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  1.  76
    Ricoeur and Merleau-Ponty on Narrative Identity.Mark S. Muldoon - 1997 - American Catholic Philosophical Quarterly 71 (1):35-52.
  2. Silence revisited: Taking the sight out of auditory qualities.Mark S. Muldoon - 1996 - Review of Metaphysics 50 (2):275-298.
    At best, silence is a slippery topic. On the surface, silence might be easily explained as merely the absence of noise or the cessation of speech. Yet, these are only the dispositions for the experience of silence. Where silence can express itself in a solitary walk, the sadness of death, or in the calm of a serious argument, we are able to attribute various layers of meaning to the experience of silence as well as distinguish its presence qualitatively by employing (...)
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  3.  35
    Reading, Imagination, and Interpretation: A Ricoeurian Response.Mark S. Muldoon - 2000 - International Philosophical Quarterly 40 (1):69-83.
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  4. Bergson, Henri and postmodernism.Mark S. Muldoon - 1990 - Philosophy Today 34 (2):179-190.
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  5.  26
    Ricœur’s Ethical Poetics: Genesis and Elements.Mark S. Muldoon - 2005 - International Philosophical Quarterly 45 (1):61-86.
    Despite his enormous bibliography of written works, Ricoeur has never devoted an entire tome to either moral philosophy or ethics per se. Three chapters of one work, Oneself as Another, do, however, encompass what he calls summarily his “little ethics.” To understand Ricoeur’s ethical project, it is important to see its genesis in his earlier anthropological studies and to follow its evolving nature into a hermeneutical poetics. Ricoeur’s ethical orientation is teleological. He makes a strong distinction between ethics and morality, (...)
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  6.  3
    Ricoeur's Ethics: Another Version of Virtue Ethics? Attestation is not a Virtue.Mark S. Muldoon - 1998 - Philosophy Today 42 (3):301-309.
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  7.  10
    Henri Bergson and Postmodernism.Mark S. Muldoon - 1990 - Philosophy Today 34 (2):179-190.
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