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  1.  33
    “Cuts in Action”: A High‐Density EEG Study Investigating the Neural Correlates of Different Editing Techniques in Film.Katrin S. Heimann, Sebo Uithol, Marta Calbi, Maria A. Umiltà, Michele Guerra & Vittorio Gallese - 2017 - Cognitive Science 41 (6):1555-1588.
    In spite of their striking differences with real-life perception, films are perceived and understood without effort. Cognitive film theory attributes this to the system of continuity editing, a system of editing guidelines outlining the effect of different cuts and edits on spectators. A major principle in this framework is the 180° rule, a rule recommendation that, to avoid spectators’ attention to the editing, two edited shots of the same event or action should not be filmed from angles differing in a (...)
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    How Context Influences Our Perception of Emotional Faces: A Behavioral Study on the Kuleshov Effect.Marta Calbi, Katrin Heimann, Daniel Barratt, Francesca Siri, Maria A. Umiltà & Vittorio Gallese - 2017 - Frontiers in Psychology 8.
  3.  1
    Haptic Aesthetics and Bodily Properties of Ori Gersht’s Digital Art: A Behavioral and Eye-Tracking Study.Marta Calbi, Hava Aldouby, Ori Gersht, Nunzio Langiulli, Vittorio Gallese & Maria Alessandra Umiltà - 2019 - Frontiers in Psychology 10.
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