14 found
Order:
Disambiguations
Mark DeBellis [14]Mark Andrew Debellis [1]
  1.  67
    Music and Conceptualization.Mark DeBellis - 1995 - Cambridge University Press.
    This book is a philosophical study of the relations between hearing and thinking about music. The central problem it addresses is as follows: how is it possible to talk about what a listener perceives in terms that the listener does not recognize? By applying the concepts and techniques of analytic philosophy the author explores the ways in which musical hearing may be described as nonconceptual, and how such mental representation contrasts with conceptual thought. The author is both philosopher and musicologist (...)
    Direct download  
     
    Export citation  
     
    Bookmark   8 citations  
  2.  67
    Themes in the Philosophy of Music.Mark Debellis - 2004 - Mind 113 (452):747-750.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  3. The Representational Content of Musical Experience.Mark DeBellis - 1991 - Philosophy and Phenomenological Research 51 (June):303-24.
  4.  7
    The Representational Content of Musical Experience.Mark DeBellis - 1991 - Philosophy and Phenomenological Research 51 (2):303-324.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   5 citations  
  5.  7
    Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture.Mark Debellis - 1997 - Journal of Aesthetics and Art Criticism 55 (3):335-337.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   5 citations  
  6.  59
    Schenkerian Analysis and the Intelligent Listener.Mark DeBellis - 2003 - The Monist 86 (4):579-607.
    Not long ago, I was perusing a commentary on Verdi’s Aida, and came across the following observation: the music toward the end of the Nile Scene, in which Aida and Radames resolve to flee Egypt, is the same as that of Radames’s entrance earlier.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  7. Conceptual And Nonconceptual Modes Of Music Perception.Mark Debellis - 2005 - Postgraduate Journal of Aesthetics 2 (2):45-61.
    What does it mean to say that music perception is nonconceptual? As the passages from Meyer and Budd illustrate, one frequently encounters claims of this kind: it is often suggested that there is a level of perceptual contact with, or understanding or enjoyment of, music—one in which listeners typically engage—that does not require conceptualization. But just what does a claim of this sort amount to, and what arguments may be adduced for it? And is all musical hearing nonconceptual, or are (...)
    Direct download  
    Translate
     
     
    Export citation  
     
    Bookmark   1 citation  
  8.  69
    What is Musical Intuition? Tonal Theory as Cognitive Science.Mark DeBellis - 1999 - Philosophical Psychology 12 (4):471 – 501.
    Lerdahl and Jackendoff's Generative Theory of Tonal Music (GTTM) is an important contribution to cognitive science. Jackendoff claims it is a computationalist theory and that the mental representations it postulates are unconscious. Thus GTTM looks to be a kind of cognitive science remote from the folk-psychological. I argue that this picture of GTTM is mistaken: GTTM is at least as much music analysis as cognitive science. Jackendoff's metatheory fails to explain how a listener can tell that a structural description corresponds (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  9. Music.Mark DeBellis - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
    Export citation  
     
    Bookmark  
  10.  47
    Musical Analysis as Articulation.Mark DeBellis - 2002 - Journal of Aesthetics and Art Criticism 60 (2):119–135.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  11. Music and Conceptualization.Mark Debellis - 1997 - Mind 106 (423):599-602.
    No categories
     
    Export citation  
     
    Bookmark   7 citations  
  12. Music and Conceptualization.Mark Debellis - 1998 - Philosophical Quarterly 48 (193):559-561.
    No categories
     
    Export citation  
     
    Bookmark   7 citations  
  13.  49
    The Paradox of Music Analysis.Mark Debellis - 1999 - The Proceedings of the Twentieth World Congress of Philosophy 1999:209-217.
    Music analysis raises interesting problems for the theory of mental representation and meaning, and poses new challenges for epistemology. When an analysis purports to show the structure an analyst or reader hears a piece as having, what relation must thereby hold between hearing and analysis, and how does the analyst or reader know that it does? A paradox of analysis arises: if an analysis correctly captures the information content of a hearing, then it is bound to be uninformative. The solution (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  14.  22
    Conceptions of Musical Structure.Mark Debellis - 1991 - Midwest Studies in Philosophy 16 (1):378-393.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark