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Mark Rollins [31]Mark Christopher Rollins [1]
  1.  7
    Mental Imagery: On the Limits of Cognitive Science.Mark Rollins - 1989 - Yale University Press.
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  2. Pictorial Representation: When Cognitive Science Meets Aesthetics.Mark Rollins - 1999 - Philosophical Psychology 12 (4):387 – 413.
    Pictorial representation is a subject of interest to both cognitive science and aesthetics. Standard theories of depiction often draw on vision science, and vision science must give an account of picture perception. I offer a critical overview of standard theories of depiction and argue that none of them is adequate. I then describe ways in which new theories of perception blend elements of representationalism with an emphasis on attention and motor control. Such theories, in effect, limit the reliance on mental (...)
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  3.  4
    Danto and His Critics.Mark Rollins (ed.) - 1993 - Blackwell.
    Updated and revised, the Second Edition of _Danto and His Critics_ presents a series of essays by leading Danto scholars who offer their critical assessment of the influential works and ideas of Arthur C. Danto, the Johnsonian Professor Emeritus in the Department of Philosophy at Columbia University and long-time art critic for _The Nation_. Reflects Danto's revisions in his theory of art, reworking his views in ways that have not been systematically addressed elsewhere Features essays that critically assess the changes (...)
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  4.  33
    What Monet Meant: Intention and Attention in Understanding Art.Mark Rollins - 2004 - Journal of Aesthetics and Art Criticism 62 (2):175–188.
  5.  46
    The Mind in Pictures.Mark Rollins - 2003 - The Monist 86 (4):608-631.
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  6.  43
    Deep Plasticity: The Encoding Approach to Perceptual Change.Mark Rollins - 1994 - Philosophy of Science 61 (1):39-54.
    The basic problem of perceptual change is how to account for both variation and constancy in perceiving the world. Is order learned? How deep does plasticity go in that respect? I argue that different kinds of perceptual plasticity have been confused in recent debates, notably between J. Fodor and P. M. Churchland. By focusing on changes in the use of concepts, the issues in the Fodor-Churchland debate can be resolved. Beyond that debate, I propose a generalized encoding approach to perception (...)
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  7.  14
    The Invisible Content of Visual Art.Mark Rollins - 2001 - Journal of Aesthetics and Art Criticism 59 (1):19-27.
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  8.  50
    The Strategic Eye: Kosslyn's Theory of Imagery and Perception. [REVIEW]Mark Rollins - 2001 - Minds and Machines 11 (2):267-286.
  9.  4
    Introduction.Mark Rollins - 1999 - Philosophical Psychology 12 (4):381 – 386.
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  10.  11
    Inexhaustibility and Human Being.Mark Rollins - 1990 - Review of Metaphysics 44 (1):169-170.
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  11.  20
    Philosophical Perspectives on Depiction Edited by Abell, Catharine and Katerina Bantinaki.Mark Rollins - 2011 - Journal of Aesthetics and Art Criticism 69 (4):419-421.
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  12.  8
    Exposure, Experience, and Intention Recognition: Take It From the Bottom.Mark Rollins - 2013 - Behavioral and Brain Sciences 36 (2):154 - 155.
    The psycho-historical account implies two ways of construing the relation of basic exposure to the artistic design stance and artistic understanding. One is empirically dubious and the other does not fit well with the account. The assumption that combining psychology with history requires identifying actual intentions is undermined by the artistic design stance.
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  13.  22
    Equivalence and Format: On Strategies for Recognition. Remarks on Kosslyn's Reply. [REVIEW]Mark Rollins - 2001 - Minds and Machines 11 (3):427-431.
  14.  6
    Content and Conformation: Isomorphism in the Neural Sway.Mark Rollins - 1992 - Behavioral and Brain Sciences 15 (2):219-220.
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  15.  8
    Perception and Proper Explanatory Width.Mark Rollins - 1994 - PSA: Proceedings of the Biennial Meeting of the Philosophy of Science Association 1994:437 - 445.
    Marr's theory of vision is often said to exemplify wide psychology. The claim rests primarily on Marr's appeal to a high level theory of computational functions. I agree that Marr's theory embodies an exemplary form of wide psychology; what is exemplary about it is the appeal to perceptual tasks. But I argue that the result of invoking task considerations is that we should not adhere to Marr's own conception of proper explanatory width. There is no one conception of width that (...)
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  16.  11
    Sight and Sensibility: Evaluating Pictures Edited by Lopes, Dominic Mciver.Mark Rollins - 2006 - Journal of Aesthetics and Art Criticism 64 (4):479–482.
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  17.  9
    Re: Reinterpreting Images.Mark Rollins - 1994 - Philosophical Psychology 7 (3):345-358.
    The questions addressed in research on mental imagery have become more refined as experimental techniques have become more exact. One issue that has emerged in current work is whether, or in what ways, imaging is like perceiving. Daniel Reisberg and Deborah Chambers have devised a series of experiments that put that question to the test by asking whether images can be reinterpreted in the same ways that perceptual objects can be reinterpreted. They argue that the evidence points to a negative (...)
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  18.  2
    Sight Reading. [REVIEW]Mark Rollins - 1995 - Behavior and Philosophy 23 (1):53 - 57.
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  19. Mental Imagery: On the Limits of Cognitive Science.Joseph Levine & Mark Rollins - 1992 - Philosophical Review 101 (3):670.
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  20. Algunas consideraciones sobre "Anarquía, Estado y utopía".Mark Rollins - 1988 - Dianoia 34 (34):278.
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  21.  5
    Danto and His Critics.Mark Rollins (ed.) - 2012 - Wiley-Blackwell.
    Updated and revised, the Second Edition of _Danto and His Critics_ presents a series of essays by leading Danto scholars who offer their critical assessment of the influential works and ideas of Arthur C. Danto, the Johnsonian Professor Emeritus in the Department of Philosophy at Columbia University and long-time art critic for _The Nation_. Reflects Danto's revisions in his theory of art, reworking his views in ways that have not been systematically addressed elsewhere Features essays that critically assess the changes (...)
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  22. Danto and His Critics.Mark Rollins - 1996 - Philosophical Quarterly 46 (185):530-532.
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  23. Danto and His Critics.Mark Rollins - 1994 - Journal of Aesthetics and Art Criticism 52 (4):482-483.
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  24. Imagery and Cognition.Mark Rollins - 1986 - Dissertation, Columbia University
    In this analysis, I address the recent debate over the functional characteristics of mental imagery, in which the question is whether the format for imagistic representation is pictorial or sentential. I offer an account of imagery and cognition as an important aspect of the theory of mental representation, one which serves as a test for prevalent views of the nature of explanation in cognitive science. ;The first chapter articulates a functionalist theory of internal states. I argue for the need to (...)
     
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  25. La condición pública del lenguaje y la autoridad de la primera persona.Mark Rollins - 1989 - Dianoia 35 (35):187.
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  26. Of Pictorial Style.Mark Rollins - 2011 - In Elisabeth Schellekens & Peter Goldie (eds.), The Aesthetic Mind: Philosophy and Psychology. Oxford University Press. pp. 391.
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  27. Pictorial Representation.Mark Rollins - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
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  28. Perceptual Strategies and Pictorial Content.Mark Rollins - 2003 - In Margaret Atherton Heiko Hecht & Robert Schwartz (eds.), Looking Into Pictures. pp. 99--122.
     
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  29. The Mind in Pictures: Perceptual Strategies and the Interpretation of Visual Art.Mark Rollins - 2003 - The Monist 86 (4):608-631.
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