (5):38-54.
    No categories
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  13.  7
    Janus-Faced Blockbuster.Marjorie Perloff - 2000 - Symploke 8 (1):205-213.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  14.  7
    Memoire du mal, tentation du bien: Enquete sur le siecle.Marjorie Perloff - 2002 - Common Knowledge 8 (2):415-415.
    No categories
    Direct download (3 more)  
    Translate
     
     
    Export citation  
     
    My bibliography  
  15.  4
    Between Verse and Prose: Beckett and the New Poetry.Marjorie Perloff - 1982 - Critical Inquiry 9 (2):415-433.
    Whatever we choose to call Beckett’s series of disjunctive and repetitive paragraphs , Ill Seen Ill Said surely has little in common with the short story or the novella. Yet this is how the editors of the New Yorker, where Beckett’s piece first appeared in English in 1981, evidently thought of it, for like all New Yorker short stories, it is punctuated by cartoons and, what is even more ironic, by a “real” poem, Harold Brodkey’s “Sea Noise” . Notice that (...)
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  16.  6
    Bed Hangings.Marjorie Perloff - 2003 - Common Knowledge 9 (2):341-342.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  17.  8
    Conceptual Writing.Marjorie Perloff - 2010 - Journal of Philosophy: A Cross-Disciplinary Inquiry 6 (13):62-64.
    No categories
    Direct download (6 more)  
     
    Export citation  
     
    My bibliography  
  18.  4
    On Eloquence (Review).Marjorie Perloff - 2008 - Symploke 16 (1):316-318.
    No categories
    Direct download  
     
    Export citation  
     
    My bibliography  
  19.  9
    Book Review: Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary. [REVIEW]Marjorie Perloff - 1997 - Philosophy and Literature 21 (2).
  20.  2
    Avant-Garde in a Different Key: Karl Kraus'sThe Last Days of Mankind.Marjorie Perloff - 2014 - Critical Inquiry 40 (2):311-338.
  21.  2
    “Easter 1916”.Marjorie Perloff - 2007 - Journal of Philosophy: A Cross-Disciplinary Inquiry 3 (7):22-33.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  22.  1
    Ludwig Wittgenstein (Review).Marjorie Perloff - 2002 - Common Knowledge 8 (3):549-549.
    Direct download  
     
    Export citation  
     
    My bibliography  
  23. Easter 1916.Marjorie Perloff - 2007 - Journal of Philosophy: A Cross-Disciplinary Inquiry 3 (7):22-33.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  24. Response to Jacques Derrida.Marjorie Perloff - 1989 - Critical Inquiry 15 (4):767-776.
    Derrida’s quite uncharacteristic literalism is surprising: he takes de Man and Dosogne at their word,6 thus boxing himself into a peculiar corner. If indeed there was no censorship of de Man’s articles written prior to August 1942, why is his “discourse … constantly split, disjointed, engaged in incessant conflicts”? If the young de Man could speak freely, why do “all the propositions [in his texts] carry within themselves a counterproposition” ? If, on the other hand, as Denuit and others have (...)
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  25. Toward an Avant-Garde Tractatus: Russell and Wittgenstein on War.Marjorie Perloff - 1993 - Common Knowledge 2:15-34.
     
    Export citation  
     
    My bibliography  
  26. Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary.Marjorie Perloff - 1996 - University of Chicago Press.
    Marjorie Perloff, among our foremost critics of twentieth-century poetry, argues that Ludwig Wittgenstein provided writers with a radical new aesthetic, a key to recognizing the inescapable strangeness of ordinary language. Taking seriously Wittgenstein's remark that "philosophy ought really to be written only as a form of poetry," Perloff begins by discussing Wittgenstein the "poet." What we learn is that the poetics of everyday life is anything but banal. "This book has the lucidity and the intelligence we have come to expect (...)
     
    Export citation  
     
    My bibliography  
  27. Writing Philosophy as Poetry: Literary Form in Wittgenstein.Marjorie Perloff - 2011 - In Marie McGinn & Oskari Kuusela (eds.), The Oxford Handbook of Wittgenstein. Oxford University Press.
     
    Export citation  
     
    My bibliography